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Shortbus (2006)
Tomatometer
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Reviews Counted:118
Fresh:77
Rotten:41
Average Rating:6.4/10
Consensus: The sex may be explicit, but Mitchell integrates it into the characters' lives and serves the whole story up with a generous dose of sweetness and wit.
Runtime: 1 hr 42 mins
Genre: Dramas
US Box Office: $1,851,628
Synopsis: Writer/director John Cameron Mitchell follows up the cult classic HEDWIG AND THE ANGRY INCH with another salacious slice of sex-laden cinema. Mitchell interweaves three separate tales of highly... Writer/director John Cameron Mitchell follows up the cult classic HEDWIG AND THE ANGRY INCH with another salacious slice of sex-laden cinema. Mitchell interweaves three separate tales of highly sexed and sexually frustrated New Yorkers, all of whom find some kind of salvation at an underground club named Shortbus. Anything goes at Shortbus--wild orgies between people from different ages, backgrounds, and sexual preferences are treated as commonplace, and most of the sex scenes shot through Mitchell's voyeuristic lens are completely unsimulated. Mitchell allows little time for his audience to pause for breath, opening SHORTBUS with a frantic collage of copulation and carnality that features most of his central characters. These include Sofia (Sook-Yin Lee), a sex therapist who has never reached full orgasm; gay couple James (Paul Dawson)--who begins the movie by fellating himself--and Jamie (PJ DeBoy); and Severin (Lindsay Beamish), a dominatrix who finds herself unable to find true love. Mitchell lets his cast of characters unravel their tales of woe, interspersing the touching and mostly sad stories with eye-popping scenes from Shortbus and swooping birds-eye shots of a computer simulated version of New York City. The director also draws heavily on an indie-rock soundtrack, making repeated and effective use of the beautiful "Winters Love" by Brooklyn-based group Animal Collective. But it's the sex scenes that will really get tongues wagging, and its testament to Mitchell's fearless and uncompromising vision that he depicts sexual acts that run the full coital gamut, from amusing to titillating to shocking. Amid all the boundary-pushing there is a tender heart buried in SHORTBUS's central narrative--which revolves around the search for identity and acceptance--but less sensitive viewers who seek amusement in the singing of the National Anthem into a prominent orifice will also find plenty to enjoy here. [More]
Starring: Raphael Barker, Lindsay Beamish, Justin Bond, Paul Dawson
Starring: Raphael Barker, Lindsay Beamish, Justin Bond, Paul Dawson, Yolanda Ross, Jay Brannan, Shanti Carson, Sook-Yin Lee, PJ Deboy, Peter Stickles, Bitch, The Hungry March Band
Director: John Cameron Mitchell
Director: John Cameron Mitchell
Producer: Howard Gertler, Tim Perell
Studio: ThinkFilm
Reviews for Shortbus
This is a film for the adventurous. A colourful and wondrously imaginative sexual adventure that integrates humour, symbolism and emotion
Director John Cameron Mitchell ("Hedwig and The Angry Inch") flaunts cinematic tradition with a raucous sex comedy filled with truly shocking sex acts that underscore his vision of New York as a playground of debauchery.
Shortbus is not, above all, 'dirty.' What it is, in fact, is a nice movie, one of the nicest to come down the pike since March of the Penguins.
Shortbus flips through varying moods with overall success, fleshing out the characters who show flesh.
There may be a variety of erotic practices on parade here, but the film leaves viewers with few real insights into either human nature or sexuality.
The characters' lack of any real substance--it's really only all about attitude--make one gradually lose interest until the next in flagrante delicto moment.
a project that has brains as well as bravado. It's also very funny, which helps to diffuse much of the nervousness that its graphic sex scenes might inspire in viewers. ...an imaginative, involving and ultimately touching story.
Bajo la piel de una pel%uFFFDcula sexualmente muy expl%uFFFDcita hay un delicado y sensible estudio de personajes, sus relaciones, sus frustraciones, y una irreverente y fresca mirada a la Nueva York pos-11 de setiembre.
The hallmarks of a true collaboration between the director and his actors are everywhere, and their performances are what raise the film above any of its shortcomings.
If you want to explore the ideas of love and emotional permeability while seeing a narratively complex world of sexual self-exploration to which few are privy, then this is the movie for you. Otherwise, run for your life.
Mitchell worked with his cast to develop the various stories and the improvisatory effort may not have resulted in a Mike Leigh sort of drama but it has yielded wondrous moments. The cast is very good with the best performances coming from Lee as Sofia (w
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