[Director] Lee makes a spirited and persuasive case for break dancing, not only as an art form of strength, beauty, discipline and instinct, but as a means of transcending caste and culture.
Planet B-Boy (2008)
Tomatometer
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Reviews Counted:37
Fresh:33
Rotten:4
Average Rating:6.9/10
Consensus: Lee's dazzling documentary makes a compelling argument for breakdancing as an art form.
Runtime: 1 hr 41 mins
Genre: Musical & Performing Arts
US Box Office: $0
Synopsis:
With compelling characters and vibrant dance sequences, Planet B-Boy is set in the International world of b-boying - the urban dance more commonly known as "breakdancing." Weaving between the vivid...
With compelling characters and vibrant dance sequences, Planet B-Boy is set in the International world of b-boying - the urban dance more commonly known as "breakdancing." Weaving between the vivid backdrops of Osaka, Paris, Seoul and Las Vegas, spectacular choreography frames the intimate stories of dancers who struggle for their dreams despite being
misunderstood by larger society and their own families.
An American dancer in Vegas looks for his big break; a Korean son seeks
his father's approval; a twelve-year-old boy in France confronts his
family's racism - all the b-boys' lives collide in Germany where their skills are
put to the ultimate test: the "Battle of the Year" finals, with crews from
18 nations vying for the title of World Champion. --© Elephant Eye Films
[More]
Director: Benson Lee
Director: Benson Lee
Producer: Amy Lo
Composer: Jim Black
Studio: Elephant Eye Films
Reviews for Planet B-Boy
Planet B-Boy pays fitting homage to both breakers' impressive dance skills and the roots of hip-hop culture. Agile camerawork propels the narrative at a brisk pace, and crisp editing synchs rhythmically with the score's propulsive beat.
Still, from moment to moment, Planet B-Boy is fun, sometimes thrilling and packed with illuminating details and striking personalities
Though he doesn't break any new documentary ground, Lee knows how to shoot his subjects. Their stories are moving, and their moves are thrilling.
Utilitarian documentary about international breakdancing championship in Germany proves lackluster in its depiction of inventive choreography and culture.
Benson Lee’s feel-good documentary profiles five break-dancing crews as they prepare to compete at German promoter Thomas Hergenrother's international 'Battle of the Year' in 2005.
The break-dancing documentary Planet B-Boy proves that what might be (but probably isn't) worth five minutes of your time while you're passing through the Times Square subway station really isn't worth a 11/2-hour movie.
An independent generation's struggle to be understood by parents, the ravenous hunger to be affirmed as a champion, and the phenomenal creativity, skill, and athleticism of breaking.
Lee does a decent job making us care for the squads, but he does his film a better service just by pointing his camera at the breath-taking contortions of the human body.
Will have you bobbing your head and tapping your feet, wishing you could contort yourself like that but knowing you'd probably displace a hip.
It’s only when Planet B-Boy settles into the stories of the 2005 tournament's hopefuls and turns into the Spellbound of bodyrockin' that the film finds its proper ambassadorial groove.
To think that this internationally-embraced dance form was started somewhere in the ghetto by a poor kid with nothing more than a radio and an unbridled passion for self-expression.
Often exhilarating docu charts several breakdancing crews' path to the Battle of the Year, which hosts national winners from 18 countries -- not excluding Israel, Belgium or Latvia -- in dazzling competitive displays.
Notoriety and financial reward are hard to come by in the world of b-boying, a reality illuminated by Benson Lee's documentary.
"Planet B-Boy" takes a step toward bringing together foreign communities by sharing a communal model of freedom of expression--the freedom of movement.
Director Benson Lee makes sure to serve up his topic's key points, but only in easy-to-digest bites that eschew any real investigation into the movement's history, pioneers, influences, and multicultural variations.
Director Lee uses some very whizzy editing, maintaining our interest over the long running time.
As any good film that culminates in a dance competition must, it hypes the pounding music, cheering crowds, and mawkish family backstories to the extreme.
The energy that flows out of the screen is not only uncontrollable, it is contagious. Miss this flick at your own risk.
Latest News for Planet B-Boy
November 06, 2008:
Evolution of breakdancing into an international phenomenon examined by electrifying documentary. ![]()
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March 01, 2008:
Trailer & Poster review ![]()
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