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Quills

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Quills (2000)

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Reviews Counted:117

Fresh:87

Rotten:30

Average Rating:6.6/10

Consensus: Though hard to watch, this film's disturbing exploration of freedom of expression is both seductive and thought-provoking.

Runtime: 2 hrs 4 mins

Genre: Dramas

US Box Office: $4,284,664

Synopsis: You are about to embark on a gothic tale of virtue and vice, of comedy and terror, of love and shocking erotica, of brutal censorship and, ultimately, the uncrushable spirit of the human... You are about to embark on a gothic tale of virtue and vice, of comedy and terror, of love and shocking erotica, of brutal censorship and, ultimately, the uncrushable spirit of the human imagination.

Be forewarned. This is the imagined story of the final days of the Marquis De Sade, the writer, rebel and sensualist who explored the darkest, even criminal, impulses of human passions and was proclaimed at once among the most devilish monsters and the freest spirits the world has known.

Historical biographies tell us that in the Marquis' last decade, the man whose name was synonymous with sadistic lust fell in love, and that the maverick libertine who celebrated expression at all costs was almost silenced. Banished to the Charenton Asylum for the insane, the Marquis De Sade continued to write his blasphemous novels . . . until a new doctor was brought in to "cure" him of his wicked desires.

But where history leaves off, QUILLS sets out on a daring journey into the corridors of Charenton Asylum and deep inside the Marquis De Sade's forbidden cell, in which everything but the very act of creation could be caged. Director PHILIP KAUFMAN ("The Right Stuff," "The Unbearable Lightness of Being") brings to life the Marquis De Sade's seductive, sinister world with a cautionary tale about what happens to the light of Charenton when the doctors attempt to shut out the darkness. The screenplay is by DOUG WRIGHT, based on his award-winning play which was acclaimed by critics not only as a provocative comedic thriller but as a modern metaphor about freedom of expression and civil liberties.

Academy Award winner GEOFFREY RUSH stars as the witty yet wicked Marquis De Sade, who is living in exile in his own posh suite at the Charenton Asylum. Here, he has befriended the progressive young asylum director Abbe Coulmier (JOAQUIN PHOENIX), a man ahead of his times, who believes in treating his patients humanely, providing means for creative expression. In this atmosphere, the Marquis has also found it easy to strike up a friendship with the comely young laundress Madeleine (KATE WINSLET), who helps him to smuggle out his prolific writings for publication ­ and whose innocent affections are equally enjoyed by the conflicted Abbe.

Then Charenton gets a new chief physician, Dr. Royer-Collard (Academy Award winner MICHAEL CAINE), who has been commissioned by Emperor Napoleon himself to cure the Marquis De Sade and stop the flow of his pen forever. Charenton soon erupts not only in a battle between doctor and patient, but between art and censorship, libido and inhibition, morality and brutality, passion and persecution.

For it seems the more the Marquis De Sade is prevented from expression, the more he is provoked . . . [More]

Starring: Geoffrey Rush, Kate Winslet, Joaquin Phoenix, Michael Caine

Starring: Geoffrey Rush, Kate Winslet, Joaquin Phoenix, Michael Caine, Billie Whitelaw, Patrick Malahide, Amelia Warner, Stephen Moyer

Director: Philip Kaufman

Director: Philip Kaufman
Screenwriter: Doug Wright
Producer: Julia Chasman, Nick Wechsler, Peter Kaufman
Composer: Stephen Warbeck
Studio: Fox Searchlight Pictures

[See More Credits]

Reviews for Quills

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Full Review Source: Urban Cinefile | comment Comment
03/02/01
Urban Cinefile Critics
Urban Cinefile Critics
Urban Cinefile
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Full Review Source: Dark Horizons | comment Comment
10/30/01
Garth Franklin
Garth Franklin
Dark Horizons
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Full Review Source: Boston Phoenix | comment Comment
03/24/02
Boston Phoenix
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N/R

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Full Review Source: Deseret News, Salt Lake City | comment Comment
02/07/01
Deseret News, Salt Lake City
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Full Review Source: Empire Magazine | comment Comment
02/07/01
Empire Magazine
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Full Review Source: Ebert & Roeper | comment Comment
01/01/00
Ebert & Roeper
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Full Review Source: Seattle Post-Intelligencer | comment Comment
06/19/02
Seattle Post-Intelligencer
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Full Review Source: New York Observer | comment Comment
04/27/07
Andrew Sarris
Andrew Sarris
New York Observer
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Full Review Source: eye WEEKLY | comment Comment
02/07/01
Catharine Tunnacliffe
Catharine Tunnacliffe
eye WEEKLY
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Full Review Source: Time Out | comment Comment
06/24/06
Derek Adams
Derek Adams
Time Out
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Full Review Source: Blunt Review | comment Comment
02/07/01
Emily Blunt
Emily Blunt
Blunt Review
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Full Review Source: Film Blather | comment Comment
05/22/03
Eugene Novikov
Eugene Novikov
Film Blather
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Full Review Source: Premiere Magazine | comment Comment
09/04/01
Glenn Kenny
Glenn Kenny
Premiere Magazine
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Full Review Source: San Diego Metropolitan | comment Comment
10/21/02
Jean Lowerison
Jean Lowerison
San Diego Metropolitan
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Full Review Source: Combustible Celluloid | comment Comment
02/07/01
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid
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Full Review Source: Chicago Reader | comment Comment
02/07/01
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader
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Full Review Source: Cincinnati Enquirer | comment Comment
10/15/02
Margaret A. McGurk
Margaret A. McGurk
Cincinnati Enquirer
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Full Review Source: Critical Eye | comment Comment
03/09/01
Mark Freeman
Mark Freeman
Critical Eye
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Full Review Source: New York Magazine | comment Comment
05/21/01
Peter Rainer
Peter Rainer
New York Magazine
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Full Review Source: Shadows on the Wall | comment Comment
12/10/01
Rich Cline
Rich Cline
Shadows on the Wall
 
 
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