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Ronin (1998)
Tomatometer
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Reviews Counted:59
Fresh:40
Rotten:19
Average Rating:6.3/10
Consensus: This is comparable to French Connection with great action, dynamic road chase scenes, and solid performances.
Runtime: 2 hrs 3 mins
Genre: Action/Adventure
US Box Office: $0
Synopsis: David Mamet wrote this screenplay under the name Richard Weisz, as a gun for hire, much like the masterless samurai of the film's title, who roamed Japan in the 19th Century, loyal only to... David Mamet wrote this screenplay under the name Richard Weisz, as a gun for hire, much like the masterless samurai of the film's title, who roamed Japan in the 19th Century, loyal only to themselves. A group of men with highly developed skills are called to a meeting in a deserted warehouse in Paris. Sam (Robert De Niro), an American, may be ex-CIA. Vincent (Jean Reno), the terminally cool Frenchman, is a mystery. Russian computer whiz Gregor (Stellan Skarsgaard) is presumably ex-KGB, and Spence (Sean Bean), a British demolitions man, and Larry (Skipp Suddith), another Yank, round out the team. They've been hired by the IRA, through liaison Deirdre (Natascha McElhone), to steal a briefcase of unknown contents somewhere in Europe. As the unit races from one spectacular location on the French Riviera to another, the body count mounts, some Russian gangsters get into the act, and the betrayals come fast and furious. In a rare comic moment, Sam stitches up his own bullet wound, and asks a friend to finish before he passes out. RONIN features an exceptional cast, sumptuous locations, and the kind of realistic car chases and action scenes that one expects from a director of John Frankenheimer's skills. [More]
Starring: Robert De Niro, Jean Reno, Jonathan Pryce, Natascha McElhone
Starring: Robert De Niro, Jean Reno, Jonathan Pryce, Natascha McElhone, Stellan Skarsgaard, Sean Bean, Katarina Witt
Director: John Frankenheimer
Director: John Frankenheimer
Screenwriter: J.D. Zeik, David Mamet
Producer: Frank Mancuso
Composer: Elia Cmiral
Reviews for Ronin
Mamet was so upset by the Writers Guild's refusal to give him sole writing credit that he chose to be listed under a pseudonym; turns out he unwittingly made the right decision.
More fruitful by far to take the auteurist view and say that for Frankenheimer, Ronin is surrender.
As relações entre os personagens e as seqüências de perseguição são fascinantes, mas a tentativa de “amarrar” a trama acaba comprometendo um roteiro que não precisava disso.
Frankenheimer goes out, well, if not exactly on top, at least on a high note with this slightly insubstantial but stylistically sophisticated song in a minor key
Latest News for Ronin
May 02, 2007:
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