This is hard core Pain And Suffering territory... The film wastes no time getting down to nasty business, ripping, slicing, gouging, piercing, smashing and tearing every part of the human body
Saw IV (2007)
Tomatometer
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Reviews Counted:68
Fresh:12
Rotten:56
Average Rating:3.7/10
Consensus: Saw IV is more disturbing than compelling, with material already seen in the prior installments.
Runtime: 1 hr 48 mins
Genre: Horror/Suspense
US Box Office: $63,270,259
Synopsis: The fourth SAW film takes fans into uncharted waters. Now that John/Jigsaw (Tobin Bell) is dead, screenwriters Patrick Melton and Marcus Dunstan (writers of the Project Greenlight-produced FEAST)... The fourth SAW film takes fans into uncharted waters. Now that John/Jigsaw (Tobin Bell) is dead, screenwriters Patrick Melton and Marcus Dunstan (writers of the Project Greenlight-produced FEAST) give us Jigsaw's "origin" story--finally showing us why he does what he does. Along they way, they still find time to work in the usual dose of elaborate Rube Goldberg-like torture devices and heaps of MPAA-defying gore in what plays like an extreme version of CSI. During his (extremely graphic) autopsy, Jigsaw's final tape (swallowed in SAW III) is found in his stomach. Promising that his work will continue despite his passing, his message sets off a series of grisly tasks for anxious SWAT team leader Rigg (Lyriq Bent), who is given 90 minutes to rescue detectives Matthews (Donnie Wahlberg) and Hoffman (Costas Mandylor), who are to be dispatched via blocks of ice and high voltage wires. Trailing Rigg are FBI agents Strahm (Scott Patterson of GILMORE GIRLS) and Perez (Athena Karkanis), who get some unexpected blood on their hands along the way. A series of flashbacks details a pivotal event between Jigsaw and his girlfriend, Jill (1980s beauty Betsy Russell, PRIVATE SCHOOL), which inspired him to devote the remainder of his life to the creation of his signature puzzles. Darren Lynn Bousman, director of the previous two sequels, returns once again to ensure that the series retains its trademark desaturated look. Though viewers starting with this installment may find the brief glimpses of characters from the previous films confusing, fans should be pleased with how the films link together. They are also sure to appreciate that, like FRIDAY THE 13th carrying on sans Jason in PART IV: A NEW BEGINNING, the death of Jigsaw won't keep the franchise from evolving into SAW V and beyond. [More]
Starring: Tobin Bell, Scott Patterson, Betsy Russell, Costas Mandylor
Starring: Tobin Bell, Scott Patterson, Betsy Russell, Costas Mandylor, Lyriq Bent, Justin Louis, Athena Karkanis, Simon Reynolds
Director: Darren Lynn Bousman
Director: Darren Lynn Bousman
Screenwriter: Patrick Melton, Marcus Dunstan
Story: Patrick Melton, Marcus Dunstan, Thomas Fenton
Producer: Gregg Hoffman, Mark Burg, Oren Koules
Composer: Charlie Clouser
Studio: Lions Gate Films
Reviews for Saw IV
If the gore quotient has been upped in this chapter (really, after a certain threshold has been reached, who can tell?), the style has, too.
If the original Saw was the kernel of a potential terror universe, Saw IV is, by this time, a series of satellites and lesser celestial bodies bound together by some of the best bloodletting in modern macabre.
Despite the clucking disapproval of the cinematic intelligentsia, the Saw films aren’t successful by accident.
Saw IV is a fluid film, as neatly constructed as the deadly puzzles Jigsaw creates to snare his victims.
Were it not for the saving grace of Tobin Bell's mere presence, there's little doubt that Saw IV would come off about as well as a typical straight-to-video horror sequel.
The absurdity reaches new highs in Saw IV, which asks us to swallow developments that simply aren't logistically possible, never mind realistic.
Whereas the first Saw and the third met the right balance, the second film and now the fourth push things a little too far and end up being less effective as a result.
As far as fourth installments in a series, Saw IV is quite impressive.
It's a been-there, done-that sort of sequel, but it's still more creative than most of what passes for Hollywood horror these days.
With Saw IV, the pieces have all come together and [it's] the best of the lot.
Even fans of good, old-fashioned, onscreen torture will find themselves rolling their eyes at the twists and turns in this impossibly convoluted story.
The series has essentially become a shell game, entertaining for a while if you can stomach the gore, and then the credits roll and you're pretty sure you've been cheated somehow.
I do wish that these movies were well made, because I actually think the premises are quite clever, but unless a veteran who is more confident in his abilities takes over, we are left with what could have been...
Might be the best since the first, but still a task to watch. A painful, meaningless task.
By far the best installment of this cringingly moronic odyssey of pain. There's something to be said about leaving a theater with only a mild cultural headache instead of a knee-buckling case of cinematic depression.
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