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Movies / Upcoming / The Statement
The Statement

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The Statement (2003)

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23 %
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Reviews Counted:105

Fresh:24

Rotten:81

Average Rating:4.7/10

Consensus: The movie bores despite a splendid performance by Michael Caine.

Runtime: 2 hrs

Genre: Dramas

US Box Office: $537,875

Synopsis: Dombey, France, 1944 – In line with Nazi commands, PIERRE BROSSARD (Michael Caine), a young officer in the Vichy Milice, gives the order for the execution of 7 Jews. France, Present Day – DAVID... Dombey, France, 1944 – In line with Nazi commands, PIERRE BROSSARD (Michael Caine), a young officer in the Vichy Milice, gives the order for the execution of 7 Jews. France, Present Day – DAVID MANDELBAUM (Matt Craven), 42, has been hired to kill a man he can identify only through an old photograph to be PIERRE BROSSARD. He is to leave a statement on the body citing this act as justice for the Jews of Dombey. He waits at a bar in the cote d'Azur, knowing that BROSSARD is due to arrive to pick-up a letter. Recognizing BROSSARD, he follows him out of the bar and then by car into the deserted hillside. When DAVID attempts to ambush him on the road to the Abbey de St Cros, the wily and quick BROSSARD manages to turn the tables and instead kills DAVID, disposing of the body by rolling the car over a cliff into a ravine. Shaken by the encounter, BROSSARD realizes that he must find new shelter immediately. Aside from being protected by elements within the church, Brossard has also been helped by a group of former Vichy colleagues. He turns to his Vichy contact, COMMISSAIRE VIONNET (Frank Finlay), for guidance. Meanwhile, in the Palais de Justice in Paris, JUDGE ANNE MARIE LIVI (Tilda Swinton) opens her investigation of BROSSARD who has now been charged with crimes against humanity. ANNE MARIE explains to COLONEL ROUX (Jeremy Northam), whom she has enlisted to assist her, that they must be wary of everyone until they discover who has been sheltering BROSSARD for all these years. She also adds that she is determined to expose the church as an accomplice for providing BROSSARD with a safe haven. Unbeknownst to ANNE MARIE, DAVID's failure means that another hit man – MICHAEL LEAVY (Noam Jenkins) – has been placed on BROSSARD's trail. MICHAEL's sole contact with his employers is through a man named POCHON (Ciaran Hinds) who gives him instructions. Through various intercepts, ANNE MARIE and ROUX advance their investigation to the point where they now believe that BROSSARD has been hidden by a secret group within the church called the Chevaliers and that a vigilante Jewish organization is trying to assassinate BROSSARD. ANNE MARIE's diligence catches the attention of high government officials and she is called in to see MINISTER BERTIER (Alan Bates), an old family friend who nevertheless warns her against pursuing this matter. He threatens her with dire consequences. But ANNE MARIE LIVI is not so easily deterred. ROUX visits BROSSARD's confessor and champion CARDINAL LE MOYNE (William Hutt) to whom just hours previously BROSSARD admitted his culpability in DAVID's death. ROUX is unable to extract information from LE MOYNE because LE MOYNE defends BROSSARD as a man who once erred but has since become a repentant Christian. As DAVID's body is discovered in the ravine near St Cros, ROUX heads to the region to gather evidence from the local police. ANNE MARIE, frustrated by the lack of answers, is determined to go public with BROSSARD's photograph – convinced that the press coverage will force him out into the open. In one sense she proves to be correct as BROSSARD is turned away from some religious houses that are worried both about the newspapers and the new directive from the Cardinal de Lyon forbidding anyone to help BROSSARD. In another sense, however, this exposure drives BROSSARD into deeper hiding. BROSSARD goes to the one place he knows no one will find him: the apartment of his estranged wife, NICOLE (Charlotte Rampling). Less than thrilled to see him, NICOLE only allows him to stay when he threatens to harm her beloved dog. The investigation by ANNE MARIE and ROUX as well as the instructions given to MICHAEL point them all in the direction of an Abbey where, indeed, BROSSARD is hiding. At the crack of dawn, with MICHAEL waiting in a nearby car, ROUX and ANNE MARIE arrive with soldiers and a search warrant. Unluckily for them all, BROSSARD, with instincts sharpened from years of hiding, evades them at the last moment. In his haste, he abandons many of his personal effects and these serve as valuable clues for ROUX and ANNE MARIE. BROSSARD hurries to the Bar Mathieu where he expects his usual stipend to arrive by post. At the bar, MICHAEL waits in the toilet, hoping to kill BROSSARD. BROSSARD again is too suspicious and too quick, shooting MICHAEL before he can draw his gun. He escapes before MICHAEL's body is found and the police are involved. Hunted from all sides, BROSSARD moves again – this time to the Priory of St Donat. In BROSSARD's possessions ROUX and ANNE MARIE discover a list of Abbeys with dates alongside. They also find an old photograph from 1944 showing BROSSARD and another young man. Could this young man be the octogenarian for whom POCHON works? Back in Paris, we see POCHON being scolded by an elderly gentleman who now commands that POCHON himself get rid of BROSSARD. BROSSARD contacts his Vichy contact, the COMMISSAIRE, and learns that their mutual friend POCHON will meet him with a passport and everything needed to start a new life. Meanwhile, ROUX and ANNE MARIE plan another ambush – on the Priory of St Donat. Again, they are foiled by members of the church who help BROSSARD escape before they can search the Priory. They learn of the COMMISSAIRE's connection to BROSSARD and send the police to arrest him. Under interrogation the COMMISSAIRE provides details for the rendezvous between POCHON and BROSSARD. ROUX and ANNE MARIE rush to the meeting place but are too late. POCHON has already executed BROSSARD, pinning the Statement to his chest. It is, however, BROSSARD's death that allows ANNE MARIE to apprehend POCHON and through him, uncover the deeper conspiracy. -- © Sony Pictures Classics [More]

