The number of characters involved leaves the plotlines strung out and little emotion for the audience to cling to.
Serbis (2009)
Tomatometer
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Reviews Counted:25
Fresh:20
Rotten:5
Average Rating:6.6/10
Consensus: This darkly comic family drama finds ways of being viscerally graphic and intellectually stimulating at the same time.
Runtime: 1 hr 33 mins
Genre: Foreign Films
US Box Office: $0
Synopsis: Filipino director Brillante Mendoza brings a frank, gritty immediacy to SERBIS, a multi-character, day-in-the-life portrait of a family-run movie house in the Philippines. Only this isn't your... Filipino director Brillante Mendoza brings a frank, gritty immediacy to SERBIS, a multi-character, day-in-the-life portrait of a family-run movie house in the Philippines. Only this isn't your typical movie house. It's actually a downtrodden venue that shows graphic double features and allows the clientele to make their own sexual connections in the dark shadows. Today is a very important day, for Nanay Flor, the family matriarch, is going to discover if she won a years-in-the-making bigamy case against her husband. Meanwhile, her children are involved in dramatic situations of their own. Alan has just learned troubling news about his girlfriend, and Nayda is married but attracted to her cousin Ronald. As the day develops and the verdict comes down, the Pinedas struggle to focus on the daily tasks associated with the theater, even as their own personal conflicts threaten to overwhelm them. Shot on video, SERBIS recalls films from the Dogme 95 movement. Mendoza and screenwriter Armando Lao have clearly constructed these dramatic situations, yet they are shot on consumer video with such energy that the film often feels like a documentary. Mendoza pulls no punches, showing multiple scenes of behind-the-scenes sexuality that are even more graphic than the X-rated behavior unfolding on the cavernous theater's silver screen. SERBIS provides a realistic, unflinching glimpse into this hyper-sexualized world. [More]
Starring: Gina Pareno, Jaclyn Jose, Julio Diaz, Coco Martin
Starring: Gina Pareno, Jaclyn Jose, Julio Diaz, Coco Martin, Kristofer King, Dan Alvaro, Mercedes Cabral, Roxanne Jordan
Director: Brillante Mendoza
Director: Brillante Mendoza
Screenwriter: Armando Lao
Story: Armando Lao, Boots Agbavani Pastor
Producer: Ferdinand Lapuz
Composer: Gian Gianan
Studio: Regent Releasing
Reviews for Serbis
A gritty little drama that leaves you feeling like you might need a shower.
While it has its gag-inducing moments, director Brillante Mendoza's film about a three-generational family that lives in and operates a rundown porn theatre is more sweet than twisted.
That calling-attention-to-the-idea-that-we're-watching-a-movie device is at odds with the realism of the story, but it does a nice job of illustrating the central question of Serbis: Which is going to fall apart first, the Family or the family?
Enthralling. A vivid portrait of a family seemingly involved in only their own problems who have been infected by the filth and enervation around them.
Unflinching, graphic depictions of illicit sex and boil-lancing are memorable, but the family's moral ambiguities and sense of lost prestige are what fascinate the most.
Part-telenovela, part outlandish screwball comedy, part soft-porno, but completely without a road map, Serbis evokes Pedro Almodóvar, Tennessee Williams, and 1940s and '50s Hollywood.
Serbis has the feel of a documentary, but a documentary can't accomplish what "Serbis" does: Take us to a corner of the world where sex and regret are so intimately entwined.
A unique and artistic treatment of gritty family survival but one that will turn away viewers with its carnal setting and sand-blasted treatment of the human condition.
Often drags with too many poorly developed characters its convoluted, unfocused plot. If it were more character-driven and had a sharper screenplay, it would have been a much more captivating drama.
The Filipino movie Serbis is gentle, bawdy and at times rambunctiously, ticklishly rude.
A scraggly, messy, often aimless, and yet consistently amusing and engaging work of black comedy-cum-social-realism.
Though [director] Mendoza doesn't care to resolve all of the many subplots he's jugging, the film gives a complete picture of a family, a business, and a city in disarray, and the looming fallout.
Rather than settling into a contemplative groove, Serbis bristles with live-wire intensity; neither the characters nor the camera stay still for long before something new propels the story into the next chapter.
Specialty audiences may appreciate this downbeat Filipino drama about an impoverished family trying to hold it together while running a porn theatre, but its unvarnished sex scenes won't play for mainstream tastes.
As a twitchily sensational series of interconnected images, it’s an awesome nugget of faux-trash gold.
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