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The Soloist

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The Soloist (2009)

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Reviews Counted:181

Fresh:99

Rotten:82

Average Rating:5.9/10

Consensus: Though it features strong performances by its lead players, a lack of narrative focus prevents The Soloist from hitting its mark.

Australian Rating: TBC

Runtime: 1 hr 56 mins

Genre: Dramas

Australian Theatrical Release:
Sep 3, 2009 Wide

US Box Office: $31,670,931

Synopsis: Director Joe Wright (ATONEMENT, PRIDE & PREJUDICE) brings the true story of an unlikely friendship to life in THE SOLOIST. An award-winning columnist with the Los Angeles Times, Steve Lopez (Robert... Director Joe Wright (ATONEMENT, PRIDE & PREJUDICE) brings the true story of an unlikely friendship to life in THE SOLOIST. An award-winning columnist with the Los Angeles Times, Steve Lopez (Robert Downey Jr.) ultimately becomes an advocate for L.A.’s homeless population when he meets Nathaniel Ayers (Jamie Foxx), a talented musician who's been playing a two-stringed violin while living on the streets and battling mental illness. Struck by Ayers’s passion for music, Lopez begins to write a series of columns about his new acquaintance while attempting to get him off the streets and playing music again. Amidst numerous achievements and setbacks, Lopez and Ayers develop a friendship based on mutual respect despite their many differences, and Lopez rediscovers his humanity. While the focus of the film is the relationship that develops between the two men, the film also tackles the harsh realities of homelessness and the plight of the mentally ill. Lending authenticity to the story, a number of L.A.’s homeless population were cast as extras in the film. An additional subplot is the quandary that daily newspapers face as the world and the news increasingly go electronic, and popular news becomes more sensationalistic. Foxx is both heartbreaking and life-affirming as Ayers, whose undiagnosed schizophrenia drove him away from Juilliard as a young man, and whose fierce independence keeps him on the streets. Downey Jr. turns in a nuanced performance as Lopez, who finally realizes that while he may not be able to save Ayers, he can accept him as he is. Catherine Keener, Lisa Gay Hamilton, and Tom Hollander appear in supporting roles. [More]

Starring: Jamie Foxx, Robert Downey, Catherine Keener, Tom Hollander

Starring: Jamie Foxx, Robert Downey, Catherine Keener, Tom Hollander, Lisa Gay Hamilton

Director: Joe Wright

Director: Joe Wright
Screenwriter: Susannah Grant
Producer: Gary Foster, Russ Krasnoff
Composer: Dario Marianelli
Studio: DreamWorks Distribution LLC

[See More Credits]

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Reviews for The Soloist

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1 - 20 (sorted by date; Australian critics are listed first)
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What's altogether surprising is its refusal to romanticise either of its troubled or flawed central characters.

Full Review Source: The Age (Australia) | comment Comment
09/03/09
Paul Kalina
Paul Kalina
The Age (Australia)
Top Critic Icon Top Critic

The facts offer potential for a heart-rending and emotional movie experience, but Wright (director of Atonement and Pride and Prejudice) goes Hollywood with his first American feature.

Full Review Source: Courier Mail (Australia) | comment Comment
09/02/09
Des Partridge
Des Partridge
Courier Mail (Australia)
Top Critic Icon Top Critic

Playing up to music and disabled character clichés, the filmmakers seem to be Oscar fishing with this almost-there drama.

Full Review Source: FILMINK (Australia) | comment Comment
09/02/09
Hernán Alcerreca
Hernán Alcerreca
FILMINK (Australia)
Top Critic Icon Top Critic

There are fabulous performances from both Jamie Foxx and Robert Downey Jr, it’s just that the power of the story of these two men gets lost in the mix.

Full Review Source: At the Movies (Australia) | comment Comment
09/02/09
Margaret Pomeranz
Margaret Pomeranz
At the Movies (Australia)
Top Critic Icon Top Critic

Somewhere in here, there is a simple, powerful story. If only Wright and Grant had been able to find it.

Full Review Source: Empire Magazine Australasia | comment Comment
09/01/09
Rod Yates
Rod Yates
Empire Magazine Australasia
Top Critic Icon Top Critic

Its power may owe more to Beethoven and Bach than the skills of the filmmakers, but it can be recommended to all who like a strange and moving story.

