It's a very cool piece of filmmaking -- as it has to be, given the intellectual sleight-of-hand that lies at its heart. Yet it succeeds as both great entertainment and an absorbing rumination on the dangers of playing God.
The Prestige (2006)
Tomatometer
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Reviews Counted:184
Fresh:138
Rotten:46
Average Rating:7.1/10
Consensus: Full of twists and turns, The Prestige is a dazzling period piece that never stops challenging the audience.
Runtime: 2 hrs 10 mins
Genre: Dramas
US Box Office: $53,002,677
Synopsis: British director Christopher Nolan's (BATMAN BEGINS) eclectic resume gains another interesting entry with THE PRESTIGE. The basic plot, which concerns the rivalry between two magicians in early... British director Christopher Nolan's (BATMAN BEGINS) eclectic resume gains another interesting entry with THE PRESTIGE. The basic plot, which concerns the rivalry between two magicians in early 20th-century London, closely resembles a fellow 2006 movie--Edward Norton's THE ILLUSIONIST--and the two films are sure to be closely compared. In Nolan's film, Hugh Jackman and Christian Bale bring the characters of Robert Angier and Alfred Bordon to life. Robert and Alfred were young magician apprentices together, but became bitter rivals as their careers began to shape their adult lives and a terrible accident claimed the life of Robert's wife. In the subsequent years Robert has become wildly jealous of Alfred's superior talents, so in a last ditch attempt to steal some artistic ground he sends his assistant, Olivia (Scarlett Johansson), to infiltrate his rival's lair and steal the secret to a spectacular trick called "The Transported Man." Nolan's film twists and turns down a number of unexpected avenues as it flits back and forth between numerous time periods, creating a movie that needs to be watched as closely as the tricks his leading characters perform. Bale and Jackman perfectly execute their roles, winding up the tension to an unbearable degree as they willfully enter into some dangerously competitive patterns of behavior. Michael Caine makes his second appearance in a Nolan film, almost reprising his role of Alfred in BATMAN BEGINS by playing Cutter, Jackman's mentor; and Johansson pouts and flounces across the elaborate sets like a classic Hollywood screen siren. Stylistically, THE PRESTIGE is full of dark, gloomy colors and a palpable feeling of menace, which is an impeccable visual match for the viewer's growing unease as the protagonists push each other to increasingly ridiculous lengths. It's not an easy film to digest, but Nolan's movie offers intelligent and challenging fare that will likely reveal further cinematic magic on repeated viewings. [More]
Starring: Christian Bale, Hugh Jackman, Scarlett Johansson, David Bowie
Starring: Christian Bale, Hugh Jackman, Scarlett Johansson, David Bowie, Michael Caine, Piper Perabo, Andy Serkis, Daniel Davis, Jim Piddock, Christopher Neame, Roger Rees, Jamie Harris
Director: Christopher Nolan
Director: Christopher Nolan
Producer: Aaron Ryder, Emma Thomas
Studio: Touchstone Pictures
Reviews for The Prestige
We invest in the furious battle because there is more at stake than a magic trick: each man has to sacrifice things near and dear to him
Many films are under-written or not well thought out enough, Prestige is the opposite - it's almost too clever for its own good and consequently thinks it can outsmart the audience at every turn.
Until an inexplicably awful revelation at the end, The Prestige is a taut, exciting portrait of obsession and the dark competitive spirit of professional magicians.
The film is never less than engaging, though considering that the title The Prestige refers to the moment in a magic act that gives it its "wow" factor, it's kind of a shame that the ultimate "reveal" in the movie is a little too tricky for its own good.
"The Prestige" is a cinematic trick, nothing more, and the deadpan seriousness is part of the effect, and not an end in itself.
In a movie about people who make their livings on misdirection, The Prestige utterly forgets to employ its own.
Nolan balances Hollywood and indie sensibilities pulling off a film that is smart, complicated and carries a big look.
As is his want, Mr. Nolan jumps between time periods and voice-overs with reckless abandon. The movie's real trick is that it all somehow manages to congeal.
An example of old-fashioned storytelling, the kind of magical movie that could have been made fifty years ago and, consequently, will still be watched fifty years from now.
An interesting if not entirely satisfactory theatrical interpretation of magical rivalries.
...one of those pictures where the journey is more important than the destination.
The who’s-bilking-whom mind games make for compelling fun, but once the presto moment of The Prestige is revealed, you’re left with nothing but shattered illusions.
Mientras unos encontrarán enigma y adicción %u2014como si se tratase de una historia del genio Hitchcock%u2014 otros, aquellos que buscan el piso falso en el tablado del escenario, porque simplemente no creen en la verdadera magia, saldrán desilusionados
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