What's altogether surprising is its refusal to romanticise either of its troubled or flawed central characters.
The Soloist (2009)
Tomatometer
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Reviews Counted:181
Fresh:99
Rotten:82
Average Rating:5.9/10
Consensus: Though it features strong performances by its lead players, a lack of narrative focus prevents The Soloist from hitting its mark.
Australian Theatrical Release:
Sep 3, 2009 Wide
US Box Office: $31,670,931
Synopsis: Director Joe Wright (ATONEMENT, PRIDE & PREJUDICE) brings the true story of an unlikely friendship to life in THE SOLOIST. An award-winning columnist with the Los Angeles Times, Steve Lopez (Robert... Director Joe Wright (ATONEMENT, PRIDE & PREJUDICE) brings the true story of an unlikely friendship to life in THE SOLOIST. An award-winning columnist with the Los Angeles Times, Steve Lopez (Robert Downey Jr.) ultimately becomes an advocate for L.A.’s homeless population when he meets Nathaniel Ayers (Jamie Foxx), a talented musician who's been playing a two-stringed violin while living on the streets and battling mental illness. Struck by Ayers’s passion for music, Lopez begins to write a series of columns about his new acquaintance while attempting to get him off the streets and playing music again. Amidst numerous achievements and setbacks, Lopez and Ayers develop a friendship based on mutual respect despite their many differences, and Lopez rediscovers his humanity. While the focus of the film is the relationship that develops between the two men, the film also tackles the harsh realities of homelessness and the plight of the mentally ill. Lending authenticity to the story, a number of L.A.’s homeless population were cast as extras in the film. An additional subplot is the quandary that daily newspapers face as the world and the news increasingly go electronic, and popular news becomes more sensationalistic. Foxx is both heartbreaking and life-affirming as Ayers, whose undiagnosed schizophrenia drove him away from Juilliard as a young man, and whose fierce independence keeps him on the streets. Downey Jr. turns in a nuanced performance as Lopez, who finally realizes that while he may not be able to save Ayers, he can accept him as he is. Catherine Keener, Lisa Gay Hamilton, and Tom Hollander appear in supporting roles. [More]
Starring: Jamie Foxx, Robert Downey, Catherine Keener, Tom Hollander
Starring: Jamie Foxx, Robert Downey, Catherine Keener, Tom Hollander, Lisa Gay Hamilton
Director: Joe Wright
Director: Joe Wright
Screenwriter: Susannah Grant
Producer: Gary Foster, Russ Krasnoff
Composer: Dario Marianelli
Studio: DreamWorks Distribution LLC
Reviews for The Soloist
The facts offer potential for a heart-rending and emotional movie experience, but Wright (director of Atonement and Pride and Prejudice) goes Hollywood with his first American feature.
Playing up to music and disabled character clichés, the filmmakers seem to be Oscar fishing with this almost-there drama.
There are fabulous performances from both Jamie Foxx and Robert Downey Jr, it’s just that the power of the story of these two men gets lost in the mix.
Somewhere in here, there is a simple, powerful story. If only Wright and Grant had been able to find it.
Its power may owe more to Beethoven and Bach than the skills of the filmmakers, but it can be recommended to all who like a strange and moving story.
Robert Downey Jr. and Jamie Foxx are highly convincing. Problem is, the film lets them down. It is not as powerful or moving as it could -- and should -- have been.
This film isn't as much about homelessness as about helplessness - and how some people are able not necessarily to overcome it, but to manage it. And how people like Steve Lopez, unintentionally help themselves when they try to help others. That's a great
As a film, even in the hands of Atonement director Joe Wright and with talents such as the amazing Downey Jnr, Foxx and Keener, our emotional experience is strangely muted
"The Soloist" is not a film in which you anticipate Robert Downey Jr. will be twice doused in urine. Such are the territorial markings of Joe Wright, whose directorial quirks undermine moving moments and committed performances in this musical biopic.
Intelligent and uncompromising, with knock-out performances from Downey Jr. and Foxx.
The Soloist brings to life its story with genuine compassion, neatly avoiding many of the traps that afflict Hollywood films about mental illness. And Jamie Foxx's transformation will simply astound.
Ultimately, the reason that The Soloist fails is because the writer and the director have been bamboozled by the seriousness of the subject matter.
A handsomely made but tonally uncertain film; it's unsure whether to be an old-fashioned inspirational heartwarmer, or a paranoid prose-poem about ruined lives on the city's dangerous margins.
Wright’s major mistake is the flashback to Nathaniel’s background. Mundane, TV movie simplistic and, ironically, very middle-class patronising, it causes the film’s trajectory to go limp.
The Soloist isn't the cringe-worthy Rain Man rip-off it might have been, but that's the only surprise this film has to offer. If it were a piece of music, it would be the kind you hear in a lift when you're stuck between floors...
Thankfully, there's no contrived Hollywood ending but you can't help thinking this is more a three-minute wonder than a dramatic symphony.
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