Call Ethan one widescreen reminder of fear and guilt for a country that deserved at least one.
The Searchers (1956)
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Reviews Counted:41
Fresh:40
Rotten:1
Average Rating:8.8/10
Synopsis: A classic Western regarded by many as the best of the genre, John Ford's THE SEARCHERS has been acknowledged by several directors who came into their own in the 1970s, including Martin Scorsese,... A classic Western regarded by many as the best of the genre, John Ford's THE SEARCHERS has been acknowledged by several directors who came into their own in the 1970s, including Martin Scorsese, Steven Spielberg, Paul Schrader, and George Lucas, as a powerful influence on their work. The film stars John Wayne as Ethan Edwards, a case-hardened Civil War veteran returning to his brother Aaron's (Walter Coy) Texas home in 1868. When Rev. Samuel Johnson Clayton (Ward Bond) arrives to raise a posse to run down the Comanche who have stolen the cattle of neighbor Lars Jorgenson (John Qualen), Ethan is among those who join him. They return to find the Edwards family slaughtered and the two girls, Lucy (Pippa Scott) and Debbie (Natalie Wood), missing. The posse continues to search for the girls but turns back as winter settles in. However, Ethan and his reluctantly accepted companion, Martin Pawley (Jeffrey Hunter), the girls' part-Cherokee stepbrother, press on for another seven years, with the Indian-hating veteran becoming ever more fanatical as the hard seasons pass. In his epic meditation on racism, obsession, paranoia, and the myth of the West, Ford explores the ugly underside of a genre that he had imbued with optimism in his early career. Wayne gives perhaps his most powerful performance as the embittered Edwards, but it's the visual poetry of what are possibly Ford's most carefully framed, lit, and composed images that shape this masterwork from beginning to end. As Wayne walks through the doorway at the film's end, he grabs his elbow in a tribute to his and Ford's close friend Harry Carey Sr., a Western film icon who had passed away a few years before. [More]
Starring: John Wayne, Jeffrey Hunter, Vera Miles, Ward Bond
Starring: John Wayne, Jeffrey Hunter, Vera Miles, Ward Bond, Natalie Wood, John Qualen, Olive Carey, Henry Brandon
Director: John Ford
Director: John Ford
Screenwriter: Frank S. Nugent
Producer: Merian C. Cooper, C. V. Whitney
Composer: Max Steiner
Reviews for The Searchers
A mature, dark, ambivalent piece that helped pave the way for the modern western.
Some fine vignettes of frontier life in the early southwest and a realistic presentation of the difficulties faced by the settlers in carving out a homestead in dangerous Indian country.
Through the central image of the frontier, the meeting point of wilderness and civilization, Ford explores the divisions of our national character, with its search for order and its need for violence, its spirit of community and its quest for independence
John Wayne at his best, striking cinematography and character ambiguity makes this a powerful and thought-provoking Wild West Odyssey.
...a much more multi-layered Western than most other such examples of the genre, and it is surely a classic of its kind.
One of Ford's undisputed masterpiecs and a quintessential text of the 1950s, a rare Western that explores the deep roots of racism (and sexism) in American life, and gives John Wayne his most complex performance as the anomic hero.
There is perhaps some discrepancy in the play between Wayne's heroic image and the pathological outsider he plays here (forever excluded from home, as the doorway shots at beginning and end suggest), but it hardly matters, given the film's visual splendou
It may also be the best American movie, or at least the most American movie ....
The Searchers's reputation is so widely accepted that it's a surprise to discover that the film, and Wayne's character, are more complex than the reputation suggests.
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