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The Son's Room (2002)
Tomatometer
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Reviews Counted:81
Fresh:68
Rotten:13
Average Rating:7.3/10
Consensus: The Son's Room is a moving and contemplative study of grief.
Synopsis: Nanni Moretti's extraordinary drama THE SON'S ROOM, which won the Palme D'Or at the 2001 Cannes Film Festival, tells the harrowing story of a once tight-knit, happy family having to come to terms... Nanni Moretti's extraordinary drama THE SON'S ROOM, which won the Palme D'Or at the 2001 Cannes Film Festival, tells the harrowing story of a once tight-knit, happy family having to come to terms with a devastating loss and get on with their lives. Nanni Moretti, the writer-director of the charming CARO DIARIO, which was based on his own life, has created this piece of fiction from scratch, but he nails it so well it is hard to believe it is not a documentary. Moretti, who not only stars in and directs the film but is also cowriter and coproducer, plays Giovanni, a happily married man with two wonderful children; he is also a psychoanalyst with a group of patients both hysterical and sad. He enjoys running through the streets of Ancona, but when he opts to make a rare house call one Sunday morning instead of going for a run with his son, tragedy strikes, and he can't help blaming himself and his choices. He starts having trouble listening to and caring about his patients, and he also distances himself from his wife, played magnificently by Laura Morante. One of the underlying themes of the film is the need to make--and break--scheduled appointments that threaten to overtake one's life with its potential for compulsive obsession; as Giovanni dreams of past scenes playing out differently, he can't help but think that if he had rearranged his schedule based on the importance and necessity of his appointments, his idyllic world might not have been turned upside down. [More]
Starring: Nanni Moretti, Jasmine Trinca, Guiseppe Sanfelice, Silvio Orlando
Starring: Nanni Moretti, Jasmine Trinca, Guiseppe Sanfelice, Silvio Orlando, Claudi Della Seta, Stefano Accorsi, Sofia Vigliar, Laura Morante
Director: Nanni Moretti
Director: Nanni Moretti
Screenwriter: Linda Ferri, Nanni Moretti, Heidrun Schleef
Producer: Angelo Barbagallo, Nanni Moretti
Composer: Nicola Piovani
Studio: Miramax Films
Reviews for The Son's Room
Moretti plays Giovanni, a psychiatrist who predictably finds it difficult to sustain interest in his profession after the family tragedy. Too predictably, in fact.
Ranks with such films as In the Bedroom, Ordinary People, and Terms of Endearment in the sensitivity with which it observes the effect a child's death on the remaining members of the family.
This is not an easy film. But it could be, by its art and heart, a necessary one.
Chances are, if you were impressed by In the Bedroom, you'll be even more taken by Moretti's wrenching little film.
Seeps into your consciousness, never letting go even when it's finished.
An honest and compelling film that effectively explores grief and the search for resolution.
Told lovingly and for the most part realistically, The Son's Room -- which won Cannes' latest Palme d'Or -- has moments of power within its quiet atmosphere, and showcases Moretti's moving performance.
The Son's Room addresses both death and life with honesty and respect.
Often called Italy's answer to Woody Allen, Nanni Moretti takes a turn for the serious in The Son's Room and acquits himself in first-rate fashion.
We are given characters so gentle and so human that we become instantly fond of them.
Often melancholy in tone, but it ends on a hopeful note that makes the emotionally charged trip worth the ride.
The nondescript characters and straightforward narrative contribute to an unusually clinical experience.
The Son's Room is ... not an interruption in [Moretti's] career, but a leap upward to a spiritual epiphany graced with visual elegance and energy.
It's one of the saddest films I have ever seen that still manages to be uplifting but not overly sentimental.
Latest News for The Son's Room
September 07, 2009:
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Richard Curtis has a plan. "What I've decided is to choose recent films," he explains to RT. "I do think that often people get stuck in always saying the five greatest films of... More...
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