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Movies / Upcoming / The Statement
The Statement

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The Statement (2003)

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23 %
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Reviews Counted:105

Fresh:24

Rotten:81

Average Rating:4.7/10

Consensus: The movie bores despite a splendid performance by Michael Caine.

Runtime: 2 hrs

Genre: Dramas

US Box Office: $537,875

Synopsis: Dombey, France, 1944 – In line with Nazi commands, PIERRE BROSSARD (Michael Caine), a young officer in the Vichy Milice, gives the order for the execution of 7 Jews. France, Present Day – DAVID... Dombey, France, 1944 – In line with Nazi commands, PIERRE BROSSARD (Michael Caine), a young officer in the Vichy Milice, gives the order for the execution of 7 Jews. France, Present Day – DAVID MANDELBAUM (Matt Craven), 42, has been hired to kill a man he can identify only through an old photograph to be PIERRE BROSSARD. He is to leave a statement on the body citing this act as justice for the Jews of Dombey. He waits at a bar in the cote d'Azur, knowing that BROSSARD is due to arrive to pick-up a letter. Recognizing BROSSARD, he follows him out of the bar and then by car into the deserted hillside. When DAVID attempts to ambush him on the road to the Abbey de St Cros, the wily and quick BROSSARD manages to turn the tables and instead kills DAVID, disposing of the body by rolling the car over a cliff into a ravine. Shaken by the encounter, BROSSARD realizes that he must find new shelter immediately. Aside from being protected by elements within the church, Brossard has also been helped by a group of former Vichy colleagues. He turns to his Vichy contact, COMMISSAIRE VIONNET (Frank Finlay), for guidance. Meanwhile, in the Palais de Justice in Paris, JUDGE ANNE MARIE LIVI (Tilda Swinton) opens her investigation of BROSSARD who has now been charged with crimes against humanity. ANNE MARIE explains to COLONEL ROUX (Jeremy Northam), whom she has enlisted to assist her, that they must be wary of everyone until they discover who has been sheltering BROSSARD for all these years. She also adds that she is determined to expose the church as an accomplice for providing BROSSARD with a safe haven. Unbeknownst to ANNE MARIE, DAVID's failure means that another hit man – MICHAEL LEAVY (Noam Jenkins) – has been placed on BROSSARD's trail. MICHAEL's sole contact with his employers is through a man named POCHON (Ciaran Hinds) who gives him instructions. Through various intercepts, ANNE MARIE and ROUX advance their investigation to the point where they now believe that BROSSARD has been hidden by a secret group within the church called the Chevaliers and that a vigilante Jewish organization is trying to assassinate BROSSARD. ANNE MARIE's diligence catches the attention of high government officials and she is called in to see MINISTER BERTIER (Alan Bates), an old family friend who nevertheless warns her against pursuing this matter. He threatens her with dire consequences. But ANNE MARIE LIVI is not so easily deterred. ROUX visits BROSSARD's confessor and champion CARDINAL LE MOYNE (William Hutt) to whom just hours previously BROSSARD admitted his culpability in DAVID's death. ROUX is unable to extract information from LE MOYNE because LE MOYNE defends BROSSARD as a man who once erred but has since become a repentant Christian. As DAVID's body is discovered in the ravine near St Cros, ROUX heads to the region to gather evidence from the local police. ANNE MARIE, frustrated by the lack of answers, is determined to go public with BROSSARD's photograph – convinced that the press coverage will force him out into the open. In one sense she proves to be correct as BROSSARD is turned away from some religious houses that are worried both about the newspapers and the new directive from the Cardinal de Lyon forbidding anyone to help BROSSARD. In another sense, however, this exposure drives BROSSARD into deeper hiding. BROSSARD goes to the one place he knows no one will find him: the apartment of his estranged wife, NICOLE (Charlotte Rampling). Less than thrilled to see him, NICOLE only allows him to stay when he threatens to harm her beloved dog. The investigation by ANNE MARIE and ROUX as well as the instructions given to MICHAEL point them all in the direction of an Abbey where, indeed, BROSSARD is hiding. At the crack of dawn, with MICHAEL waiting in a nearby car, ROUX and ANNE MARIE arrive with soldiers and a search warrant. Unluckily for them all, BROSSARD, with instincts sharpened from years of hiding, evades them at the last moment. In his haste, he abandons many of his personal effects and these serve as valuable clues for ROUX and ANNE MARIE. BROSSARD hurries to the Bar Mathieu where he expects his usual stipend to arrive by post. At the bar, MICHAEL waits in the toilet, hoping to kill BROSSARD. BROSSARD again is too suspicious and too quick, shooting MICHAEL before he can draw his gun. He escapes before MICHAEL's body is found and the police are involved. Hunted from all sides, BROSSARD moves again – this time to the Priory of St Donat. In BROSSARD's possessions ROUX and ANNE MARIE discover a list of Abbeys with dates alongside. They also find an old photograph from 1944 showing BROSSARD and another young man. Could this young man be the octogenarian for whom POCHON works? Back in Paris, we see POCHON being scolded by an elderly gentleman who now commands that POCHON himself get rid of BROSSARD. BROSSARD contacts his Vichy contact, the COMMISSAIRE, and learns that their mutual friend POCHON will meet him with a passport and everything needed to start a new life. Meanwhile, ROUX and ANNE MARIE plan another ambush – on the Priory of St Donat. Again, they are foiled by members of the church who help BROSSARD escape before they can search the Priory. They learn of the COMMISSAIRE's connection to BROSSARD and send the police to arrest him. Under interrogation the COMMISSAIRE provides details for the rendezvous between POCHON and BROSSARD. ROUX and ANNE MARIE rush to the meeting place but are too late. POCHON has already executed BROSSARD, pinning the Statement to his chest. It is, however, BROSSARD's death that allows ANNE MARIE to apprehend POCHON and through him, uncover the deeper conspiracy. -- © Sony Pictures Classics [More]

