Everything an independent film should be: daring, experimental, character-driven and thoroughly entertaining.
Stateside (2004)
Tomatometer
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Reviews Counted:46
Fresh:11
Rotten:35
Average Rating:4.3/10
Consensus: An inept drama that rings false.
Synopsis: Based on a true story, "Stateside" follows the adventures of an outlaw rich kid, Mark Deloach (JONATHAN TUCKER), who lands in the Marine Corps and is trained by hard-biting Drill Instructor Skeer... Based on a true story, "Stateside" follows the adventures of an outlaw rich kid, Mark Deloach (JONATHAN TUCKER), who lands in the Marine Corps and is trained by hard-biting Drill Instructor Skeer (VAL KILMER). When on leave, he meets and falls in love with the crazy young actress/pop singer, Dori Lawrence (RACHAEL LEIGH COOK). "Stateside" is a story of love that overcomes precarious trials and earns, for the spirit of youth, a heartfelt victory. It's 1980, Mark Deloach, 17, is attending St. Mary's High School in Connecticut. He's a lonely and unpopular boy. His mother has since passed away and he lives with his father (JOE MANTEGNA), who has emphysema, and his younger sister, Gina, in their mansion of a home. The relationship between father and son is tense and lacking of common affection. Mark is driving fast in his sports car, drinking beers with his buddy, Danny Tripodi (DANIEL FRANZESE), and playing pranks on Sue 'Sue of the D'ubervilles' Dubois (AGNES BRUCKNER). Sue is Mark's fellow classmate and considered to be a prissy little snob who's secretly promiscuous. The prank Mark and Danny set up to harass Sue and Danny's brother Gregory (MICHAEL GODUTI), in the act of making out, changes the lives of many people. The prank leads to a collision with a car driven by Father Concoff (ED BEGLEY, JR.), head priest of St. Mary's High School. Sue lies unconscious and Father Concoff is critically injured. They are hospitalized and Sue's mother, Mrs. Dubois (CARRIE FISHER) presses charges. She is furious, and shocked to learn about her daughter's shameful activities. Being confronted, Sue becomes hysterical and ends up in a mental hospital. Prior to leaving, Mark goes to visit Sue in the mental hospital, where he fatefully encounters Dori Lawrence. Mark is intrigued by this odd, beautiful girl who possesses such an amusing spirit. When asked what her name is, she lies. He is smitten. A nudge from the judge puts Mark in military service. Mark lands in Platoon 1021, on Parris Island, S.C. There he is faced with hard-core discipline from Senior Drill Instructor Skeer who is out to turn Mark's upper class lifestyle upside down. His rich and rebellious free life is gone; Mark's life is now the property of the U.S. Marine Corps. On leave, Mark reunites with his friends and runs into 'Sue of the D'ubervilles' and her roommate, Dori Lawrence. Mark apologizes to Sue and is thrilled to see Dori again. Sue and Dori are now roommates in a halfway house. Mark learns that Dori is a famous entertainer and is mysteriously attracted to her nutty behavior. Little by little, the two grow a sweet affection for one another. Meaningful to both of them is the mutual rescue from loneliness, the getting of mail, of having someone to write to from the field. They are direct and playful with each other. The problems they have, they accept, and seem 'fixed' by the witness of the other. Mark returns again to go visit Dori, sneaking her out of the halfway house and hospitals to wander Manhattan in their own romantic world. This becomes the mechanic of their relationship, until others around them see it as a big problem, especially Mrs. Hengen, (DIANE VENORA) head of the halfway house. Mark is young, about to deploy overseas with a combat unit, and Dori's illness is worse whenever separated from Mark. As hard as it may seem, but for the good of Dori, Mark leaves her to the care of professionals and goes to the Navy ships, and a world of fighting that awaits him. But the sun has not set on this outcast pair. Two years pass, and there is unfinished business in a now changed world. Samuel Goldwyn Films presents, in association with Cinerenta and First Look Media, a Seven Hills Production in association with Cinealpha KG: Jonathan Tucker, Rachael Leigh Cook, Agnes Bruckner and Val Kilmer in "Stateside," a romantic drama from writer-director Reverge Anelmo. The film is produced by Robert Greenhut, co-produced by Bonnie Hlinomaz, and is executive produced by Berhard Kayser and Michele Berk. "Stateside" will be distributed in the United States by Samuel Goldwyn Films. -- © Samuel Goldwyn Films [More]
Starring: Rachael Leigh Cook, Jonathan Tucker, Agnes Bruckner, Joe Mantegna
Starring: Rachael Leigh Cook, Jonathan Tucker, Agnes Bruckner, Joe Mantegna, Val Kilmer, Carrie Fisher, Ed Begley, Diane Venora
Director: Reverge Anselmo
Director: Reverge Anselmo
Screenwriter: Reverge Anselmo
Producer: Robert Greenhut
Composer: Joel McNeely
Studio: Samuel Goldwyn Films
Reviews for Stateside
[Stateside] is freighted with far more serious issues than most movies of its kind but neglects or glosses over most of them.
The film manages to hit all the emotional beats, but most land with a resounding thud.
The Young And The Wacko... The movie tries to be a lot of things -- but it fails at all of them.
Stateside plays like urgent ideas for a movie which Anselmo needed to make, but they're still in note form.
A diluted, scattered drama -- less than the sum of its parts, but with an impressive cameo list.
The guys are getting stoned and, apparently, preparing to gang-rape their frontperson. What kind of band is this, anyway?
The lovers' nonexistent chemistry doesn't generate enough heat to light a match.
The way that all of this plays out is so unconvincing that I felt as if I was watching a lost Project Greenlight movie in which half the key scenes, after testing into the basement, had been chucked at the last minute.
This story about mental illness within a romantic relationship wallows in the reckless abuse of the privileges of wealth. It's an unsatisfying cinematic interlude.
Though much of the movie feels as undeveloped as Mark is, it manages to end the way any decent love story must -- on a sweet, touching note that makes us want to forgive the unsteadiness along the way.
Stateside has some lopsided storytelling techniques, but emotionally it will get you home.
This muddled drama begins as a high school soap opera, segues into a boys-to-men military drama and peters out as a feeble answer to Girl, Interrupted.
It's so unexpected and unpredictable and so full of tiny grace notes that its ultimate collapse seems almost irrelevant.
Contrived and emotionally incomplete, and strained further by self-consciously cockeyed dialogue.
Writer-director Reverge Anselmo handles sensitive issues not with kid gloves, but with a metaphorical baseball mitt, fumbling with tone and obviously laboring to force quirks upon characters and situations.
The promise of something startling and compelling goes unfulfilled, and the arc of the central love story isn't interesting enough to sustain the drama.
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