Despite its predictability, all that stompin' in this Yard will get you moving in your seat.
Stomp The Yard (2007)
Tomatometer
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Reviews Counted:86
Fresh:23
Rotten:63
Average Rating:4.5/10
Consensus: While Stomp the Yard contains impressive musical and dance numbers, it loses its momentum during the intervening soap opera-style subplots.
Runtime: 1 hr 56 mins
Genre: Dramas
US Box Office: $61,356,221
Synopsis: When DJ (Columbus Short), a troubled youth from Los Angeles, moves to Atlanta to attend Truth University, he discovers "stepping," the age-old style of dance traditionally done in African-American... When DJ (Columbus Short), a troubled youth from Los Angeles, moves to Atlanta to attend Truth University, he discovers "stepping," the age-old style of dance traditionally done in African-American Fraternities, where teams demonstrate complex moves and create rhythmic sounds by using their bodies. DJ's raw talent and hip-hop inspired moves quickly place him at the center of a fierce rivalry between two fraternities, the winner of which will be determined in front of a sold-out arena at the annual stepping championships. But before he can help his teammates, he must battle his own demons and learn the true meaning of brotherhood. A compelling drama about the quest for individuality and the power of fraternity, Stomp the Yard features some of the most original and exhilarating dance performances ever filmed. Starring Columbus Short (Save the Last Dance 2, Accepted) and Meagan Good (Waist Deep, Roll Bounce), Stomp the Yard is directed by award-winning music video and commercial director Sylvain White (I'll Always Know What You Did Last Summer), who brings his innovative visual style and explosive energy to the production. When an urban dance battle ends in violence, champion street dancer DJ Williams (Columbus Short) travels from the underground clubs of inner city Los Angeles to the moneyed precincts of Atlanta's prestigious, historically black Truth University. Although his athleticism and ambition have made him a top competitor in the gritty world of street dancing, DJ feels out of place at Truth, with its elite fraternities and expectations of professional success. It is in this alien environment that DJ discovers the world of stepping. An African-American tradition that has evolved from the centuries-old African Boot Dance, it combines precise dance steps with chants and percussive hand and foot movements. At Truth, it also plays a pivotal role in the longstanding rivalry between two campus fraternities. When DJ shows off his dance skills at a local club, he attracts the attention of Truth's top fraternities and campus beauty April (Meagan Good), setting off a vicious feud with April's boyfriend Grant (Darrin Henson) - who also happens to be a star stepper for Mu Gamma Xi. After DJ decides to join rival Theta Nu Theta, his bold street style revitalizes the decades long competition between the frats and challenges the stepping supremacy of Mu Gamma. But his arrogance and self-centeredness quickly put DJ at odds with his new fraternity brothers. With Grant plotting to have him expelled just before the most important competition of the year, DJ must put aside his pride and learn the true meaning of fraternity. In a breathtaking finale, the two teams square off in an epic, freestyle battle that propels stepping to a thrilling new level. --copy; Screen Gems [More]
Starring: Columbus Short, Meagan Good, Laz Alonso, Harry J. Lennix
Starring: Columbus Short, Meagan Good, Laz Alonso, Harry J. Lennix, Jermaine Williams, Brian J. White, Ne-Yo, Michael Ngaujah
Director: Sylvain White
Director: Sylvain White
Screenwriter: Robert Adetuyi, Gregory Anderson
Producer: William Packer, Porter Verselft III
Studio: Screen Gems
Reviews for Stomp The Yard
Anyone who's seen the far superior Drumline -- or any sports movie at all, for that matter -- will experience a nagging sense of deja vu upon viewing this one.
Perhaps director Sylvain White hoped that this laughably melodramatic film might find its way into the pantheon of urban dance films. But seen against such films as Rize and You Got Served, it's a step in the wrong direction.
Typical of dance movies, there's a bit of story to fill the gaps between energetic sessions of movement. Director Sylvain White captures loads of feverish step action with stylishly jittery camerawork, muted colors and claustrophobic framing.
The film introduces too many elements, doubles back on itself, repeats and repeats the same information, starts and stops, includes needless tangential riffs, finds artificial means to stretch the running length and is in every way a flabby mess.
[Director Sylvain] White has a good cast but directs the fiercely macho dances in a choppy, video-buzzed manner that breaks up patterns and fuzzes some steps.
Unlike Spike Lee's School Daze, Stomp the Yard barely explores the social dynamics of its university setting beyond the fraternities' 'step' competition.
The script, based on an earlier screenplay by a Florida A&M alum, accomplishes little -- it's basically Drumline, with dancing instead of drum corps.
The cast adds little. Columbus Short, a dancer-turned-actor, can move well, but he mugs too much for the camera when he's supposed to be having fun, and barely holds the screen when he's not.
The movie starts with furious team dance-offs, but these aren't as interesting as they should be. Camera trickery keeps slowing down or speeding up everyone's movements, which destroys the amazement factor raised by the documentary Rize.
What we get is scene after scene of exhilarating routines, all leading up to the big finale. And with two furiously intense teams ready to dance each other off the stage, it's an absolute winner.
The performance sequences are explosively exciting, and Short's acting is almost as accomplished as his acrobatic dance routines.
It's a shame that nearly everything in the middle of Stomp the Yard is so predictable, because the opening and closing dance competitions are filled with amazing moves and other surprises.
It's impossible not to warm up to [actor Colubmus] Short's quiet intensity, and you can't beat the ferocious performance battle that rocks the stage in the film's final showdown. Don't be surprised if you leave the theater stomping your feet.
Some viewers may feel as if they’re sharing in the struggle and splendor that leads to a national step-dancing tournament. But the more you’ve seen this sort of inspirational tale before, the less likely you are to be interested in its parade of clichés.
The problem is everything in between the production numbers. In most movies, that is called plot and character development. In Stomp The Yard, it is a rip-off of a bunch of beat-up, banal, and intellectually empty cliches.
The plot is stale though some of the moves are fresh in Stomp the Yard, a Flashdance-like fable about a kid from the wrong side of the tracks who brings his street-wise gangster style to the world of competitive fraternity step dancing.
Stomp the Yard panders to every cheap expectation. Actually, director Sylvain White goes a bit cheaper than his immediate predecessors, drawing out the low booty shots for giggle and jiggle effect.
Are the dancers at least amazing? It's hard to say because novice director Sylvain White never gives us a decent look at them. It's hard to see much when shots are delivered like lightning flashes.
The film's makers get just how rich, even ecstatic, these subcultures of movement can be. It's aggravating then, to see how easily they trip up that vitality with uninspired storytelling.
Latest News for Stomp The Yard
October 22, 2009:
Stomp the Yard Sequel Imminent ![]()
You'd better watch out, yard -- you're gonna get stomped again! Yes, that's right, "Stomp the Yard 2" is on the way, and writer-director Rob Hardy has agreed to helm the sequel. More...
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