Surprisingly uplifting for a film that prompts as many tears as those that ran down my cheeks this honest and moving film delivers one of the year's best love stories.
P.S. I Love You (2007)
Tomatometer
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Reviews Counted:95
Fresh:21
Rotten:74
Average Rating:4.4/10
Consensus: Hilary Swank is miscast as the romantic lead in this clichéd film about loss and love.
Runtime: 2 hrs 7 mins
Genre: Romance, Theatrical Release, Romantic Comedy, Irish, Based On A Novel
US Box Office: $53,535,019
Synopsis: Two-time Oscar winner Hillary Swank tries her hand at romantic comedy in this touching film based on the bestselling Irish novel. Holly Kennedy (Swank) and her charming Irish husband Gerry (Gerard... Two-time Oscar winner Hillary Swank tries her hand at romantic comedy in this touching film based on the bestselling Irish novel. Holly Kennedy (Swank) and her charming Irish husband Gerry (Gerard Butler) are a young couple struggling to get by in New York City. Their marriage is 10 years strong, and they are madly in love, but the fates soon step in, when Gerry develops cancer and dies. Holly is completely devastated, and her friends Denise (Lisa Kudrow) and Sharon (Gina Gershon) do their best to console her. Her mother (Kathy Bates) and sister, Rose (Nellie Mckay), also offer their support, but it seems nothing can pull Holly out of her grief. Then one day, she begins to receive love letters Gerry penned before his death. The letters are filled with various stories and instructions, and one of them even contains a plan that sends her and her friends on a trip to Ireland. As Gerry's posthumous letters buoy her up, Holly slowly begins to piece her life back together. His letters help her to celebrate their special love story, and remind her that she must continue to live her life, and seek out happiness. The film's stellar cast delivers many tearjerker moments, and P.S. I LOVE YOU does a fine job of yanking on the heartstrings. However, the tone often shifts so abruptly, it at times feels as though they couldn't quite decide if Holly was a steel magnolia, a Bridget with a diary, or a devil in search of some Prada. But the strong performances manage to hold the tale together, and the story is ultimately moving, and yes, romantic. [More]
Starring: Hilary Swank, Gerard Butler, Gina Gershon, Lisa Kudrow
Starring: Hilary Swank, Gerard Butler, Gina Gershon, Lisa Kudrow, Harry Connick, Jeffrey Dean Morgan, Kathy Bates, James Marsters
Director: Richard LaGravenese
Director: Richard LaGravenese
Screenwriter: Richard LaGravenese, Steven Rogers
Producer: Wendy Finerman, Broderick Johnson, Andrew A. Kosove, Molly Smith
Composer: John Powell
Studio: Warner Bros.
Reviews for P.S. I Love You
An appealing alternative to the dramatic 'for your consideration' awards bait that populates theaters in December.
You get the strong impression that no one involved wanted to risk being labeled "depressing," so they inserted a lot of lame comic moments into a film that doesn't need them.
What do you get when you stick a talented, interesting cast in an uninspiring chick flick? Short answer: P.S. I Love You.
It could have been better, but it’s good enough to be a solid girls’ night out flick.
LaGravenese is usually a terrific screenwriter, but this adaptation (with Steve Rogers) of Cecelia Ahern's novel is almost insufferably sufferable.
LaGravenese is known as one of Hollywood's go-to screenwriters, credited or uncredited, but the films he's directed, such as Living Out Loud and Freedom Writers, are memorable more for their terrible titles than any lasting distinction.
It's Million Dollar Cry Baby. P.S. I Love You is the most potent tear jerker since The Notebook. It's not as profound or skillful, but there certainly hasn't been anything that makes you so happy to cry since then.
Romantic comedies...need twinkle. Her character wears twinkly dresses and does twinkly things, but Swank delivers her lines as though she is still slamming into that heavy bag.
Snippets of sharp, witty dialogue are lost in a sea of sappy clichés and too-cute-for-words plot twists.
The movie is so bent on conjuring big, sweeping emotions that it becomes a bit scattershot, starting down way too many tear-jerking roads but never going down any of them far enough to discover any real substance.
May be too womanly for a guy like me, but you don't have to be either sex to know all potential is dashed in a hail of clichés...
Even fans of the romantic comedy genre might have trouble suspending disbelief for this ridiculous bit of fluff that rarely knows whether it wants to be a serious drama about grieving or a light comedy about finding love.
The end dedication (to the producer's late sister) reminds us that even a disposable commercial film can be extremely personal and meaningful for the people involved in its creation.
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