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Quills (2000)
Tomatometer
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Reviews Counted:118
Fresh:88
Rotten:30
Average Rating:6.6/10
Consensus: Though hard to watch, this film's disturbing exploration of freedom of expression is both seductive and thought-provoking.
Runtime: 2 hrs 4 mins
Genre: Dramas
US Box Office: $4,284,664
Synopsis:
You are about to embark on a gothic tale of virtue and vice, of comedy and terror, of love and shocking erotica, of brutal censorship and, ultimately, the uncrushable spirit of the human...
You are about to embark on a gothic tale of virtue and vice, of comedy and terror, of love and shocking erotica, of brutal censorship and, ultimately, the uncrushable spirit of the human imagination.
Be forewarned. This is the imagined story of the final days of the Marquis De Sade, the writer, rebel and sensualist who explored the darkest, even criminal, impulses of human passions and was proclaimed at once among the most devilish monsters and the freest spirits the world has known.
Historical biographies tell us that in the Marquis' last decade, the man whose name was synonymous with sadistic lust fell in love, and that the maverick libertine who celebrated expression at all costs was almost silenced. Banished to the Charenton Asylum for the insane, the Marquis De Sade continued to write his blasphemous novels . . . until a new doctor was brought in to "cure" him of his wicked desires.
But where history leaves off, QUILLS sets out on a daring journey into the corridors of Charenton Asylum and deep inside the Marquis De Sade's forbidden cell, in which everything but the very act of creation could be caged. Director PHILIP KAUFMAN ("The Right Stuff," "The Unbearable Lightness of Being") brings to life the Marquis De Sade's seductive, sinister world with a cautionary tale about what happens to the light of Charenton when the doctors attempt to shut out the darkness. The screenplay is by DOUG WRIGHT, based on his award-winning play which was acclaimed by critics not only as a provocative comedic thriller but as a modern metaphor about freedom of expression and civil liberties.
Academy Award winner GEOFFREY RUSH stars as the witty yet wicked Marquis De Sade, who is living in exile in his own posh suite at the Charenton Asylum. Here, he has befriended the progressive young asylum director Abbe Coulmier (JOAQUIN PHOENIX), a man ahead of his times, who believes in treating his patients humanely, providing means for creative expression. In this atmosphere, the Marquis has also found it easy to strike up a friendship with the comely young laundress Madeleine (KATE WINSLET), who helps him to smuggle out his prolific writings for publication and whose innocent affections are equally enjoyed by the conflicted Abbe.
Then Charenton gets a new chief physician, Dr. Royer-Collard (Academy Award winner MICHAEL CAINE), who has been commissioned by Emperor Napoleon himself to cure the Marquis De Sade and stop the flow of his pen forever. Charenton soon erupts not only in a battle between doctor and patient, but between art and censorship, libido and inhibition, morality and brutality, passion and persecution.
For it seems the more the Marquis De Sade is prevented from expression, the more he is provoked . . .
Starring: Geoffrey Rush, Kate Winslet, Joaquin Phoenix, Michael Caine
Starring: Geoffrey Rush, Kate Winslet, Joaquin Phoenix, Michael Caine, Billie Whitelaw, Patrick Malahide, Amelia Warner, Stephen Moyer
Director: Philip Kaufman
Director: Philip Kaufman
Screenwriter: Doug Wright
Producer: Julia Chasman, Nick Wechsler, Peter Kaufman
Composer: Stephen Warbeck
Studio: Fox Searchlight Pictures
Reviews for Quills
A deep blue sea of great acting, directing, and writing. It is quite illuminating, for those of you who are not afraid to take the plunge into its murky waters.
In the end, all the violence and sexual hijinks begin to pall, like a conversation with an intelligent person who litters his speech with profanities.
Aside from the performances, it's a depraved, lurid flick about a depraved, lurid man and all the depraved, lurid things his stories inspire others to do.
The most entertaining and appallingly funny anti-censorship movie since Milos Foreman's The People Vs. Larry Flynt.
Director Philip Kaufman makes a defense of art, but he doesn't put a petticoat on it. He chooses a subject who represents art at its worst, and plunges bravely on.
The material benefits from a top-rank cast that fleshes out what could seem merely an exercise in philosophy.
Taut pacing, delicate, unobtrusive foreshadowing and a series of impeccable performances, unforgettable for their passion.
Kaufman is one of the great, underappreciated maestros of the movies, and his work here is indeed masterly.
A decent period piece livened up by two hours of pretty disturbing material.
Latest News for Quills
September 21, 2008:
PlanetHollywood: The Kate Winslet Quills Interview ![]()
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