A subversive and annihilistic satire on America, lurching from black comedy to farce, from dramatic insight to superficial jokes
Southland Tales (2007)
Runtime: 2 hrs 24 mins
Theatrical Release: Nov 14, 2007 Wide
Box Office: $227,365
Synopsis: Director Richard Kelly’s follow-up to 2001’s surprisingly popular DONNIE DARKO is a sprawling dystopian satire featuring an all-star cast and a storyline that splinters off into strange and unexpected places. The film begins with a nuclear explosion in Texas, which sparks a full-scale... Director Richard Kelly’s follow-up to 2001’s surprisingly popular DONNIE DARKO is a sprawling dystopian satire featuring an all-star cast and a storyline that splinters off into strange and unexpected places. The film begins with a nuclear explosion in Texas, which sparks a full-scale war between the U.S., the Middle East, and North Korea. Kelly’s central character is action-movie star Boxer Santaros (Dwayne "The Rock" Johnson), who is suffering from a bout of amnesia upon returning from the desert. His reasons for being in the desert are hazy, but he’s hooked up with porn star Krysta Now (Sarah Michelle Gellar), and together they have written a screenplay about the end of the world. Santaros tries to prepare for the film by taking a ride with a cop named Taverner (Sean William Scott). But the cop is actually Taverner’s twin brother, who is working for a shadowy group of neo-Marxists who are trying to overthrow the government. Meanwhile, a brilliant scientist (Wallace Shawn) unveils an incredible new energy source, the end of the world as predicted by the Book of Revelations draws ever closer, and Justin Timberlake (who plays an Iraqi war veteran) provides a voiceover that fills in some of the gaps. As the film builds to its explosive climax, the reasons for Santaros’s time in the desert become clear, and the various strands of the plot are brilliantly woven together. SOUTHLAND TALES is packed with ideas, tangents, song-lyrics-as-dialogue (in particular, "Three Days" by Jane’s Addiction), cameos from established stars, and plenty of references to the post-9/11 political landscape. Kelly’s film is bursting with imagination, and it will undoubtedly need multiple viewings for everything to sink in. Comparisons to films as varied as Richard Linklater’s A SCANNER DARKLY and David Lynch’s DUNE are valid, but Kelly’s movie inhabits a wonderful world of its own, and is one of 2007’s most unique and inspiring pieces of filmmaking. [More]
Genre: Science-Fiction/Fantasy
Starring: Dwayne Johnson, Seann William Scott, Sarah Michelle Gellar, Nora Dunn, Christopher Lambert
Screenwriter: Richard Kelly
Producer: Sean McKittrick, Bo Hyde, Kendall Morgan, Matthew Rhodes
Composer: Moby
DVD Info
Release:
Mar 18, 2008
DVD Features:
- Keep Case
- Anamorphic Widescreen - 2.40
Audio:
- Dolby Digital 5.1 - English
- Subtitles - English, French, Spanish - Optional
- Subtitles - English - Closed Captioned
Additional Release Materials:
- Featurettes - 1. "Usident TV: Surveilling the Southland"
- Short Film - "This is the Way the World Ends" (animated)
Reviews
entirely misdirected, and the film never gels or even makes sense
Although it's by any reasonable means a flawed film, Southland Tales demands watching, if only for its cinematic achievements.
Sets up such a pretense of intellectualism it fools its audience into believing it's on a plain they can't understand...
When it's not being obstinately stupid, Southland Tales is just difficult to watch.
While Donnie Darko is a fine film regardless of your level of sobriety, Richard Kelly's sophomore effort most definitely is not.
I hope Kelly's career survives Southland Tales, unless, that is, he plans to make more movies like this.
They've left it late, but writer-director Richard Kelly (Donnie Darko) and his team have gone and scooped The Independent's Worst Film of 2007 award – against stiff competition, too.
Whether this is a demented B-movie or a comment on demented B-movies is hard to say. It is horribly fascinating, if not for the full 150 minutes.
The film has a dated feel – it has more in common with 1960s-style wacky satire than the cutting edge of 21st-century cinema.
A hypnotic disaster that's truly fascinating - if only for all the wrong reasons.
Southland Tales finally emerges as an admirably bold dud. Trying to sum up EVERYTHING that’s wrong in the world in one kaleidoscopic go, it’s messy, misshapen and curiously muffled. Seems the world does end with a whimper after all.
By the climax, his truly ambitious, truly flawed film finally disappears into the ‘time-space rift’ (or whatever) to achieve some sort of cosmic transcendence.
A bold and sometimes garbled take on modern American politics, this nevertheless marks an effective and surprisingly funny comeback for a film that many deemed to be DOA.
No doubt some will dismiss it as an overlong, incoherent mess, but others (myself included) will emerge, bleary-eyed and brain-battered, just wanting to see the whole thing all over again.
If Mulholland Drive had a prettier, younger, and developmentally-challenged sister, it would be Southland Tales.
Richard Kelly's 'Southland Tales' Looms as rude, Confrontational Political Black Comedy about a Very Messed-Up, Dystrophian America - a Film with the Vigor and Incorrigible Quality of a Work-In-Progress.
Southland Tales really is a guy movie, right down to all the sci-fi, comic book and porn references...
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