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Safe Conduct (2002)
Tomatometer
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Reviews Counted:36
Fresh:27
Rotten:9
Average Rating:6.9/10
Consensus: A highly detailed, exciting historical epic.
Synopsis: Acclaimed French filmmaker Bertrand Tavernier directs this World War II epic about collaboration and resistance in the French film industry during the German occupation. Set in 1940s Paris, SAFE... Acclaimed French filmmaker Bertrand Tavernier directs this World War II epic about collaboration and resistance in the French film industry during the German occupation. Set in 1940s Paris, SAFE CONDUCT explores the moral conflicts faced by artists under the fascist Vichy regime through the real-life stories of two individuals: scriptwriter Jean Aurenche (Denis Podalydes) and director Jean Devaivre (Jacques Gamblin). While Aurenche spends his time evading the Nazis' attempts to employ him, Devaivre works for the German-run Continental Films as a cover for his role in the French Resistance, subtly incorporating subversive messages into his work. Like Francois Truffaut's THE LAST METRO, Tavernier's thought-provoking film raises profound questions about the role of art during wartime. [More]
Starring: Jacques Gamblin, Denis Podalydes, Charlotte Kady, Marie Desgranges
Starring: Jacques Gamblin, Denis Podalydes, Charlotte Kady, Marie Desgranges, Ged Marlon, Philippe Mourier-Genoud, Laurent Schilling, Maria Pitarresi, Christian Berkel, Richard Sammel, Marie Gillain, Olivier Gourmet, Philippe Said, Thierry Gibault, Christophe Odent, Getz Burger
Director: Bertrand Tavernier
Director: Bertrand Tavernier
Screenwriter: Jean Cosmos, Bertrand Tavernier
Producer: Friederic Bourboulon, Alain Sarde
Composer: Antoine Duhamel
Studio: Empire Pictures
Reviews for Safe Conduct
[Director] Tavernier takes his time in capturing this time period – at the expense of a concise narrative and often the viewer’s interest.
Tavernier's fatal flaw is letting the film bog down in studio politics and the filmmaking process, something which hasn't carried a "serious" film since The Player.
Longer than 2 1/2 hours, there's too much to sort out and the confusion becomes annoying.
Obsessively detailed and impeccably observed, the film is bursting with the stuff of everyday life and curious wartime anecdotes.
Alain Choquart's camera barely stops moving, portraying both the turmoil of the time and giving Conduct a perpetual sense of urgency.
[While The Last Metro] was more melodramatic, confined to a single theater company and its strategies and deceptions, while Tavernier is more concerned with the entire period of history.
Though it runs 163 minutes, Safe Conduct is anything but languorous. It's packed to bursting with incident, and with scores of characters, some fictional, some from history.
["Safe Conduct"] is a long movie at 163 minutes but it fills the time with drama, romance, tragedy, bravery, political intrigue, partisans and sabotage. Viva le Resistance!
With a large cast representing a broad cross-section, Tavernier's film bounds along with the rat-a-tat energy of "His Girl Friday," maintaining a light touch while tackling serious themes.
There's an excellent 90-minute film here; unfortunately, it runs for 170.
It might be 'easier' to watch on video at home, but that shouldn't stop die-hard French film connoisseurs from going out and enjoying the big-screen experience.
You could love Safe Conduct (Laissez Passer) for being a subtitled French movie that is 170 minutes long. You could hate it for the same reason.
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