Starring: Michael Caine, Tilda Swinton, Jeremy Northam, Charlotte Rampling

Starring: Michael Caine, Tilda Swinton, Jeremy Northam, Charlotte Rampling, Alan Bates, Matt Craven, Frank Finlay, Ciaran Hinds, Noam Jenkins, David De Keyser, John Neville

Director: Norman Jewison

Director: Norman Jewison
Screenwriter: Ronald Harwood
Producer: Robert Lantos, Norman Jewison
Composer: Normand Corbeil
Studio: Sony Pictures Classics

[See More Credits]

Reviews for The Statement

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1 - 20 (sorted by source; Australian critics are listed first)
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N/R

Click to read the article

Full Review Source: Urban Cinefile | comment Comment
10/18/08
Urban Cinefile Critics
Urban Cinefile Critics
Urban Cinefile
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Arizona Republic | comment Comment
03/21/04
Arizona Republic
Top Critic Icon Top Critic

... the thrilleresque aspects ... are most pleasing.

Full Review Source: Arkansas Democrat-Gazette | comment Comment
01/29/05
Philip Martin
Philip Martin
Arkansas Democrat-Gazette

Click to read the article

Full Review Source: Austin Chronicle | comment Comment
03/16/04
Steve Davis
Steve Davis
Austin Chronicle

"The Statement is that rare, unassuming movie that has much to say and is so daring in its message that it is a wonder it has seen the light of day"

Full Review Source: Bangitout.com | comment Comment
09/01/04
Jordan Hiller
Jordan Hiller
Bangitout.com

Plodding and predictable.

Full Review Source: BBC | comment Comment
03/16/04
Nev Pierce
Nev Pierce
BBC

All this talent and still barely a fizzle of yum from the whole yarn. Shame because Caine shed his wink and really delivers one of his finest roles ever.

Full Review Source: Blunt Review | comment Comment
12/15/03
Emily Blunt
Emily Blunt
Blunt Review

[A] tasteless hunt-the-war-criminal thriller.

Full Review Source: Boston Globe | comment Comment
01/16/04
Wesley Morris
Wesley Morris
Boston Globe
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
01/17/04
Boston Phoenix
Top Critic Icon Top Critic

The film's worthwhile subject matter and behind-the- scenes pedigree will endear it to film critics and older, more discriminating audiences. However, The Statement is no more insightful than a paperback purchased at an airport bookstore.

Full Review Source: Boxoffice Magazine | comment Comment
12/12/03
Mark Keizer
Mark Keizer
Boxoffice Magazine

Although the story is based on fact, the movie never convinced me of its truth.

comment Comment
01/17/04
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

Raises such important issues -- guilt, conscience, the memory of the Holocaust -- that, along with Jewison's skill and Caine's power, they carry the movie.

Full Review Source: Chicago Tribune | comment Comment
01/15/04
Michael Wilmington
Michael Wilmington
Chicago Tribune

The drama starts with great promise, but loses credibility when it lapses into long stretches of hackneyed dialogue and a general failure to make the central character convincing as a deeply religious man who is also a self-absorbed psychopath.

Full Review Source: Christian Science Monitor | comment Comment
12/11/03
David Sterritt
David Sterritt
Christian Science Monitor

Em funηγo de sua prσpria premissa, apresenta questυes ιticas interessantes.

Full Review Source: Cinema em Cena | comment Comment
07/29/04
Pablo Villaca
Pablo Villaca
Cinema em Cena

Click to read the article

Full Review Source: Cinema Signals | comment Comment
12/15/03
Jules Brenner
Jules Brenner
Cinema Signals

Jewison’s so intent on attaining dramatic pertinence, he throws in everything but actual drama.

Full Review Source: Coast (Halifax, Nova Scotia) | comment Comment
01/13/04
Mark Palermo
Mark Palermo
Coast (Halifax, Nova Scotia)

The film operates well as a thriller and probably goes further than intended in extracting sympathy for its reprehensible protagonist.

Full Review Source: ColeSmithey.com | comment Comment
05/11/09
Cole Smithey
Cole Smithey
ColeSmithey.com

Jewison has no timing for this material and doesn't manage to build any kind of suspense.

Full Review Source: Combustible Celluloid | comment Comment
01/16/04
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Caine's good, but his Cockney accent is the most unlikely voice to emerge from a French character since Cary Grant was Capt. Henri Rochard in 'I Was a Male War Bride'...

Full Review Source: Commercial Appeal (Memphis, TN) | comment Comment
02/25/04
John Beifuss
John Beifuss
Commercial Appeal (Memphis, TN)

A taut drama recalling the ever-present search for Nazi war criminals.

Full Review Source: Compuserve | comment Comment
12/03/03
Harvey S. Karten
Harvey S. Karten
Compuserve
 
 
1 - 20 (sorted by source; Australian critics are listed first)
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