Watching The Producers is simply exhausting.
The Producers (2005)
Tomatometer
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Reviews Counted:148
Fresh:75
Rotten:73
Average Rating:5.8/10
Consensus: Despite the rich source material, The Producers has a stale, stagy feel more suited to the theater than the big screen.
Runtime: 2 hrs 15 mins
Genre: Comedies
US Box Office: $19,151,907
Synopsis: This remake of Mel Brooks' 1968 film features Nathan Lane and Matthew Broderick in the roles that they originated in the smash Broadway adaptation of the original film. Broadway producer Max... This remake of Mel Brooks' 1968 film features Nathan Lane and Matthew Broderick in the roles that they originated in the smash Broadway adaptation of the original film. Broadway producer Max Bialystock (Lane) is famous for his spectacular opening night flops. Leopold Bloom (Broderick) is an uptight accountant who virtually discovers gold while reviewing Max's books. When Leo realizes that you can actually make more money with a flop than with a hit, the two team up and begin a search for both the worst script and the worst director they can find to ensure failure. The script selection seems easy when the duo stumble upon SPRINGTIME FOR HITLER, an homage to the Fuhrer penned by Franz Liebkind (Will Ferrell), a German sympathetic to the Nazi cause. Convinced that the script will incite outrage, the duo needs a bad director to seal the deal. Campy director Roger DeBris (Gary Beach) and his assistant (Roger Bart) fit the bill perfectly. But when their scheme fails, Max and Leo find themselves with the worst possible outcome: a hit. To make matters worse, Franz is just a little peeved that Hitler was depicted disrespectfully--and he has a gun. Will Max and Leo survive the playwright's wrath? Will they go to jail for cooking the books? And will Leo ever submit to the advances of sexy Swedish receptionist/actress Ulla (Uma Thurman)? Directed by stage director Susan Stroman, making her feature film directorial debut, this riotous romp features lots of laughs from the major players, as well as brief appearances by Jon Lovitz, Michael McKean, and Richard Kind. Lane and Broderick make it easy to understand why the show was an unprecedented hit on Broadway, and Ferrell is a scene-stealer as Liebkind. [More]
Starring: Nathan Lane, Matthew Broderick, Uma Thurman, Will Ferrell
Starring: Nathan Lane, Matthew Broderick, Uma Thurman, Will Ferrell, Andrea Martin, Gary Beach, Roger Bart
Director: Susan Stroman
Director: Susan Stroman
Studio: Universal Pictures
Reviews for The Producers
The Producers is a movie based on a play based on a movie about a play. And that's probably the funniest thing about it.
If you have seen the play, especially if you've seen it with the original cast, treasure the memory and protect it. The movie will attack it like a virus.
Not for the resolutely politically correct or the shtick-averse. For everyone else, it's the Christmas gift that keeps on giving.
Looks stagey on the big screen but has some sharp songs and good chemistry between an odd couple.
...will in no way supplant the 1968 original, but it is an amusing alternative for fans of musical theater.
As creaky as the traditional musicals it once poked fun at, The Producers has been entombed -- lox, shtick and two smoking bagels -- as a theatrical fossil, and reinforces the danger in returning to the same material one time too many.
The Producers is such a blast you have to wonder how great it could have been with a director who knew what to do with a movie camera.
Very little of the stage show's fizziness has found its way into a strangely pallid-looking picture.
The Producers might work okay on stage but it collapses the second the same material and songs get in front of a camera.
It may be that as audiences queue up for this latest incarnation of Brooks’ undying brainchild - - not unlike the patrons who turn back to their seats, mid-exit, during the opening-night performance of Springtime for Hitler - - the joke is on them.
If The Producers isn't the most perfect movie musical in years, then it comes pretty damn close
The new movie is a success, that I know. How much of a success, I cannot be sure. Someone who has seen the original once or twice, or never, would be a better judge.
(Lane and Broderick) are still shouting to the cheap seats, forgetting that movie theaters are general admission.
Is it such a crime that it looks like theater vet Susan Stroman just plopped the company in front of a static camera and told 'em to go out there, kids, and put on a show? I don't think so.
Uma Thurman as a would-be actress is the one bit of genuine radiance in this aggressively and pointlessly shiny, noisy spectacle.
There's no business like show business, and the musical Producers' considerable success showed the original movie to have been prophetic -- of itself.
Despite a certain manic energy, the comic schtick between Lane and Broderick feels as stale as last year's croissants; you can tell they've done these jokes a thousand times.
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