Peirce ... dramatizes the problems of the Iraqi War vet with more subtlety than we've seen from other filmmakers.
Stop-Loss (2008)
Tomatometer
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Reviews Counted:138
Fresh:89
Rotten:49
Average Rating:6.3/10
Consensus: Stop-Loss is sincere and complex, and features strong performances, even if it tries to cover too much ground.
Australian Rating: MA15+ [See Full Rating] War violence and themes, Coarse language
Runtime: 1 hr 53 mins
Genre: Dramas
Australian Theatrical Release:
Aug 7, 2008 Wide
US Box Office: $10,796,776
Synopsis: Director Kimberly Peirce (BOYS DON'T CRY) tackles another controversial topic with STOP-LOSS, the story of a U.S. soldier forced back into battle. Brandon King (Ryan Phillippe) has just returned to... Director Kimberly Peirce (BOYS DON'T CRY) tackles another controversial topic with STOP-LOSS, the story of a U.S. soldier forced back into battle. Brandon King (Ryan Phillippe) has just returned to Texas after a harrowing final tour in Iraq. He's accompanied by the remaining men from his unit, all of whom are more than a little shell-shocked. Welcomed home as a hero, Brandon is awarded a Purple Heart by a visiting state senator. But the homecoming quickly turns sour, as each of the soldiers struggles to assimilate back into society. Tommy (Joseph Gordon Levitt) can't lay off the booze, and Steve (Channing Tatum) roughs up his fiancée. Brandon is eager to put the war behind him, but that dream quickly fizzles when he learns that he has been "stop-lossed," or ordered back for another, involuntary tour of duty. Stunned by the news, he goes AWOL and forms a plan to get help from the senator who so recently honored him. He hits the road for D.C., all the while trying to cope with PTSD and battle flashbacks. Torn between his fierce patriotism and what he believes to be outright betrayal by the U.S. Army, he doesn't know where to turn or what to do. He is ultimately faced with the harshest of choices: Iraq, or a life in exile. There are now dozens of films that grapple with the war in Iraq, but STOP-LOSS is unique in its attempt to reach out to a younger audience. Produced by MTV, the film features a striking young cast and a thumping hip-hop soundtrack. There are many commendable performances, most notably from Phillippe and Levitt. Despite the occasional melodrama of some of the scenes, Peirce pulls no punches, and really hammers home the tragic exploitation of American troops. [More]
Starring: Ryan Phillippe, Abbie Cornish, Channing Tatum, Joseph Gordon-Levitt
Starring: Ryan Phillippe, Abbie Cornish, Channing Tatum, Joseph Gordon-Levitt, Ciaran Hinds, Timothy Olyphant, Victor Rasuk, Rob Brown
Director: Kimberly Peirce
Director: Kimberly Peirce
Screenwriter: Mark Richard, Kimberly Peirce
Producer: Kimberly Peirce, Mark Roybal, Scott Rudin, Gregory Goodman
Composer: John Powell
Studio: Paramount Pictures
Reviews for Stop-Loss
While the film is far from perfect, Stop-Loss is one of the better narrative features to be made about the Iraq War.
... if Pierce is going to create a character who has the deep desire ... to resist the military- then she owes it to Brandon to let him be true to himself.
Ranks with Full Metal Jacket and Saving Private Ryan as one of the best wartime dramas.
Contains a passionate desire to confront the injustices of the current political scene, something we could do with a lot more of.
The movie's ending will not satisfy everyone, but it does avoid typical Hollywood conventions. Whether it is the correct finale is something you will have to search your own heart to answer.
Stop-Loss misses emotional beats and hammers home its frustration; yet in a week where we've lost our 4,000th soldier, its impatience is a virtue.
Much of Stop-Loss' first act feels like the cast of Hee-Haw auditioning for a Best Years of Our Lives remake.
Stop-Loss is not a great movie, but it’s forceful, effective, and alive, with the raw, mixed-up emotions produced by an endless war -- a time when the patriotism of military families is in danger of being exploited beyond endurance.
The power of Stop-Loss -- and this is no dumb joke -- is that it shows its hero between Iraq and a hard place.
[T]here's a serious movie struggling to emerge from behind all the chiseled features and overwrought dialogue.
Stop-Loss is an eye opening experience, with a look into the Iraq war and the consequences our troops our paying.
Stop-Loss isn't much as a narrative, but it does herald the return of a singular voice that's been silent for far too long.
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