Self-consciously dour where the James Bond movies were insouciantly callous.
The Spy Who Came In From The Cold (1965)
Tomatometer
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Reviews Counted:11
Fresh:9
Rotten:2
Average Rating:7.4/10
Runtime: 1 hr 52 mins
Genre: Action/Adventure
US Box Office: $0
Synopsis: Martin Ritt's adaptation of the John Le Carre bestseller THE SPY WHO CAME IN FROM THE COLD stars Richard Burton as Alec Leamas, a burnt-out spy soon to retire from British Intelligence. For his... Martin Ritt's adaptation of the John Le Carre bestseller THE SPY WHO CAME IN FROM THE COLD stars Richard Burton as Alec Leamas, a burnt-out spy soon to retire from British Intelligence. For his final assignment, Alec must pose as a drunk who wants to defect to East Germany, where the chief of operations for the Communists, Hans-Dieter Mundt (Peter van Eyck), has captured several British spies. His acting works: Communists throw Alec into jail for public drunkenness and for having an affair with a young member of the local Communist party, Nan (Claire Bloom). In jail, he is approached by Mundt's agents and asked to defect. They take Alec to East Berlin where he is grilled by Mundt's top man, Fiedler (Oskar Werner), who believes that Mundt is actually a double agent. Shot in stark black and white in documentary style, Ritt's film is a realistic portrait of the grim life of a spy, revealing all of the profession's complexities in a style that is equally as thrilling as an elaborate action scene in a James Bond movie. At the heart of the film is Burton's bitter and world-weary Alec, and his performance here ranks among the best of his career. [More]
Starring: Richard Burton, Claire Bloom, Oskar Werner, Peter Van Eyck
Starring: Richard Burton, Claire Bloom, Oskar Werner, Peter Van Eyck, Sam Wanamaker, George Vaskovec, Rupert Davies, Cyril Cusack, Michael Hordern, Robert Hardy, Bernard Lee
Director: Martin Ritt
Director: Martin Ritt
Screenwriter: Paul Dehn, Guy Trosper
Producer: Martin Ritt
Composer: Sol Kaplan
Reviews for The Spy Who Came In From The Cold
An excellent contemporary espionage drama of the Cold War which achieves solid impact via emphasis on human values, total absence of mechanical spy gimmickry, and perfectly controlled underplaying.
What finally impresses, however, is the sheer seediness of so much of the film, with characters, buildings, and landscapes lent convincingly grubby life by Oswald Morris' excellent monochrome camera-work.
Grim and beautifuly shot in black and white by Oswald Morris, Martin's Ritt's spy drama features a great, Oscar-nominated performance from Richard Burton, reflecting the surrounding Cold War culture.
The film makes you believe it could have happened. And that's the remarkable thing.
Grim, monotonous, and rather facile, though Richard Burton's aging agent has some honest poignancy.
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