Following the harrowing and superbly made opening sequences of hand to hand combat in Iraq, we can feel the frustrations and the anger through the film, and we sympathise. But the film has a confused message ...
Stop-Loss (2008)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:138
Fresh:89
Rotten:49
Average Rating:6.3/10
Consensus: Stop-Loss is sincere and complex, and features strong performances, even if it tries to cover too much ground.
Australian Rating: MA15+ [See Full Rating] War violence and themes, Coarse language
Runtime: 1 hr 53 mins
Genre: Dramas
Australian Theatrical Release:
Aug 7, 2008 Wide
US Box Office: $10,796,776
Synopsis: Director Kimberly Peirce (BOYS DON'T CRY) tackles another controversial topic with STOP-LOSS, the story of a U.S. soldier forced back into battle. Brandon King (Ryan Phillippe) has just returned to... Director Kimberly Peirce (BOYS DON'T CRY) tackles another controversial topic with STOP-LOSS, the story of a U.S. soldier forced back into battle. Brandon King (Ryan Phillippe) has just returned to Texas after a harrowing final tour in Iraq. He's accompanied by the remaining men from his unit, all of whom are more than a little shell-shocked. Welcomed home as a hero, Brandon is awarded a Purple Heart by a visiting state senator. But the homecoming quickly turns sour, as each of the soldiers struggles to assimilate back into society. Tommy (Joseph Gordon Levitt) can't lay off the booze, and Steve (Channing Tatum) roughs up his fiancée. Brandon is eager to put the war behind him, but that dream quickly fizzles when he learns that he has been "stop-lossed," or ordered back for another, involuntary tour of duty. Stunned by the news, he goes AWOL and forms a plan to get help from the senator who so recently honored him. He hits the road for D.C., all the while trying to cope with PTSD and battle flashbacks. Torn between his fierce patriotism and what he believes to be outright betrayal by the U.S. Army, he doesn't know where to turn or what to do. He is ultimately faced with the harshest of choices: Iraq, or a life in exile. There are now dozens of films that grapple with the war in Iraq, but STOP-LOSS is unique in its attempt to reach out to a younger audience. Produced by MTV, the film features a striking young cast and a thumping hip-hop soundtrack. There are many commendable performances, most notably from Phillippe and Levitt. Despite the occasional melodrama of some of the scenes, Peirce pulls no punches, and really hammers home the tragic exploitation of American troops. [More]
Starring: Ryan Phillippe, Abbie Cornish, Channing Tatum, Joseph Gordon-Levitt
Starring: Ryan Phillippe, Abbie Cornish, Channing Tatum, Joseph Gordon-Levitt, Ciaran Hinds, Timothy Olyphant, Victor Rasuk, Rob Brown
Director: Kimberly Peirce
Director: Kimberly Peirce
Screenwriter: Mark Richard, Kimberly Peirce
Producer: Kimberly Peirce, Mark Roybal, Scott Rudin, Gregory Goodman
Composer: John Powell
Studio: Paramount Pictures
Reviews for Stop-Loss
Stop-Loss is a tough film to watch and one that raises issues of concern that travel far beyond the war-torn regions. But whether its message is accurately targeted is for the viewer to decide
In some ways, there is a grim, accidental timeliness in the release of Stop-Loss, which focuses on the ordeal of American soldiers in and out of combat.
But whatever you think about the Iraq war and the people who are fighting in it, you'll be shaken up and moved by Stop-Loss.
Stop-Loss misses emotional beats and hammers home its frustration; yet in a week where we've lost our 4,000th soldier, its impatience is a virtue.
If Gordon-Levitt (who's delivered stellar performances in Mysterious Skin and The Lookout) had been moved up from his supporting role to the lead, the film would improve considerably.
Rather than dwell with a bunch of debating politicians, Peirce explores the serious psychological issues that many soldiers have upon return from any war.
The movie's ending will not satisfy everyone, but it does avoid typical Hollywood conventions. Whether it is the correct finale is something you will have to search your own heart to answer.
While it would be premature to decorate it as the Best Years of Our Lives or Coming Home of the Surge, Stop-Loss carries the emotional force and propulsive drama of the quintessential soldier's story.
Graceful, intelligent and respectful of the complex feelings generated by war.
Stop-Loss, a harrowing, emotional indictment of a war that has divided this country like no conflict since Vietnam, delves into what happens when the country doesn't do as well by its soldiers as they do by it.
Maddening, upsetting, and articulate, it's a film that dares to address a malicious tentacle of Government expediency connected to a much larger monster.
The story steers away from clichés and political polemics, maintaining a tone of unflinching emotional realism.
In Rico especially, and in Brandon's confrontations with his own delusions, the movie focuses on the unhealthy rituals of manhood and male community encouraged by the military
If the details of the story are a tad melodramatic, the overall circumstances are all too painfully real.
Stop-Loss is not a great movie, but it’s forceful, effective, and alive, with the raw, mixed-up emotions produced by an endless war -- a time when the patriotism of military families is in danger of being exploited beyond endurance.
The power of Stop-Loss -- and this is no dumb joke -- is that it shows its hero between Iraq and a hard place.
Despite structural deficiencies, 'Stop-Loss' is a riveting assault on the Pentagon's abuse of power during the Iraq war.
Telling antiwar film as seen through the eyes of those patriotic volunteers who fought in Iraq and are now disillusioned.
About as unpopular as the war in Iraq are movies about the war in Iraq, but no matter: Director Kimberly Peirce emerges victorious with a brave, probing look at the inner lives of soldiers.
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