Following the harrowing and superbly made opening sequences of hand to hand combat in Iraq, we can feel the frustrations and the anger through the film, and we sympathise. But the film has a confused message ...
Stop-Loss (2008)
Tomatometer
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Reviews Counted:138
Fresh:89
Rotten:49
Average Rating:6.3/10
Consensus: Stop-Loss is sincere and complex, and features strong performances, even if it tries to cover too much ground.
Australian Rating: MA15+ [See Full Rating] War violence and themes, Coarse language
Runtime: 1 hr 53 mins
Genre: Dramas
Australian Theatrical Release:
Aug 7, 2008 Wide
US Box Office: $10,796,776
Synopsis: Director Kimberly Peirce (BOYS DON'T CRY) tackles another controversial topic with STOP-LOSS, the story of a U.S. soldier forced back into battle. Brandon King (Ryan Phillippe) has just returned to... Director Kimberly Peirce (BOYS DON'T CRY) tackles another controversial topic with STOP-LOSS, the story of a U.S. soldier forced back into battle. Brandon King (Ryan Phillippe) has just returned to Texas after a harrowing final tour in Iraq. He's accompanied by the remaining men from his unit, all of whom are more than a little shell-shocked. Welcomed home as a hero, Brandon is awarded a Purple Heart by a visiting state senator. But the homecoming quickly turns sour, as each of the soldiers struggles to assimilate back into society. Tommy (Joseph Gordon Levitt) can't lay off the booze, and Steve (Channing Tatum) roughs up his fiancée. Brandon is eager to put the war behind him, but that dream quickly fizzles when he learns that he has been "stop-lossed," or ordered back for another, involuntary tour of duty. Stunned by the news, he goes AWOL and forms a plan to get help from the senator who so recently honored him. He hits the road for D.C., all the while trying to cope with PTSD and battle flashbacks. Torn between his fierce patriotism and what he believes to be outright betrayal by the U.S. Army, he doesn't know where to turn or what to do. He is ultimately faced with the harshest of choices: Iraq, or a life in exile. There are now dozens of films that grapple with the war in Iraq, but STOP-LOSS is unique in its attempt to reach out to a younger audience. Produced by MTV, the film features a striking young cast and a thumping hip-hop soundtrack. There are many commendable performances, most notably from Phillippe and Levitt. Despite the occasional melodrama of some of the scenes, Peirce pulls no punches, and really hammers home the tragic exploitation of American troops. [More]
Starring: Ryan Phillippe, Abbie Cornish, Channing Tatum, Joseph Gordon-Levitt
Starring: Ryan Phillippe, Abbie Cornish, Channing Tatum, Joseph Gordon-Levitt, Ciaran Hinds, Timothy Olyphant, Victor Rasuk, Rob Brown
Director: Kimberly Peirce
Director: Kimberly Peirce
Screenwriter: Mark Richard, Kimberly Peirce
Producer: Kimberly Peirce, Mark Roybal, Scott Rudin, Gregory Goodman
Composer: John Powell
Studio: Paramount Pictures
Reviews for Stop-Loss
Stop-Loss is a tough film to watch and one that raises issues of concern that travel far beyond the war-torn regions. But whether its message is accurately targeted is for the viewer to decide
After five years of news footage and documentaries coming from the war in Iraq, Stop-Loss is as phony as a re-enactment with finger pup pets.
Viewers of any age are bound to be moved by [director Peirce's] primary theme: that there is no easy cure for these damaged young veterans, whether they return to war or fight their demons at home.
Problem is: 'Stop-Loss' isn't really about that legal loophole. Instead, it's about soldiers' post-traumatic stress, a subject covered far more effectively before.
Sharply uneven, Peirce's film is structurally flawed in the first reels, but it improves considerably in the second half, which documents the dramatic effects of a controversial, little known government policy on a cligue of friends.
Adds to the ranks of films on the Iraq war that very few people will volunteer to see, not merely because the topic is difficult but because...it's so terribly uneven.
Clearly, Peirce's motives are pure. She's not using the 'stop-loss' issue as a wedge to make the government or the administration look bad. She's using it to dramatize an injustice and to advocate on behalf of the soldiers.
In some ways, there is a grim, accidental timeliness in the release of Stop-Loss, which focuses on the ordeal of American soldiers in and out of combat.
But whatever you think about the Iraq war and the people who are fighting in it, you'll be shaken up and moved by Stop-Loss.
It's more a sweaty assemblage of dramatic high-points than a coherent, persuasive story of wounded warriors trying to make it.
Stop-Loss misses emotional beats and hammers home its frustration; yet in a week where we've lost our 4,000th soldier, its impatience is a virtue.
Being better than In the Valley of Elah’s lazy view of returning vets as damaged and mentally depraved isn’t good enough.
The film gets pretty heavy handed in the last third and is weighed down by an inadequate performance.
If Gordon-Levitt (who's delivered stellar performances in Mysterious Skin and The Lookout) had been moved up from his supporting role to the lead, the film would improve considerably.
Rather than dwell with a bunch of debating politicians, Peirce explores the serious psychological issues that many soldiers have upon return from any war.
...more of an artillery based Abercrombie and Fitch road trip than a concise character study.
Stop-Loss goes in too many directions at once, and most of those directions are predictable.
That Stop-Loss wears its generally good intentions on its camo sleeve doesn't keep it from being consigned to the missed-opportunity file.
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