While the tautly paced Paycheck succeeds at keeping your attention, it offers nothing at all to think about or even remember once its two hours have run their course.
Paycheck (2003)
Tomatometer
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Reviews Counted:138
Fresh:37
Rotten:101
Average Rating:4.7/10
Consensus: Though Dick's short story has an intriguing premise, Woo reduces it to a lot of meaningless chases, shoot-outs, and explosions.
Runtime: 1 hr 58 mins
Genre: Action/Adventure
US Box Office: $53,681,119
Synopsis: Adapted from a mind-bending sci-fi thriller by Philip K. Dick, the slick and riveting PAYCHECK is directed by John Woo (THE KILLER, MISSION IMPOSSIBLE II)--the king of artful gunfighting... Adapted from a mind-bending sci-fi thriller by Philip K. Dick, the slick and riveting PAYCHECK is directed by John Woo (THE KILLER, MISSION IMPOSSIBLE II)--the king of artful gunfighting flicks--who shows off his agility here with flat-out, white-knuckle cinematic entertainment. Michael Jennings (Ben Affleck) is a high-paid engineer who works on hush-hush computer inventions and technology for shady companies. Later, his memory is wiped clean, so he has no recollection of his work. His so-called friend Rethrick (Aaron Eckhardt, the master of smarmy mean-spiritedness, as in IN THE COMPANY OF MEN) offers him enough money to retire by working on a project at Rethrick's company, Allcom. When Jennings emerges three years later, sans memory, he tries to collect his paycheck. At the bank, he's handed a manila envelope filled with cryptic items he doesn't recognize, and told he voluntarily forfeited his entire paycheck. He also has a stunning girlfriend named Dr. Rachel Porter (Uma Thurman) who is likewise ensnared in the conspiracy. Jennings must somehow piece together the clues he left for himself, and find out why everyone is out to kill him. As usual, Dick's story is the basis for a killer script that travels from point A to Z with gripping immediacy. The clues left for Jennings are amusing writerly devices, intricately pieced together. Woo clearly enjoyed choreographing the wild gunfighting and chase sequences (slo-mo bullets aplenty), sending Affleck and Thurman on the run with a BMW motorcycle. [More]
Starring: Ben Affleck, Aaron Eckhart, Uma Thurman, Paul Giamatti
Starring: Ben Affleck, Aaron Eckhart, Uma Thurman, Paul Giamatti, Colm Feore, John Morton, Michael C. Hall
Director: John Woo
Director: John Woo
Screenwriter: Dean Georgaris
Producer: John Davis, Michael Hackett, John Woo, Terence Chang
Composer: John Powell
Studio: Paramount Pictures
Reviews for Paycheck
Total Recall without the ambiguity and Fifty First Dates without the jokes. Now I’m referencing movies that aren’t even out yet, what’s wrong with me?
Seems like yet another job for hire for the great filmmaker, but one with a strong enough story to sustain our interest for two hours.
The strength of Paycheck is its story which, despite being infused with the trappings of a Hollywood action film, still hangs together.
Without ever quite becoming boring, Paycheck seems to narrow into a routine pattern, and a plot that at first had nuance and the hint of a broader meaning degenerates into chases and standard action.
Dean Georgaris scripted Paycheck from a Philip K. Dick story, and John Woo turned it into the sort of film plastic that groans of metal fatigue.
You may not buy everything about this movie, but you'll likely leave it with a smile.
Dean Georgaris' script leans too much on Affleck going MacGyver at the exact right moment.
Affleck is just fine when he plays a regular guy, but whenever he tries to, like, act, he ends up looking like a perplexed and mildly retarded simian.
The film's greatest drawback was its director's lack of vision and understanding of the world of technology.
Ben Affleck stars in a mix of Hitchcock style and 21st century mind games that can't quite cash itself.
If a movie is going to flout, or at least bend, the laws of the universe, it at least ought to obey its own internal rules.
[Woo] still has pretty much of a tin ear for American performances, so he lets Affleck doze through the starring role. The film feels as if it has no center.
Though the premise is provocative enough, the execution feels like a host of other violent action-drenched movies.
Once Jennings starts McGuyvering his way out of trouble using items from his manila envelope of tricks, the story careens into a brain-dead end.
A bloated thriller that runs out of steam long before its final interminable chase.
Latest News for Paycheck
August 31, 2006:
A Taste of What's "Next" for Nicolas Cage
Any time I hear the phrase "movie based on a Philip K. Dick story," I know I have to do a little more research. The next PKD adaptation is Lee Tamahori's... More...
August 08, 2006:
Paul Giamatti to Star as Philip K. Dick
He night not be as famous as H.G. Wells or Isaac Asimov, but ask a sci-fi enthusiast what they think of Philip K. Dick, and get ready for a lengthy conversation. The late and... More...
November 08, 2005:
Nic Cage & Julianne Moore Will Do Sci-Fi Action Flick "Next"
Variety reports that Nicolas Cage and Julianne Moore will star in Revolution's "Next," which is a sci-fi action project based on a story by genre giant Philip K. Dick. More...
July 08, 2005:
Trailer Bulletin: The Exorcism of Emily Rose
Head on over to the film's official site for your first look at the trailer to "The Exorcism of Emily Rose." The supernatural horror flick is directed by Scott... More...
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