When I left the theater, I got in my car, turned off my perpetually running radio, and thought for a long time before I moved. It's been a while since a film has done that.
Stranger Than Fiction (2006)
Tomatometer
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Reviews Counted:165
Fresh:119
Rotten:46
Average Rating:6.8/10
Consensus: A fun, whimsical tale about about an office drone trying to save his life from his narrator. The cast obviously is having a blast with the script, but Stranger Than Fiction's tidy lessons make this metaphysical movie feel like Charlie Kaufman-lite.
Runtime: 1 hr 53 mins
Genre: Comedies
US Box Office: $40,137,776
Synopsis: One morning, a seemingly average and generally solitary IRS agent named Harold Crick begins to hear a female voice narrating his every action, thought and feeling in alarmingly precise detail.... One morning, a seemingly average and generally solitary IRS agent named Harold Crick begins to hear a female voice narrating his every action, thought and feeling in alarmingly precise detail. Harold's carefully controlled life is turned upside down by this narration only he can hear, and when the voice declares that Harold Crick is facing imminent death, he realizes he must find out who is writing his story and persuade her to change the ending. The voice in Harold's head turns out to be the once celebrated, but now nearly forgotten, novelist Karen "Kay" Eiffel (Emma Thompson), who is struggling to find an ending for what might be her best book. Her only remaining challenge is to figure out a way to kill her main character, but little does she know that Harold Crick is alive and well and inexplicably aware of her words and her plans for him. To make matters worse, Kay's publisher has dispatched a hard-nosed "assistant," Penny Escher (Queen Latifah), to force Kay to finish her novel and finish off Harold Crick. Desperate to take control of his destiny and avoid an untimely demise, Harold seeks help from a literary theorist named Jules Hilbert (Dustin Hoffman), who suggests that Harold might be able to change his fate by turning his story from a tragedy into a comedy. Professor Hilbert suggests that Harold try to follow one of comedy's most elemental formulas: a love story between two people who hate each other. His suggestion leads Harold to initiate an unlikely romance with a free-spirited baker named Ana Pascal (Maggie Gyllenhaal). As Harold experiences true love and true life for the first time, he becomes convinced that he has escaped his fate, as his story seems to be taking on all the trappings of a comedy in which he will not, and cannot, die. But Harold is unaware that in a Karen Eiffel tragedy, the lead characters always die at exactly the moment when they have the most to live for. Harold and Kay find themselves in unexplored territory as each must weigh the value of a single human existence against what might just be an immortal work of art: a novel about life and death -- and taxes. --© Sony Pictures [More]
Starring: Will Ferrell, Emma Thompson, Maggie Gyllenhaal, Dustin Hoffman
Starring: Will Ferrell, Emma Thompson, Maggie Gyllenhaal, Dustin Hoffman, Tony Hale, Queen Latifah, Kristin Chenoweth
Director: Marc Forster
Director: Marc Forster
Producer: Lindsay Doran, Aubrey Henderson, Jim Miller, Brittany Daniel
Studio: Sony Pictures Entertainment
Reviews for Stranger Than Fiction
A sweet comedy, an antidote to the over-the-top, vulgar and politically reactionary 'Borat.'
This slightly fantastical, tragi-comic idea ended up in the care of precisely the right people.
[Screenwriter Zach Helm is] called by those in the know “the next Charlie Kaufman...”
Ferrell proves just the right choice, nicely underplaying for a change and ratcheting up his game opposite major talents.
Will Ferrell is a more than worthy heir to Lemmon, Hanks, Brazil’s Jonathan Pryce and Something Wild’s Jeff Daniels.
Satisfaction comes from the small moments, the simple pleasures. At least, that's the argument Stranger Than Fiction makes — and it presents a pretty convincing case.
A trippy trifle from the Charlie Kaufman/Michel Gondry school of pop metafiction.
Stranger Than Fiction seems like an old episode of the Twilight Zone, and the idea would have worked better as one of Rod Serling's half-hour epistles on human foibles.
Stranger Than Fiction is both about a novel and like a novel; you eagerly await the turning of the pages.
It doesn't coast on its premise but follows where it leads, which is into some serious territory. What might have been a joke with a tagged-on sentimental ending becomes instead a sensitive movie that affirms the value of life.
Hanging on a high concept never fully supported by its story, Stranger Than Fiction stays aloft thanks to an exceptionally appealing cast.
This movie is to Ferrell what The Truman Show was to Jim Carrey, the film that allows the comic to put both feet on the ground -- and to stimulate a full range of emotions.
Stranger than Fiction would be pretty close to a perfect movie if the ending weren't so weak. Actually, it's still pretty satisfying, but there is a perfect ending out there that surely occurred to Helm, but it is missing in action.
Willfully eccentric, odd in tone, it is an English major's comedy, a wry exploration of plot, narrative, character and a writer's imprint on her or his work.
I loved the little schematic diagrams that track Harold's too-linear existence. Zach Helm's script is very funny and occasionally shocking.
It seems like the screenwriter may have suffered a shortage of ideas and remedied the problem by watching Charlie Kaufman films.
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