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Protagonist (2007)
Tomatometer
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Reviews Counted:32
Fresh:27
Rotten:5
Average Rating:7.1/10
Consensus: Protagonist skillfully intertwines its subjects' lives through an unexpected common thread -- Euripedes.
Synopsis: Filmmaker Jessica Yu explores human obsession and extremism in this riveting and provocative documentary. Yu interviews four men with seemingly disparate backgrounds, and then mirrors their... Filmmaker Jessica Yu explores human obsession and extremism in this riveting and provocative documentary. Yu interviews four men with seemingly disparate backgrounds, and then mirrors their experiences to what happens in a Greek tragedy by Euripides, THE BACCHAE. One of the men is Mark Pierpont, who tried to quash his homosexuality by becoming an evangelist and preaching about curing oneself of being gay. Pierpont travelled the world as a missionary and preached to audiences of thousands. Then there is Joe Loya, who as a child, was brutally abused by his father. When Loya came of age, he quickly funnelled his rage into robbing banks, until he was caught and sent to prison. Hans-Joachim Klein also suffered abuse at the hands of his father, after his mother--a Holocaust survivor--committed suicide. Klein went on to join a German terrorist organization, and was involved in the 1976 Entebbe hijacking and several arson attacks. Lastly there is Yu's own husband, Mark Salzman, who was constantly tormented and beaten by high school bullies. In order to gain back some control, he became obsessed with martial arts, and religiously attended the classes of an extremely off-kilter and sadistic karate instructor. While each man's story is vastly different, they each travel the same path, wherein they find that their extreme methods ultimately lead them straight into a new kind of madness and pain. Yu manages to deftly weave together the narrative by using short scenes featuring some very striking wooden puppets, which function as a Greek chorus to really bring home Yu's theme: that at the end of the day, it is ultimately character that makes the man. Yu won the Oscar in 1997 for her documentary short, BREATHING LESSONS: THE LIFE AND WORK OF MARK O'BRIEN. [More]
Director: Jessica Yu
Director: Jessica Yu
Screenwriter: Jessica Yu
Producer: Jessica Yu, Elise Pearlstein, Susan West
Composer: Jeff Beal
Studio: IFC Films
Reviews for Protagonist
The film bears the mark of a real directorial talent, eager to push the documentary form in inventive directions, just like Errol Morris and Werner Herzog, and for that alone, it deserves a nod of appreciation.
Many will be moved by Protagonist and its reminders that we are all struggling to find versions of ourselves to live up to.
Suffers for the same reasons that a lot of 'issue' documentaries are problematic -- it is way too heavy-handed, only in style and concept rather than preachiness.
Director Jessica Yu backgrounds her four talking heads with an ancient Greek puppet show to demonstrate skillfully that we've been going through the same neurotic cycles of behavior for the last 2600 years.
It's a particularly elegantly made film, with sharp lensing by cinematographers Russell Harper and Karl Hahn.
[Director Jessica] Yu structures the stories in a manner that is not instantly understandable, but inspires attention with its profound puzzle.
[A] bold exploration of the... theme of extremism taken to the point of tragedy...
The film makes a lasting impression as it delves into an unfashionable territory: character as fate rather than a function of pharmaceuticals.
fascinating, troubling, and scathingly brilliant in both concept and execution
... far more thought-provoking and engrossing than the usual run of flatly journalistic docs.
Perhaps Yu's greatest achievement was finding four individuals with equal passion about and insight into their own journeys, and thereby demonstrating that all lives are fascinating when properly examined.
Yu's film may be challenging to synopsize, but it's thoroughly engrossing and wildly surprising.
Proves so savvy at connecting the hidden dots between eclectic subjects that even the puppets seem human.
Stepped up in edginess from the Errol Morris template, Yu's Greek tragedy of modern extremists weaves four disturbing stories into a cautionary tale in step with the times
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