Regardless of what one thinks of David Lean and his old fashioned style, the results here - save perhaps for the casting of Alec Guinness as a Hindu professor - are exquisite.
A Passage to India (1984)
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Reviews Counted:20
Fresh:17
Rotten:3
Average Rating:7.3/10
Synopsis: David Lean returned to filmmaking after a 14-year absence to direct this award-winning adaptation of E.M. Forster's novel. Adela Quested (Judy Davis), a young and spirited Englishwoman, travels to... David Lean returned to filmmaking after a 14-year absence to direct this award-winning adaptation of E.M. Forster's novel. Adela Quested (Judy Davis), a young and spirited Englishwoman, travels to India alongside the somewhat older Mrs. Moore (Peggy Ashcroft). Mrs. Moore's hope is that her son, an administrator in the British Raj, and Adela will wed. Once in India, the two women pay scant heed to the customs followed by English society. They even agree to accompany a "native"--the charming and educated Dr. Aziz (Victor Banerjee)--on a tour of the mystical, ancient Marabar Caves. But their innocent outing turns ugly when Adela emerges from the cave's darkness accusing Aziz of rape. British authorities eagerly pursue--even pressure--Adela to go to court. The truth, however, is not as clear as the bigoted colonial government believes it is. [More]
Starring: Judy Davis, Peggy Ashcroft, James Fox, Alec Guinness
Starring: Judy Davis, Peggy Ashcroft, James Fox, Alec Guinness, Victor Banerjee, Nigel Havers, Clive Swift
Director: David Lean
Director: David Lean
Reviews for A Passage to India
Lean's visually appealing film frequently connects as a social satire and a mystical melodrama of transgressors looking for footholds in psychically threatening territory.
Though not flawless, Lean's swan song is an intelligent adaptation of Forster's complex novel about racil prejudice and sexual repression, flaunting wonderful perfromances from the two leads, Judy Davis and particularly Dame Peggy Ashcroft.
Lean does an excellent job of conveying the repressive nature of British society captured in the novel.
The film, for all Lean’s innate elegance, is strangely remote and unmoving. It could easily have been a Merchant-Ivory film.
While the storytelling is rather toothless, A Passage to India is certainly well worth watching for fans of the director's epic style.
David Lean's studied, plodding, overanalytic direction manages to kill most of the meaning in E.M. Forster's haunting novel of cultural collision in colonial India.
An impeccably faithful, beautifully played and occasionally languorous adaptation of E.M. Forster's classic novel.
Not for literary purists, but if you like your entertainment well tailored, then feel the quality and the width.
Forster's novel is one of the literary landmarks of this century, and now David Lean has made it into one of the greatest screen adaptations I have ever seen.
The film is very much 'a full theatrical meal,' and one that conveys a lot of 'the multiplicity of life' one seldom sees on the screen these days.
A literary riddle that every viewer is challenged to decipher in light of his or her own perception of human passion and prejudice.
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