This is hard core Pain And Suffering territory... The film wastes no time getting down to nasty business, ripping, slicing, gouging, piercing, smashing and tearing every part of the human body
Saw IV (2007)
Tomatometer
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Reviews Counted:68
Fresh:12
Rotten:56
Average Rating:3.7/10
Consensus: Saw IV is more disturbing than compelling, with material already seen in the prior installments.
Runtime: 1 hr 48 mins
Genre: Horror/Suspense
US Box Office: $63,270,259
Synopsis: The fourth SAW film takes fans into uncharted waters. Now that John/Jigsaw (Tobin Bell) is dead, screenwriters Patrick Melton and Marcus Dunstan (writers of the Project Greenlight-produced FEAST)... The fourth SAW film takes fans into uncharted waters. Now that John/Jigsaw (Tobin Bell) is dead, screenwriters Patrick Melton and Marcus Dunstan (writers of the Project Greenlight-produced FEAST) give us Jigsaw's "origin" story--finally showing us why he does what he does. Along they way, they still find time to work in the usual dose of elaborate Rube Goldberg-like torture devices and heaps of MPAA-defying gore in what plays like an extreme version of CSI. During his (extremely graphic) autopsy, Jigsaw's final tape (swallowed in SAW III) is found in his stomach. Promising that his work will continue despite his passing, his message sets off a series of grisly tasks for anxious SWAT team leader Rigg (Lyriq Bent), who is given 90 minutes to rescue detectives Matthews (Donnie Wahlberg) and Hoffman (Costas Mandylor), who are to be dispatched via blocks of ice and high voltage wires. Trailing Rigg are FBI agents Strahm (Scott Patterson of GILMORE GIRLS) and Perez (Athena Karkanis), who get some unexpected blood on their hands along the way. A series of flashbacks details a pivotal event between Jigsaw and his girlfriend, Jill (1980s beauty Betsy Russell, PRIVATE SCHOOL), which inspired him to devote the remainder of his life to the creation of his signature puzzles. Darren Lynn Bousman, director of the previous two sequels, returns once again to ensure that the series retains its trademark desaturated look. Though viewers starting with this installment may find the brief glimpses of characters from the previous films confusing, fans should be pleased with how the films link together. They are also sure to appreciate that, like FRIDAY THE 13th carrying on sans Jason in PART IV: A NEW BEGINNING, the death of Jigsaw won't keep the franchise from evolving into SAW V and beyond. [More]
Starring: Tobin Bell, Scott Patterson, Betsy Russell, Costas Mandylor
Starring: Tobin Bell, Scott Patterson, Betsy Russell, Costas Mandylor, Lyriq Bent, Justin Louis, Athena Karkanis, Simon Reynolds
Director: Darren Lynn Bousman
Director: Darren Lynn Bousman
Screenwriter: Patrick Melton, Marcus Dunstan
Story: Patrick Melton, Marcus Dunstan, Thomas Fenton
Producer: Gregg Hoffman, Mark Burg, Oren Koules
Composer: Charlie Clouser
Studio: Lions Gate Films
Reviews for Saw IV
It's a been-there, done-that sort of sequel, but it's still more creative than most of what passes for Hollywood horror these days.
With Saw IV, the pieces have all come together and [it's] the best of the lot.
By far the best installment of this cringingly moronic odyssey of pain. There's something to be said about leaving a theater with only a mild cultural headache instead of a knee-buckling case of cinematic depression.
Despite the clucking disapproval of the cinematic intelligentsia, the Saw films aren’t successful by accident.
Easily the worst entry in the series, and the first one that undeniably feels like a sloppily thrown-together rush job.
Saw IV is a fluid film, as neatly constructed as the deadly puzzles Jigsaw creates to snare his victims.
Saw IV almost makes you believe there are hundreds of rooms out there at this very minute with puppets, tricycles, and audio tapes just waiting for the next game.
Stultifying in its pseudo-sensationalistic schlock, this numbingly and nightmarish narrative has no legitimate creepy conviction beyond flexing its meaningless, morose muscles
If it ever had a prime, the Saw franchise is well past it...a mess...and an ugly mess at that.
Even fans of good, old-fashioned, onscreen torture will find themselves rolling their eyes at the twists and turns in this impossibly convoluted story.
Might be the best since the first, but still a task to watch. A painful, meaningless task.
The absurdity reaches new highs in Saw IV, which asks us to swallow developments that simply aren't logistically possible, never mind realistic.
After two solid entries and an OK one, the franchise is getting long in the tooth: This one is Saw It Be-IV.
Torture, you may recall, used to be an unparsable, unpardonable sin. Now it's porn.
If the original Saw was the kernel of a potential terror universe, Saw IV is, by this time, a series of satellites and lesser celestial bodies bound together by some of the best bloodletting in modern macabre.
Like many villains before him, John turns out to have been wronged rather randomly, an act of terrible violence that he absorbs into his worldview.
As far as fourth installments in a series, Saw IV is quite impressive.
Latest News for Saw IV
October 20, 2009:
See Saw with Alex, Day 4: Saw IV
Suspecting they would have large significance in later sequels, I yesterday refrained from commenting on Saw III's plethora of useless shots. The camera's fixation on Agent... More...
April 08, 2008:
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March 05, 2008:
Scott Patterson Talks Saw V
These days, Scott Patterson is known to fans of the CW's Aliens in America as the perpetually befuddled Gary Tolchuck -- but those of you who remember him as Agent Strahm in Saw... More...
February 19, 2008:
Weinsteins' Hellraiser Remake Has Its Writers
Hollywood's never-ending remake party had to take a brief hiatus during the writers' strike, but now that the lights are back on in Tinseltown, studios are moving forward with... More...
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