Mystery and romance - it's like two movies for the price of one and I liked both of them.
Possession (2002)
Tomatometer
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Reviews Counted:154
Fresh:99
Rotten:55
Average Rating:6.3/10
Consensus: Based on Byatt's novel of the same name, Possession is a lovely, literate romance.
Runtime: 1 hr 43 mins
Genre: Dramas
US Box Office: $10,058,448
Synopsis: Set in both contemporary and Victorian England, POSSESSION, directed by Neil LaBute, is based on the novel by A.S. Byatt. The tale begins with Roland Michell (Aaron Eckhart), a laid-back American... Set in both contemporary and Victorian England, POSSESSION, directed by Neil LaBute, is based on the novel by A.S. Byatt. The tale begins with Roland Michell (Aaron Eckhart), a laid-back American studying the renowned Victorian poet Randolph Henry Ash (Jeremy Northam) on a fellowship. When Roland discovers what may be a love letter from Ash, a supposedly devoted husband, to the reclusive poet Christabel LaMotte (Jennifer Ehle), he recognizes that he's on to a big literary discovery. Enlisting the help of skeptical British academic Maud Bailey (Gwyneth Paltrow), Roland embarks on journey to discover more about the link between the two revered poets. As Roland and Maud track Ash and LaMotte's elusive romance across the British countryside, the two scholars begin a relationship of their own. Although this film presents a kinder, gentler LaBute--who is known for emotionally caustic movies such as IN THE COMPANY OF MEN and YOUR FRIENDS AND NEIGHBORS--POSSESSION still focuses on the relationships between men and women with skillful attention. Paltrow reprises her convincing British accent from films such as SHAKESPEARE IN LOVE and SLIDING DOORS, while Northam and Ehle lend gravity to their Victorian characters. However, it's Eckhart, a longtime LaBute collaborator, who proves to be the film's heart and soul; his relaxed yet complex personality grounds both the movie and its two intertwined stories. As the two tales progress, the relationships between the characters wax and wane, leading to an ending with a surprising twist. [More]
Starring: Gwyneth Paltrow, Aaron Eckhart, Jeremy Northam, Jennifer Ehle
Starring: Gwyneth Paltrow, Aaron Eckhart, Jeremy Northam, Jennifer Ehle, Tom Hollander, Toby Stephens, Lena Headey
Director: Neil LaBute, Barry Levinson
Director: Neil LaBute
Screenwriter: Laura Jones, Neil LaBute, David Henry Hwang
Producer: Paula Weinstein
Director: Barry Levinson
Producer: David Barron, Len Amato
Studio: USA Films
Reviews for Possession
"There are things that happen and leave no discernible trace, are not spoken or written of?" and this is Life. Lovely.
[Eckhart's] clueless performance...in large measure undermines the film.
Possession is in the end an honorable, interesting failure. It falls far short of poetry, but it's not bad prose.
The acting is superb, and if you like Masterpiece Theater or BBC America, this film is definitely for you.
The film wants to be The English Patient but doesn't have the elements that made that film a classic.
"Possession" weaves together two love stories, a mystery and a satire, but only two of its four strands take hold.
On its own cinematic terms, it successfully showcases the passions of both the director and novelist Byatt.
It's refreshing to see a movie with faith that we'll sit still for a conversation about something other than skateboarding.
Possession is Elizabeth Barrett Browning meets Nancy Drew, and it's directed by... Neil LaBute. Hmm.
Stripped almost entirely of such tools as nudity, profanity and violence, LaBute does manage to make a few points about modern man and his problematic quest for human connection.
LaBute can't avoid a fatal mistake in the modern era: He's changed the male academic from a lower-class Brit to an American, a choice that upsets the novel's exquisite balance and shreds the fabric of the film.
The cold distance that LaBute brings to the material keeps the viewer at arms' length.
It's a tossup as to which love story is more compelling, since all four romantic leads are excellent.
Possession may be LaBute's attempt to do something new, but it's our opportunity to enjoy something tried and true.
If Byatt's novel is a savory read for litterateurs, LaBute's film is an equivalent gift to summer moviegoers starved for elegant entertainment.
A romantic melodrama teeming with lust, love, guilt, and raw passion, all wrapped in the splendid visuals provided by cinematographer Jean-Yves Escoffier.
Watching Possession is a movie experience not much deeper than you'd get on your couch watching Masterpiece Theater or Mystery! -- pleasant enough, but oh so soft.
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