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Movies / On DVD / Stop-Loss
Stop-Loss

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Stop-Loss (2008)

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Reviews Counted:138

Fresh:89

Rotten:49

Average Rating:6.3/10

Consensus: Stop-Loss is sincere and complex, and features strong performances, even if it tries to cover too much ground.

Australian Rating: MA15+ [See Full Rating] War violence and themes, Coarse language

Runtime: 1 hr 53 mins

Genre: Dramas

Australian Theatrical Release:
Aug 7, 2008 Wide

US Box Office: $10,796,776

Synopsis: Director Kimberly Peirce (BOYS DON'T CRY) tackles another controversial topic with STOP-LOSS, the story of a U.S. soldier forced back into battle. Brandon King (Ryan Phillippe) has just returned to... Director Kimberly Peirce (BOYS DON'T CRY) tackles another controversial topic with STOP-LOSS, the story of a U.S. soldier forced back into battle. Brandon King (Ryan Phillippe) has just returned to Texas after a harrowing final tour in Iraq. He's accompanied by the remaining men from his unit, all of whom are more than a little shell-shocked. Welcomed home as a hero, Brandon is awarded a Purple Heart by a visiting state senator. But the homecoming quickly turns sour, as each of the soldiers struggles to assimilate back into society. Tommy (Joseph Gordon Levitt) can't lay off the booze, and Steve (Channing Tatum) roughs up his fiancée. Brandon is eager to put the war behind him, but that dream quickly fizzles when he learns that he has been "stop-lossed," or ordered back for another, involuntary tour of duty. Stunned by the news, he goes AWOL and forms a plan to get help from the senator who so recently honored him. He hits the road for D.C., all the while trying to cope with PTSD and battle flashbacks. Torn between his fierce patriotism and what he believes to be outright betrayal by the U.S. Army, he doesn't know where to turn or what to do. He is ultimately faced with the harshest of choices: Iraq, or a life in exile. There are now dozens of films that grapple with the war in Iraq, but STOP-LOSS is unique in its attempt to reach out to a younger audience. Produced by MTV, the film features a striking young cast and a thumping hip-hop soundtrack. There are many commendable performances, most notably from Phillippe and Levitt. Despite the occasional melodrama of some of the scenes, Peirce pulls no punches, and really hammers home the tragic exploitation of American troops. [More]

Starring: Ryan Phillippe, Abbie Cornish, Channing Tatum, Joseph Gordon-Levitt

Starring: Ryan Phillippe, Abbie Cornish, Channing Tatum, Joseph Gordon-Levitt, Ciaran Hinds, Timothy Olyphant, Victor Rasuk, Rob Brown

Director: Kimberly Peirce

Director: Kimberly Peirce
Screenwriter: Mark Richard, Kimberly Peirce
Producer: Kimberly Peirce, Mark Roybal, Scott Rudin, Gregory Goodman
Composer: John Powell
Studio: Paramount Pictures

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Reviews for Stop-Loss

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1 - 20 (sorted by rotten rating; Australian critics are listed first)
Text View | 1 2 3 4 5 6 7 >> >|
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Following the harrowing and superbly made opening sequences of hand to hand combat in Iraq, we can feel the frustrations and the anger through the film, and we sympathise. But the film has a confused message ...

Full Review Source: Urban Cinefile | comment Comment
08/04/08
Andrew L. Urban
Andrew L. Urban
Urban Cinefile
Top Critic Icon Top Critic

Stop-Loss is a tough film to watch and one that raises issues of concern that travel far beyond the war-torn regions. But whether its message is accurately targeted is for the viewer to decide

Full Review Source: Urban Cinefile | comment Comment
08/04/08
Louise Keller
Louise Keller
Urban Cinefile
Top Critic Icon Top Critic

It's more a sweaty assemblage of dramatic high-points than a coherent, persuasive story of wounded warriors trying to make it.

Full Review Source: Houston Chronicle | comment Comment
03/28/08
Amy Biancolli
Amy Biancolli
Houston Chronicle

Being better than In the Valley of Elah’s lazy view of returning vets as damaged and mentally depraved isn’t good enough.