Full Review Source: The Australian | comment Comment
08/30/09
Evan Williams
Evan Williams
The Australian
Top Critic Icon Top Critic

Robert Downey Jr. and Jamie Foxx are highly convincing. Problem is, the film lets them down. It is not as powerful or moving as it could -- and should -- have been.

Full Review Source: Courier Mail (Australia) | comment Comment
08/30/09
Colin Newton
Colin Newton
Courier Mail (Australia)
Top Critic Icon Top Critic

This film isn't as much about homelessness as about helplessness - and how some people are able not necessarily to overcome it, but to manage it. And how people like Steve Lopez, unintentionally help themselves when they try to help others. That's a great

Full Review Source: Urban Cinefile | comment Comment
08/28/09
Andrew L. Urban
Andrew L. Urban
Urban Cinefile
Top Critic Icon Top Critic

As a film, even in the hands of Atonement director Joe Wright and with talents such as the amazing Downey Jnr, Foxx and Keener, our emotional experience is strangely muted

Full Review Source: Urban Cinefile | comment Comment
08/28/09
Louise Keller
Louise Keller
Urban Cinefile
Top Critic Icon Top Critic

"The Soloist" is not a film in which you anticipate Robert Downey Jr. will be twice doused in urine. Such are the territorial markings of Joe Wright, whose directorial quirks undermine moving moments and committed performances in this musical biopic.

Full Review Source: Suite101.com | comment Comment
10/26/09
Nick Rogers
Nick Rogers
Suite101.com
N/R

Click to read the article

Full Review Source: Observer [UK] | comment Comment
10/15/09
Philip French
Philip French
Observer [UK]

Intelligent and uncompromising, with knock-out performances from Downey Jr. and Foxx.

Full Review Source: Empire Magazine | comment Comment
09/25/09
Dan Jolin
Dan Jolin
Empire Magazine
Top Critic Icon Top Critic

A deliriously imperfect film – and all the better for it.

Full Review Source: Time Out | comment Comment
09/25/09
Dave Calhoun
Dave Calhoun
Time Out

The Soloist brings to life its story with genuine compassion, neatly avoiding many of the traps that afflict Hollywood films about mental illness. And Jamie Foxx's transformation will simply astound.

Full Review Source: Channel 4 Film | comment Comment
09/25/09
James Mottram
James Mottram
Channel 4 Film

Ultimately, the reason that The Soloist fails is because the writer and the director have been bamboozled by the seriousness of the subject matter.

Full Review Source: Times [UK] | comment Comment
09/25/09
Toby Young
Toby Young
Times [UK]
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A handsomely made but tonally uncertain film; it's unsure whether to be an old-fashioned inspirational heartwarmer, or a paranoid prose-poem about ruined lives on the city's dangerous margins.

Full Review Source: Guardian [UK] | comment Comment
09/25/09
Peter Bradshaw
Peter Bradshaw
Guardian [UK]
Top Critic Icon Top Critic

The Soloist has its imperfections, but its ambition trumps them.

Full Review Source: Daily Telegraph | comment Comment
09/25/09
David Gritten
David Gritten
Daily Telegraph

Wright’s major mistake is the flashback to Nathaniel’s background. Mundane, TV movie simplistic and, ironically, very middle-class patronising, it causes the film’s trajectory to go limp.

Full Review Source: Little White Lies | comment Comment
09/25/09
Lorien Haynes
Lorien Haynes
Little White Lies

The Soloist isn't the cringe-worthy Rain Man rip-off it might have been, but that's the only surprise this film has to offer. If it were a piece of music, it would be the kind you hear in a lift when you're stuck between floors...

Full Review Source: Digital Spy | comment Comment
09/25/09
Stella Papamichael
Stella Papamichael
Digital Spy

Thankfully, there's no contrived Hollywood ending but you can't help thinking this is more a three-minute wonder than a dramatic symphony.

Full Review Source: Sky Movies | comment Comment
09/25/09
Tim Evans
Tim Evans
Sky Movies
 
 
1 - 20 (sorted by date; Australian critics are listed first)
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