Reservation Road, where the event central to this story takes place, is a symbolic crossroads for two families in this engaging drama about a hit and run accident and its aftermath.
Reservation Road (2007)
Tomatometer
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Reviews Counted:106
Fresh:39
Rotten:67
Average Rating:5.2/10
Consensus: While the performances are fine, Reservation Road quickly adopts an excessively maudlin tone along with highly improbable plot turns.
Synopsis: A wrenching drama based on the novel by John Burhnam Schwartz, RESERVATION ROAD is the story of two men whose lives are torn apart by a tragic accident. Ethan Learner (Joaquin Phoenix) and his wife... A wrenching drama based on the novel by John Burhnam Schwartz, RESERVATION ROAD is the story of two men whose lives are torn apart by a tragic accident. Ethan Learner (Joaquin Phoenix) and his wife Emma (Jennifer Connelly) are consumed with grief after their son Josh (Sean Curley) is struck by a hit and run driver. The man behind the wheel was Dwight Arno (Mark Ruffalo), a divorcee who was racing to get his own son back in time in accordance with a custody agreement. A lawyer himself, Dwight is all too familiar with the consequences of his actions. Unsure of what to do, he panics, then conceals his car in his garage. Lucky for him, the police can't find any leads, and the case quickly turns cold. Time passes, and Emma wants her family to heal and get on with their lives, but Ethan has become consumed with finding his son's killer. In a bizarre coincidence, he shows up at Dwight's office seeking legal advice about how to catch and prosecute the perpetrator. The guilt is eating away at Dwight, and he makes a plan to turn himself in, but not before he has a proper goodbye with his own son. When an image suddenly jars Ethan's memory of the accident, he begins to piece things together, causing him to quickly seek his retaliation, which results in a gripping and emotional stand-off. Joaquin Phoenix and Jennifer Connelly are excellent as the grieving parents, both offering a painfully realistic portrait of grief. Mark Ruffalo is equally impressive as the tormented and conflicted Dwight. While the film works nicely as both thriller and family drama, it at times has an emotional intensity that can be almost difficult to watch. Yet, all tear-jerking elements aside, director Terry George has crafted a smart and complex tale of loss, and the long, difficult road to healing. [More]
Starring: Joaquin Phoenix, Mark Ruffalo, Jennifer Connelly, Mira Sorvino
Starring: Joaquin Phoenix, Mark Ruffalo, Jennifer Connelly, Mira Sorvino, Elle Fanning
Director: Terry George
Director: Terry George
Screenwriter: John Burnham Schwartz, Terry George
Producer: Nick Wechsler, A. Kitman Ho
Composer: Mark Isham
Studio: Focus Features
Reviews for Reservation Road
Would-be screenwriters are advised to catch Reservation Road on cable as it provides an object lesson of three awful script clichés that are to be avoided at all costs.
It starts with devastation and closes, after a few reels of narrative dithering, with a climax of hairpin emotional turns and indisputable power.
Extremely well acted, admirably evenhanded, and wholly respectful of a subject that could easily devolve into Lifetime-channel schmaltz. It just fails to make much of an impression.
Reservation Road is in the familiar suburban terror genre but Joaquin Pheonix and Mark Ruffalo give it emotionally credible nuances.
But the family's suffering in Reservation Road is nothing compared to what the audience is put through in this painfully contrived drama.
Reservation Road may be a downer story with elements that we've seen many times before. But acting this good makes it special and exhilarating.
These actors are far too good for this material. The problem lies with the script, which relies on lazy manipulation to advance the plot.
It's a thundering character drama that charges headfirst into issues of responsibility and loss, permitting 100 minutes of screentime to stew in nerve-wracking declarations of pain.
If you're a fan of strong acting performances, you really should grab the Kleenex and take the trip
All performances are first-rate, particularly those of Ruffalo and Phoenix.
A film of distinguished performances that rise above a coincidence-riddled and perfunctory screenplay -- without redeeming it.
It's the conflict between these two fathers that makes this worth a look.
Even more than its lame dissection of white grief, Road has no moments of actual tension for a film that has been called, in many publications, a thriller.
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