It's an example of sophisticated, challenging filmmaking that stands, despite its noticeable lack of emotional heft, in welcome contrast to the indulgent dead-end experimentation of the director's previous Full Frontal.
Solaris (2002)
Tomatometer
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Reviews Counted:195
Fresh:126
Rotten:69
Average Rating:6.5/10
Consensus: Slow-moving, cerebral, and ambiguous, Solaris is not a movie for everyone, but it offers intriguing issues to ponder.
Runtime: 1 hr 39 mins
Genre: Dramas
US Box Office: $14,780,776
Synopsis: Steven Soderbergh, whose eclectic resume includes the Academy Award(R)-winning drama "Traffic" as well as last year's ensemble caper "Ocean's Eleven," now brings his unique vision to SOLARIS, a... Steven Soderbergh, whose eclectic resume includes the Academy Award(R)-winning drama "Traffic" as well as last year's ensemble caper "Ocean's Eleven," now brings his unique vision to SOLARIS, a story of love, redemption, second chances and a space mission gone terribly wrong. SOLARIS is a love story rich with emotion and mystery, set within a science fiction framework. The story, which takes place sometime in the future, opens as Dr. Chris Kelvin is asked to investigate the unexplained behavior of a small group of scientists aboard the space station Prometheus, who have cut off all communication with Earth. Kelvin undertakes the journey after watching a communique from his close friend Gibarian, the mission's commander, who seeks Kelvin's help aboard the Prometheus for reasons Gibarian is unwilling - or unable - to explain. Keenly aware that his opinion will decide the fate of the orbital station, Kelvin is shocked by what he finds upon his arrival: Gibarian has committed suicide and the two remaining scientists are exhibiting signs of extreme stress and paranoia, seemingly caused by the results of their examination of the planet Solaris. Kelvin, too, becomes entrapped in the unique world's mysteries. Solaris, somehow, presents him with a second chance at love - to change the course of a past relationship that has caused him overwhelming guilt and remorse. But can he really revisit and alter the past? Or is he fated to repeat its mistakes? -- © 20th Century Fox [More]
Starring: George Clooney, Natascha McElhone, Jeremy Davies, Viola Davis
Starring: George Clooney, Natascha McElhone, Jeremy Davies, Viola Davis, Ulrich Tukur
Director: Steven Soderbergh
Director: Steven Soderbergh
Screenwriter: Steven Soderbergh
Producer: James Cameron, Rae Sanchini
Composer: Cliff Martinez
Studio: 20th Century Fox
Reviews for Solaris
In the Hollywood pantheon of recycled heroes, [Clooney] suggests a Clark Gable for the new millennium, without the raised eyebrow and rakish leer.
This is as elegant, moody, intelligent, sensuous, and sustained a studio movie as we are likely to see this season.
The emotionally fragile may wish to consider before entering... lest this devastating exploration of grief be too personally devastating.
Based on a film that was based on a book, the third generation of this tale has the pallor of a smudged photocopy of an idea that has been revived without being re-imagined.
After the credits roll, the film leaves nothing to ponder, no big questions about man's relation to the universe, and no questions about the what lies beyond it.
Its audacious ambitions sabotaged by pomposity, Steven Soderbergh's space opera emerges as a numbingly dull experience.
Soderbergh has leaned on his cast to supply an involving human element, and the fierce Clooney and vital Natascha McElhone, as his wife, deliver.
The low-budget Full Frontal was one of the year's murkiest, intentionally obscure and self-indulgent pictures, and Solaris is its big-budget brother.
Soderbergh skims the fat from the 1972 film. What's left is a rich stew of longing.
The smartest science fiction film since Blade Runner, and yes, that includes The Matrix.
Parallels to Stanley Kubrick's 2001 abound, and Clooney's portrayal of a man offered the opportunity to escape into a world of dreams might be the actor's best work to date.
This is definitely one of those ambiguous films that I want to watch at least a couple of more times.
This much random psychobabble hasn't flattened a movie this badly since Kirk found "God" at the center of the galaxy in Star Trek V: The Final Frontier.
One big blustery movie where nothing really happens. When it comes out on video, then it's the perfect cure for insomnia.
As written by director Steven Soderbergh, Solaris comes across as one of those movies filled with cryptic dialogue that skirts around the story, forcing viewers to use their imaginations to fill in the blanks.
A chilly, remote, emotionally distant piece...so dull that its tagline should be: 'In space, no one can hear you snore.'
Abstract and otherworldly to a vivid, palpable degree, Solaris is a movie of manifold cerebral and emotional context that cannot be easily summarized in print.
Solaris is neither as effective nor as ambitious as Kubrick's masterpiece, but it's still a compelling cinematic experience for those who are willing to abandon themselves to the unforced, measured rhythms of an issues-based motion picture.
Latest News for Solaris
July 20, 2007:
Catalina Sandina Morena Joins Soderbergh's Che Films
Did you know that Steven Soderbergh was making a movie about Che Guevara? Starring Benicio Del Toro in the title role? Yeah, me too. But somehow I missed the news that he was... More...
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