There are vestiges of the novel's themes of love, honor, risk, emotional and intellectual precision, but what remains is a just a nice date movie.
Possession (2002)
Tomatometer
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Reviews Counted:154
Fresh:99
Rotten:55
Average Rating:6.3/10
Consensus: Based on Byatt's novel of the same name, Possession is a lovely, literate romance.
Runtime: 1 hr 43 mins
Genre: Dramas
US Box Office: $10,058,448
Synopsis: Set in both contemporary and Victorian England, POSSESSION, directed by Neil LaBute, is based on the novel by A.S. Byatt. The tale begins with Roland Michell (Aaron Eckhart), a laid-back American... Set in both contemporary and Victorian England, POSSESSION, directed by Neil LaBute, is based on the novel by A.S. Byatt. The tale begins with Roland Michell (Aaron Eckhart), a laid-back American studying the renowned Victorian poet Randolph Henry Ash (Jeremy Northam) on a fellowship. When Roland discovers what may be a love letter from Ash, a supposedly devoted husband, to the reclusive poet Christabel LaMotte (Jennifer Ehle), he recognizes that he's on to a big literary discovery. Enlisting the help of skeptical British academic Maud Bailey (Gwyneth Paltrow), Roland embarks on journey to discover more about the link between the two revered poets. As Roland and Maud track Ash and LaMotte's elusive romance across the British countryside, the two scholars begin a relationship of their own. Although this film presents a kinder, gentler LaBute--who is known for emotionally caustic movies such as IN THE COMPANY OF MEN and YOUR FRIENDS AND NEIGHBORS--POSSESSION still focuses on the relationships between men and women with skillful attention. Paltrow reprises her convincing British accent from films such as SHAKESPEARE IN LOVE and SLIDING DOORS, while Northam and Ehle lend gravity to their Victorian characters. However, it's Eckhart, a longtime LaBute collaborator, who proves to be the film's heart and soul; his relaxed yet complex personality grounds both the movie and its two intertwined stories. As the two tales progress, the relationships between the characters wax and wane, leading to an ending with a surprising twist. [More]
Starring: Gwyneth Paltrow, Aaron Eckhart, Jeremy Northam, Jennifer Ehle
Starring: Gwyneth Paltrow, Aaron Eckhart, Jeremy Northam, Jennifer Ehle, Tom Hollander, Toby Stephens, Lena Headey
Director: Neil LaBute, Barry Levinson
Director: Neil LaBute
Screenwriter: Laura Jones, Neil LaBute, David Henry Hwang
Producer: Paula Weinstein
Director: Barry Levinson
Producer: David Barron, Len Amato
Studio: USA Films
Reviews for Possession
A gorgeous, somnolent show that is splendidly mummified and thoroughly unsurprising.
Certainly worth seeing -- it's the class act to close the summer -- but the film misses some crucial charge, an innate energy that was in the book that didn't translate to the movie.
A lovely film...elegant, witty and beneath a prim exterior unabashedly romantic...hugely enjoyable in its own right though not really faithful to its source's complexity.
...like hearing a disinterested high schooler read a Shakespearean sonnet as part of a class assignment: The words are there, but the passion is missing.
A stuffy film disguised as a romance/ thriller/ Nancy Drew-Hardy Boys team-up.
Maud and Roland's search for an unknowable past makes for a haunting literary detective story, but LaBute pulls off a neater trick in Possession: He makes language sexy.
The movie is intelligent yet lifeless; it's all wisps and abstractions.
Engaging premise, delightful love stories and solid acting across the board.
Watching Possession is a bit like watching two people do research, except that you never learn anything yourself.
A miserable bit of landscape pornography bound to a somehow more miserable pair of sweaty romances.
The most romantic film of the summer, it's an opulent courtship saga that spans the centuries.
We get the romantic doom of [LaBute's] usual commentary, but this time with new filmic scope and multidimensionality.
A passably engaging time-jumping romantic melodrama that at least grapples seriously with one of the novel's most potent themes.
Suffers from insufficient nastiness. Everyone, save the designated villains and professionally obnoxious Eckhart, is altogether too dear.
The tang of jealousy and obsession overshadows small, shallow plot contrivances.
Anybody who's ever been turned on by someone's use of an unfamiliar word will understand.
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August 31, 2006:
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