While the cons do finally outweigh the pros... oh what marvelous pros they are.
Sleuth (2007)
Tomatometer
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Reviews Counted:117
Fresh:42
Rotten:75
Average Rating:5.1/10
Consensus: Sleuth is so obvious and coarse, rather than suspenseful and action-packed, that it does nothing to improve on the original version
Australian Rating: M [See Full Rating] Strong coarse language, Infrequent aggressive coarse language, Adult themes
Runtime: 86 mins
Genre: Thriller, Murder, Theatrical Release, Remake
Australian Theatrical Release:
Mar 6, 2008 Wide
US Box Office: $205,005
Synopsis: In 1972, Laurence Olivier and Michael Caine starred in the screen adaptation of SLEUTH, based on Anthony Shaffer's Tony Award-winning play and directed by Joseph L. Mankiewicz. Olivier played... In 1972, Laurence Olivier and Michael Caine starred in the screen adaptation of SLEUTH, based on Anthony Shaffer's Tony Award-winning play and directed by Joseph L. Mankiewicz. Olivier played Andrew Wyke, a droll old writer whose wife is having an affair with the young, ambitious Milo Tindle, played by Caine. Thirty-five years later, Caine is starring as Wyke in an updated version of SLEUTH, completely rewritten by Nobel Prizewinner Harold Pinter and directed by multiple Oscar nominee Kenneth Branagh. Jude Law, who played the Michael Caine role in the 2004 remake of ALFIE, now takes over as Tindle, a hairdresser-actor who has shown up at Wyke's estate to demand that Wyke divorce his wife so Tindle can marry her. But the extremely successful and wealthy Wyke is not about to give up his wife without a very determined and well-calculated battle of wits. Wyke lives by himself in a home that features dozens of electronic gadgets and odd contraptions, forcing Tindle to always be on the lookout for something strange to happen. The cat-and-mouse game continues as Tindle and Wyke play mind games with each other in a thrilling contest of one-upsmanship that soon involves a gun. Caine is marvelous as Wyke, strutting through his home with the absolute confidence that he will get the best of Tindle, but Law, who is also one of the film's producers, holds up his end of the drama, giving as good as he gets. Branagh keeps a steady hand as director, not allowing the camera to get in the way of the two dueling characters, but Tim Harvey's unusual production design nearly steals the show. [More]
Starring: Michael Caine, Jude Law
Starring: Michael Caine, Jude Law
Director: Kenneth Branagh
Director: Kenneth Branagh
Screenwriter: Harold Pinter
Producer: Jude Law, Simon Halfon, Tom Sternberg, Marion Pilowksy, Kenneth Branagh, Simon Moseley
Composer: Patrick Doyle
Studio: Sony Pictures Classics
Reviews for Sleuth
Both stars definitely deliver and the movie directed by Kenneth Branagh is handsome enough, but for some reason it just doesn't connect the dots.
Kenneth Branagh is not a director with a light touch, or an aversion to self-importance, and the movie's visuals are too painfully obvious.
Caine and Law go at it like tigers, but in the end they're just chasing their own tails.
Just when things should be getting exciting and complex, they become repetitive and predictable. Subtext becomes hint becomes statement becomes declaration. For once, Pinter is a little too easy to understand.
Language this lethal has all but disappeared from the movies, and it's an unmitigated pleasure to observe Caine and Law attack it with such ferocity. Sleuth is nasty fun.
One of the more entertaining films of the season, a tight, efficient thriller with two actors, a director, and a writer firing on all creative cylinders
Entertains more than it should, a sure sign that the real culprit is the fine talent assembled.
In spite of its strengths for the first two-thirds, you're better off tracking down the original Sleuth than this one.
It's hard to fault a 35th anniversary retelling for not being able to fool us, but you would think in that time they'd be able to find a way to make that second-act twist work on film.
Caine and Law are in fine form bantering cleverly in this entertaining cat-and-mouse game, thanks to the inspired dialogue of Harold Pinter.
Despite interesting cinematography, this remake it fails because Michael Caine is no Laurence Olivier and Jude Law is no Michael Caine.
It has a certain edge and daring, or more to the point it pretends to. That goes some distance toward concealing that Sleuth is a horrible mismatch of writer and material.
It's an interesting failure -- a film that works more successfully as a study of technique and writing than as a motion picture.
Leaving aside two brilliant 1963 film adaptations of [Pinter's] best work, The Caretaker and The Servant, the terse opacity of the dialogue that served his early plays so astringently has never translated well onto the big screen.
Purely as an exercise in stylistic face-lifting, Sleuth is fascinating.
A delicious truffle filled with poison, with a sleek beauty that makes Sleuth all the more dangerous.
Latest News for Sleuth
March 10, 2008:
RT on DVD: Call It, Friend-O -- No Country For Old Men Hits DVD
The critically-acclaimed, Oscar-winning No Country For Old Men comes to DVD this week, accompanied by a litany of fellow Fresh films (Lake of Fire, Summer Palace, Dan in Real... More...
November 23, 2007:
Kenneth Branagh on Sleuth: The RT Interview
The Shakespearian thesp tells us about re-adapting the classic play, originally made into a 1972 film with Laurence Olivier and Michael Caine. More...
October 11, 2007:
Critical Consensus: No Debatin' Clayton, Night Almost Owns, Elizabeth Not Golden
This week at the movies we got lawyer types (Michael Clayton, starring George Clooney and Tilda Swinton), dueling brothers (We Own the Night, starring Joaquin Phoenix and Mark... More...
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