Full Review Source: New York Press | comment Comment
03/26/08
Armond White
Armond White
New York Press

The film gets pretty heavy handed in the last third and is weighed down by an inadequate performance.

Full Review Source: Sin Magazine | comment Comment
06/18/08
Austin Kennedy
Austin Kennedy
Sin Magazine

...more of an artillery based Abercrombie and Fitch road trip than a concise character study.

Full Review Source: PopMatters | comment Comment
03/28/08
Bill Gibron
Bill Gibron
PopMatters

Stop-Loss goes in too many directions at once, and most of those directions are predictable.

Full Review Source: Arizona Republic | comment Comment
03/27/08
Bill Goodykoontz
Bill Goodykoontz
Arizona Republic

That Stop-Loss wears its generally good intentions on its camo sleeve doesn't keep it from being consigned to the missed-opportunity file.

Full Review Source: Slant Magazine | comment Comment
03/27/08
Bill Weber
Bill Weber
Slant Magazine

This is an OK tale about guys who don't have that much going on in their civilian lives, but it's not the movie it ought to be.

Full Review Source: Los Angeles Daily News | comment Comment
03/28/08
Bob Strauss
Bob Strauss
Los Angeles Daily News

Stop-Loss should have been a thought-provoking drama; instead, the crucial subject of PTSD is lost amidst melodrama and mediocrity.

Full Review Source: Christianity Today | comment Comment
03/28/08
Brandon Fibbs
Brandon Fibbs
Christianity Today

Much of Stop-Loss' first act feels like the cast of Hee-Haw auditioning for a Best Years of Our Lives remake.

Full Review Source: FilmStew.com | comment Comment
03/31/08
Brett Buckalew
Brett Buckalew
FilmStew.com

Stop-Loss features cartoonish lessons on disillusionment and irksome actors trying to blue-steel the crap out of each other.

Full Review Source: BrianOrndorf.com | comment Comment
03/27/08
Brian Orndorf
Brian Orndorf
BrianOrndorf.com

An incredibly frustrating drama that starts off promisingly, featuring a talented ensemble, but devolves into too much repetitive rhetoric and a predictable non-conclusion.

Full Review Source: The Deadbolt | comment Comment
03/28/08
Brian Tallerico
Brian Tallerico
The Deadbolt

occasionally seems like an MTV/Varsity Blues pop variation of In the Valley of Elah

Full Review Source: Filmcritic.com | comment Comment
03/27/08
Chris Barsanti
Chris Barsanti
Filmcritic.com

Peirce (with co-writer Mark Richard) also vacillates between earnestness and superficiality, making Stop-Loss too often feel like eye candy with a message.

Full Review Source: Associated Press | comment Comment
03/27/08
Christy Lemire
Christy Lemire
Associated Press

Stop-Loss can't quite decide whether to focus on making a powerful statement on a controversial and unfamiliar military policy or on a more predictable drama about the traumatic effect of war on young people's lives.

Full Review Source: USA Today | comment Comment
03/28/08
Claudia Puig
Claudia Puig
USA Today
Top Critic Icon Top Critic

While its slick battlefield-and-barracks footage is YouTube- and cell phone video-contemporary, its dramatization of events feels well-worn.

Full Review Source: Milwaukee Journal Sentinel | comment Comment
03/28/08
Duane Dudek
Duane Dudek
Milwaukee Journal Sentinel

Acted with aplomb and occasionally compelling, Stop-Loss nevertheless fails to impress.

Full Review Source: DustinPutman.com | comment Comment
03/27/08
Dustin Putman
Dustin Putman
DustinPutman.com

Stop-Loss' inability to find any coherent statement to make about what's happening to our soldiers is only a source of greater frustration.

Full Review Source: eFilmCritic.com | comment Comment
03/27/08
Erik Childress
Erik Childress
eFilmCritic.com

Feverish yet bizarrely apolitical, the movie tries to have it both ways and fumbles its outraged and reconciliatory impulses equally

Full Review Source: CinePassion | comment Comment
08/27/09
Fernando F. Croce
Fernando F. Croce
CinePassion
 
 
1 - 20 (sorted by rotten rating; Australian critics are listed first)
Text View | 1 2 3 4 5 6 7 >> >|
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