A moving, distinctly French tale, this sumptuous production is made complete with a brilliant performance by leading lady Yolande Moreau.
Séraphine (2008)
Tomatometer
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Reviews Counted:79
Fresh:71
Rotten:8
Average Rating:7.5/10
Consensus: Seraphine is a well-crafted French film that effectively captures one woman's experience with art, religion, and mental illness, and features a brilliant performance from Yolande Moreau.
Synopsis: Based on a true story, Seraphine centers on Séraphine de Senlis (Moreau), a simple and profoundly devout housekeeper whose brilliantly colorful canvases now adorn some of the most famous galleries... Based on a true story, Seraphine centers on Séraphine de Senlis (Moreau), a simple and profoundly devout housekeeper whose brilliantly colorful canvases now adorn some of the most famous galleries in the world. Wilhelm Uhde (Tukur), a German art critic and collector - he was the first Picasso buyer and discoverer of naïve primitive painter Le Douanier Rousseau - discovers her paintings while she is working for him as a maid in the beautiful countryside of Senlis near Paris in the early part of the 20th century. A moving and unexpected relationship develops between the avant-garde art dealer and the visionary cleaning lady. Martin Provost’s fictionalized and poignant portrait of this forgotten painter is a testament to creativity and the resilience of one woman’s spirit.--© Music Box Films [More]
Starring: Yolande Moreau, Ulrich Tukur, Anne Bennent, Genevieve Mnich
Starring: Yolande Moreau, Ulrich Tukur, Anne Bennent, Genevieve Mnich, Nico Rogner, Adelaide Leroux, Serge Lariviere, Francoise Lebrun
Director: Martin Provost
Director: Martin Provost
Screenwriter: Martin Provost, Marc Abdelnour
Producer: Milena Poylo, Gilles Sacuto
Studio: Music Box Films
Reviews for Séraphine
This biopic, which swept the board at the Césaires, is somewhat over-inclined to reverence and simplification; but it is also, some of the time, rewarding and touching.
Séraphine doesn’t mess with the formula but the script allows plenty of awkward details to remain and we’re allowed to decide for ourselves if fame was a godsend for her.
This award-sweeping biopic of the French painter is made with a remarkable attention to detail that makes the characters and period spring vividly to life, aided by subtle direction and especially sharp acting.
This utterly beguiling biopic about a cleaning lady with the artistic gifts of a Van Gogh is just a bit special.
Depends on your levels of Christmas spirit. Nativity either glorifies the charming amateurishness of the British school play or celebrates the slapdash incompetence of the British film industry.
A classy drama and a sympathetic portrait of two outsiders and the vibrant, unsettling work that binds them.
A measured, soulful and tactile work; a film with gouache beneath its fingernails.
The film ends up something of a muddle that strives too hard to wear a ‘quality’ tag upon its sleeve.
Moreau’s marvellous performance captures the vulnerabilities of a woman who never dares to dream that her work might be taken seriously and who seemed to spend a lifetime poised between the call of greatness and the threat of madness.
A tender and intelligent glimpse of a life enriched both by her nascent talent and the affectionate devotion of Uhde’s protector.
An exceptional and exquisitely photographed depiction of artistic taste, social snobbery and transient celebrity.
Moreau’s stellar performance and the astral intensity of the paintings keep taking us where this story belongs, up into the skies.
The story is both genuinely fascinating and utterly heartbreaking, whilst also making pointed observations about the nature of art and art versus commerce.
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