This is a very funny idea, made all the more entertaining by the actors going over the top - Ze show is unjinxable.
The Producers (2005)
Tomatometer
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Reviews Counted:148
Fresh:75
Rotten:73
Average Rating:5.8/10
Consensus: Despite the rich source material, The Producers has a stale, stagy feel more suited to the theater than the big screen.
Runtime: 2 hrs 15 mins
Genre: Comedies
US Box Office: $19,151,907
Synopsis: This remake of Mel Brooks' 1968 film features Nathan Lane and Matthew Broderick in the roles that they originated in the smash Broadway adaptation of the original film. Broadway producer Max... This remake of Mel Brooks' 1968 film features Nathan Lane and Matthew Broderick in the roles that they originated in the smash Broadway adaptation of the original film. Broadway producer Max Bialystock (Lane) is famous for his spectacular opening night flops. Leopold Bloom (Broderick) is an uptight accountant who virtually discovers gold while reviewing Max's books. When Leo realizes that you can actually make more money with a flop than with a hit, the two team up and begin a search for both the worst script and the worst director they can find to ensure failure. The script selection seems easy when the duo stumble upon SPRINGTIME FOR HITLER, an homage to the Fuhrer penned by Franz Liebkind (Will Ferrell), a German sympathetic to the Nazi cause. Convinced that the script will incite outrage, the duo needs a bad director to seal the deal. Campy director Roger DeBris (Gary Beach) and his assistant (Roger Bart) fit the bill perfectly. But when their scheme fails, Max and Leo find themselves with the worst possible outcome: a hit. To make matters worse, Franz is just a little peeved that Hitler was depicted disrespectfully--and he has a gun. Will Max and Leo survive the playwright's wrath? Will they go to jail for cooking the books? And will Leo ever submit to the advances of sexy Swedish receptionist/actress Ulla (Uma Thurman)? Directed by stage director Susan Stroman, making her feature film directorial debut, this riotous romp features lots of laughs from the major players, as well as brief appearances by Jon Lovitz, Michael McKean, and Richard Kind. Lane and Broderick make it easy to understand why the show was an unprecedented hit on Broadway, and Ferrell is a scene-stealer as Liebkind. [More]
Starring: Nathan Lane, Matthew Broderick, Uma Thurman, Will Ferrell
Starring: Nathan Lane, Matthew Broderick, Uma Thurman, Will Ferrell, Andrea Martin, Gary Beach, Roger Bart
Director: Susan Stroman
Director: Susan Stroman
Studio: Universal Pictures
Reviews for The Producers
Ladies and gentlemen, for your enjoyment we present... Diminishing Returns: The Musical!
When it works (which is more than half the time), it's because the source material is funny and flamboyant, and the movie is competent in recreating those tones.
A movie is in serious trouble when my pervading thought is how much I'd rather be watching the play.
Ferrell hasn’t been this enjoyably nuts since Old School, proving that his real talent is as an ensemble player rather than a marquee star.
Finally, a Broadway gem made into a film that old-time movie musical fans like me can cheer about!
Shot and edited as though it were made forty years ago, The Producers is a creaky relic of the musical's heyday.
Not so much a film as an awkwardly framed souvenir of the Broadway hit musical, The Producers needs a live audience like a candle needs oxygen.
Someone involved in the production made the horrible mistake of not telling the actors that they weren't on stage anymore.
All the performers act in big, broad strokes. They create a comic world consistent in its over-the-top qualities and seem to have such a good time doing so that their zany spirit is infectious.
Brooks' Broadway blockbuster may prove that blustery bad taste is timeless ... Ferrell is so ferociously over the top, I hope the other cast members all got rabies shots.
Esta refilmagem poderia perfeitamente ter sido produzida pelo próprio Max Bialystock.
Works on its own terms and is a version of The Producers well worth having.
'Everything is show biz, don't you know,' states Lane, and 'The Producers' evangelizes this message with fundamentalist zeal.
A painted-pink pipe bomb of broad stereotypes that explodes with some big laughs, but takes no risks.
By the end you're asking yourself if they went to any trouble at all or simply took a film camera to a performance of the musical itself
You could think of The Producers as a way to see most of the Broadway cast for 1/12 the price of a Broadway ticket. Or you could think of it as a bad idea at any price.
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