The back-and-forth goes on and on, increasingly impenetrable. Talk. Poke. Provoke. Repeat.
Sleuth (2007)
Tomatometer
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Reviews Counted:117
Fresh:42
Rotten:75
Average Rating:5.1/10
Consensus: Sleuth is so obvious and coarse, rather than suspenseful and action-packed, that it does nothing to improve on the original version
Australian Rating: M [See Full Rating] Strong coarse language, Infrequent aggressive coarse language, Adult themes
Runtime: 86 mins
Genre: Thriller, Murder, Theatrical Release, Remake
Australian Theatrical Release:
Mar 6, 2008 Wide
US Box Office: $205,005
Synopsis: In 1972, Laurence Olivier and Michael Caine starred in the screen adaptation of SLEUTH, based on Anthony Shaffer's Tony Award-winning play and directed by Joseph L. Mankiewicz. Olivier played... In 1972, Laurence Olivier and Michael Caine starred in the screen adaptation of SLEUTH, based on Anthony Shaffer's Tony Award-winning play and directed by Joseph L. Mankiewicz. Olivier played Andrew Wyke, a droll old writer whose wife is having an affair with the young, ambitious Milo Tindle, played by Caine. Thirty-five years later, Caine is starring as Wyke in an updated version of SLEUTH, completely rewritten by Nobel Prizewinner Harold Pinter and directed by multiple Oscar nominee Kenneth Branagh. Jude Law, who played the Michael Caine role in the 2004 remake of ALFIE, now takes over as Tindle, a hairdresser-actor who has shown up at Wyke's estate to demand that Wyke divorce his wife so Tindle can marry her. But the extremely successful and wealthy Wyke is not about to give up his wife without a very determined and well-calculated battle of wits. Wyke lives by himself in a home that features dozens of electronic gadgets and odd contraptions, forcing Tindle to always be on the lookout for something strange to happen. The cat-and-mouse game continues as Tindle and Wyke play mind games with each other in a thrilling contest of one-upsmanship that soon involves a gun. Caine is marvelous as Wyke, strutting through his home with the absolute confidence that he will get the best of Tindle, but Law, who is also one of the film's producers, holds up his end of the drama, giving as good as he gets. Branagh keeps a steady hand as director, not allowing the camera to get in the way of the two dueling characters, but Tim Harvey's unusual production design nearly steals the show. [More]
Starring: Michael Caine, Jude Law
Starring: Michael Caine, Jude Law
Director: Kenneth Branagh
Director: Kenneth Branagh
Screenwriter: Harold Pinter
Producer: Jude Law, Simon Halfon, Tom Sternberg, Marion Pilowksy, Kenneth Branagh, Simon Moseley
Composer: Patrick Doyle
Studio: Sony Pictures Classics
Reviews for Sleuth
Constantly upstaging the rest of the cast, and reminding us over and over that we are watching a stogy, old fashioned stage play, Branagh's loopy lens is indeed the best part of Sleuth. Everything else is just plain pointless.
Succeeds only as another example of why Law should never star in a remake of a Caine movie again.
This film wants only to entertain, and other talents have gathered with Pinter to help.
A film that gives a twist to the old chestnut, but one that shatters what was best about it in the first place.
Devotees of the original may be appalled to see it changed in any way, but on its own terms it's pretty entertaining.
This was never going to be a masterpiece, but it didn't have to be nearly so frustrating.
While [writer] Pinter contributes some venom-spitting new dialogue, he also deviates wildly from the original story in the third act -- which would be fine, if the deviations weren't less compelling and more abrupt than Shaffer's original ideas.
We're left with two suitably hammy performances by Caine and Law, who do not forget they are actors playing actors, and a production design that must have kept the lighting people doing some ingenious plotting of their own.
There's lots to like in Sleuth's battle of wits, which occurs when an actor (Jude Law) having an affair with a married woman visits her husband, a writer (Michael Caine), and asks him to grant her a divorce.
This would have been a memorable night at the theater. Too bad they filmed it.
Caine and Law are terrific together, verbally circling each other like panthers ready to pounce.
Branagh's Sleuth delivers a preening surface that's glossy and coldly attractive but we don't care a whit about the characters or what happens to them.
Closed-circuit cameras and electronic gadgets are so much in abundance, bathed in the coldest of blue lights, it's as if Branagh chose to film his Sleuth in a Best Buy warehouse.
Those who say they wouldn't mind watching Michael Caine and Jude Law recite the phone book may well have their patience tested by Sleuth.
This might have been OK for cable, but as a night out at the movies, it feels like a bit of a cheat.
Although the first half is much better than the second, Sleuth is intense, wordy, wordly and thought-provoking overall. It may not appeal to adolescent boys. Imagine that.
Latest News for Sleuth
March 10, 2008:
RT on DVD: Call It, Friend-O -- No Country For Old Men Hits DVD
The critically-acclaimed, Oscar-winning No Country For Old Men comes to DVD this week, accompanied by a litany of fellow Fresh films (Lake of Fire, Summer Palace, Dan in Real... More...
November 23, 2007:
Kenneth Branagh on Sleuth: The RT Interview
The Shakespearian thesp tells us about re-adapting the classic play, originally made into a 1972 film with Laurence Olivier and Michael Caine. More...
October 11, 2007:
Critical Consensus: No Debatin' Clayton, Night Almost Owns, Elizabeth Not Golden
This week at the movies we got lawyer types (Michael Clayton, starring George Clooney and Tilda Swinton), dueling brothers (We Own the Night, starring Joaquin Phoenix and Mark... More...
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