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Quills

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Quills (2000)

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Reviews Counted:118

Fresh:88

Rotten:30

Average Rating:6.6/10

Consensus: Though hard to watch, this film's disturbing exploration of freedom of expression is both seductive and thought-provoking.

Runtime: 2 hrs 4 mins

Genre: Dramas

US Box Office: $4,284,664

Synopsis: You are about to embark on a gothic tale of virtue and vice, of comedy and terror, of love and shocking erotica, of brutal censorship and, ultimately, the uncrushable spirit of the human... You are about to embark on a gothic tale of virtue and vice, of comedy and terror, of love and shocking erotica, of brutal censorship and, ultimately, the uncrushable spirit of the human imagination.

Be forewarned. This is the imagined story of the final days of the Marquis De Sade, the writer, rebel and sensualist who explored the darkest, even criminal, impulses of human passions and was proclaimed at once among the most devilish monsters and the freest spirits the world has known.

Historical biographies tell us that in the Marquis' last decade, the man whose name was synonymous with sadistic lust fell in love, and that the maverick libertine who celebrated expression at all costs was almost silenced. Banished to the Charenton Asylum for the insane, the Marquis De Sade continued to write his blasphemous novels . . . until a new doctor was brought in to "cure" him of his wicked desires.

But where history leaves off, QUILLS sets out on a daring journey into the corridors of Charenton Asylum and deep inside the Marquis De Sade's forbidden cell, in which everything but the very act of creation could be caged. Director PHILIP KAUFMAN ("The Right Stuff," "The Unbearable Lightness of Being") brings to life the Marquis De Sade's seductive, sinister world with a cautionary tale about what happens to the light of Charenton when the doctors attempt to shut out the darkness. The screenplay is by DOUG WRIGHT, based on his award-winning play which was acclaimed by critics not only as a provocative comedic thriller but as a modern metaphor about freedom of expression and civil liberties.

Academy Award winner GEOFFREY RUSH stars as the witty yet wicked Marquis De Sade, who is living in exile in his own posh suite at the Charenton Asylum. Here, he has befriended the progressive young asylum director Abbe Coulmier (JOAQUIN PHOENIX), a man ahead of his times, who believes in treating his patients humanely, providing means for creative expression. In this atmosphere, the Marquis has also found it easy to strike up a friendship with the comely young laundress Madeleine (KATE WINSLET), who helps him to smuggle out his prolific writings for publication ­ and whose innocent affections are equally enjoyed by the conflicted Abbe.

Then Charenton gets a new chief physician, Dr. Royer-Collard (Academy Award winner MICHAEL CAINE), who has been commissioned by Emperor Napoleon himself to cure the Marquis De Sade and stop the flow of his pen forever. Charenton soon erupts not only in a battle between doctor and patient, but between art and censorship, libido and inhibition, morality and brutality, passion and persecution.

For it seems the more the Marquis De Sade is prevented from expression, the more he is provoked . . . [More]

Starring: Geoffrey Rush, Kate Winslet, Joaquin Phoenix, Michael Caine

Starring: Geoffrey Rush, Kate Winslet, Joaquin Phoenix, Michael Caine, Billie Whitelaw, Patrick Malahide, Amelia Warner, Stephen Moyer

Director: Philip Kaufman

Director: Philip Kaufman
Screenwriter: Doug Wright
Producer: Julia Chasman, Nick Wechsler, Peter Kaufman
Composer: Stephen Warbeck
Studio: Fox Searchlight Pictures

[See More Credits]

Reviews for Quills

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21 - 40 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 8 >> >|
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N/R

Click to read the article

Full Review Source: San Diego Metropolitan | comment Comment
10/21/02
Jean Lowerison
Jean Lowerison
San Diego Metropolitan
N/R

Click to read the article

Full Review Source: Cincinnati Enquirer | comment Comment
10/15/02
Margaret A. McGurk
Margaret A. McGurk
Cincinnati Enquirer
N/R

Click to read the article

Full Review Source: Seattle Post-Intelligencer | comment Comment
06/19/02
Seattle Post-Intelligencer
Top Critic Icon Top Critic

É uma pena que o Oscar, ao contrário de outras premiações, não possua uma categoria de 'Melhor Elenco'.

Full Review Source: Cinema em Cena | comment Comment
05/31/02
Pablo Villaca
Pablo Villaca
Cinema em Cena
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
03/24/02
Boston Phoenix
Top Critic Icon Top Critic

Click to read the article

Full Review Source: Globe and Mail | comment Comment
03/22/02
Globe and Mail
Top Critic Icon Top Critic

This simplicity in its anti-censorship message keep it from achieving the greatness that it strives for.

Full Review Source: MovieMartyr.com | comment Comment
03/05/02
Jeremy Heilman
Jeremy Heilman
MovieMartyr.com

If Ismael Merchant and James Ivory ... decided to make a film about Hell, it would look like this.

Full Review Source: Goatdog's Movies | comment Comment
02/28/02
Michael W. Phillips, Jr.
Michael W. Phillips, Jr.
Goatdog's Movies

Kaufman here reminds us why he was once one of the most high profile directors

Full Review Source: UK Critic | comment Comment
02/17/02
Ian Waldron-Mantgani
Ian Waldron-Mantgani
UK Critic

It is much, much more than a political tract -- indeed, it is a mesmerizingly told tale.

Full Review Source: Mixed Reviews | comment Comment
01/26/02
Gabriel Shanks
Gabriel Shanks
Mixed Reviews
N/R

Click to read the article

Full Review Source: Shadows on the Wall | comment Comment
12/10/01
Rich Cline
Rich Cline
Shadows on the Wall

Click to read the article

Full Review Source: Cinema Signals | comment Comment
11/27/01
Jules Brenner
Jules Brenner
Cinema Signals

Geoffrey Rush steals the show as a charismatic madman, but the story is too dated to resonate beyond its little corner of history.

Full Review Source: Radio Free Entertainment | comment Comment
09/30/01
Andrew Manning
Andrew Manning
Radio Free Entertainment
N/R

Click to read the article

Full Review Source: Premiere Magazine | comment Comment
09/04/01
Glenn Kenny
Glenn Kenny
Premiere Magazine

I'm glad I saw it, but I wish I could unsee it somehow.

Full Review Source: Cinerina | comment Comment
06/14/01
Karina Montgomery
Karina Montgomery
Cinerina

Click to read the article

Full Review Source: Rolling Stone | comment Comment
06/04/01
Peter Travers
Peter Travers
Rolling Stone
N/R

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Full Review Source: New York Magazine | comment Comment
05/21/01
Peter Rainer
Peter Rainer
New York Magazine

...fairly oozes with delicious irony.

Full Review Source: DVDTown.com | comment Comment
04/24/01
John J. Puccio
John J. Puccio
DVDTown.com
N/R

Click to read the article

Full Review Source: Movieline | comment Comment
04/16/01
Stephen Farber
Stephen Farber
Movieline

Click to read the article

Full Review Source: BBC | comment Comment
04/16/01
George Perry
George Perry
BBC
 
 
21 - 40 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 8 >> >|
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