Starring: Michael Caine, Tilda Swinton, Jeremy Northam, Charlotte Rampling

Starring: Michael Caine, Tilda Swinton, Jeremy Northam, Charlotte Rampling, Alan Bates, Matt Craven, Frank Finlay, Ciaran Hinds, Noam Jenkins, David De Keyser, John Neville

Director: Norman Jewison

Director: Norman Jewison
Screenwriter: Ronald Harwood
Producer: Robert Lantos, Norman Jewison
Composer: Normand Corbeil
Studio: Sony Pictures Classics

[See More Credits]

Reviews for The Statement

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41 - 60 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 6 >> >|
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Continuing a string of formidable performances that began with Little Voice, Michael Caine shines as a Frenchman tormented by a terrible secret.

Full Review Source: FilmStew.com | comment Comment
02/01/04
Annlee Ellingson
Annlee Ellingson
FilmStew.com

A decent drama carried by great acting and a tale that definitely leaves you with something to think about.

Full Review Source: Film Threat | comment Comment
02/01/04
Peter Lowry
Peter Lowry
Film Threat

Cut-and-dried morality play, with the saints played by Brit actors who can't even be bothered to speak with French accents.

Full Review Source: Washington Post | comment Comment
01/30/04
Michael O'Sullivan
Michael O'Sullivan
Washington Post
Top Critic Icon Top Critic

One more case study in how loads of taste, talent and accumulated filmmaking wisdom don't guarantee success.

Full Review Source: Washington Post | comment Comment
01/30/04
Ann Hornaday
Ann Hornaday
Washington Post
Top Critic Icon Top Critic

It ought to be riveting, but it too often plods along, caught up in the mechanics of its cat-and-mouse plot.

Full Review Source: Las Vegas Review-Journal | comment Comment
01/30/04
Carol Cling
Carol Cling
Las Vegas Review-Journal

Caine makes Statement rise above its soporific story.

Full Review Source: Washington Times | comment Comment
01/30/04
Christian Toto
Christian Toto
Washington Times

The ideas and characters are what keep us involved, not any sense of suspense.

Full Review Source: Shadows on the Wall | comment Comment
01/30/04
Rich Cline
Rich Cline
Shadows on the Wall

Michael Caine sells this performance, but my final statement on the movie is that it doesn't quite live up to what it wants to be.

Full Review Source: TheMovieChicks.com | comment Comment
01/30/04
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com

A high-minded but structurally shaky thriller.

Full Review Source: Dallas Morning News | comment Comment
01/29/04
Gary Dowell
Gary Dowell
Dallas Morning News

A second-rate thriller that cheaply exploits the Holocaust to give itself false meaning.

Full Review Source: Las Vegas Weekly | comment Comment
01/29/04
Josh Bell
Josh Bell
Las Vegas Weekly

The Statement has the old appeal of esteemed actors in interesting places sharing reasonably adult talk, but as a thriller it could make Hitchcock rumble and sputter.

Full Review Source: San Diego Union-Tribune | comment Comment
01/23/04
David Elliott
David Elliott
San Diego Union-Tribune
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
01/17/04
Boston Phoenix
Top Critic Icon Top Critic

Although the story is based on fact, the movie never convinced me of its truth.

comment Comment
01/17/04
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

Intelligent and thought-provoking, but as drama, it fails to live up to its own high expectations.

Full Review Source: Seattle Times | comment Comment
01/16/04
Moira MacDonald
Moira MacDonald
Seattle Times

Somewhere in this disappointing political thriller was a superb character study trying to get out.

Full Review Source: San Francisco Chronicle | comment Comment
01/16/04
Mick LaSalle
Mick LaSalle
San Francisco Chronicle

[A] tasteless hunt-the-war-criminal thriller.

Full Review Source: Boston Globe | comment Comment
01/16/04
Wesley Morris
Wesley Morris
Boston Globe

Jewison has no timing for this material and doesn't manage to build any kind of suspense.

Full Review Source: Combustible Celluloid | comment Comment
01/16/04
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

... more intriguing than riveting, flattened by Jewison's plodding direction and distracting use of British actors to play French characters.

Full Review Source: Seattle Post-Intelligencer | comment Comment
01/15/04
Sean Axmaker
Sean Axmaker
Seattle Post-Intelligencer

What hampers the film is a curious lack of urgency, manifested in plot developments that are either painfully perfunctory ... or else lazily contrived.

Full Review Source: eye WEEKLY | comment Comment
01/15/04
Adam Nayman
Adam Nayman
eye WEEKLY

There is nothing particularly clever or twisty about it as a thriller.

Full Review Source: San Jose Mercury News | comment Comment
01/15/04
Bruce Newman
Bruce Newman
San Jose Mercury News
 
 
41 - 60 (sorted by date; Australian critics are listed first)
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