For all of the film's narrative intricacies, it's love in bloom that carries the day.
Stranger Than Fiction (2006)
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Reviews Counted:165
Fresh:119
Rotten:46
Average Rating:6.8/10
Consensus: A fun, whimsical tale about about an office drone trying to save his life from his narrator. The cast obviously is having a blast with the script, but Stranger Than Fiction's tidy lessons make this metaphysical movie feel like Charlie Kaufman-lite.
Runtime: 1 hr 53 mins
Genre: Comedies
US Box Office: $40,137,776
Synopsis: One morning, a seemingly average and generally solitary IRS agent named Harold Crick begins to hear a female voice narrating his every action, thought and feeling in alarmingly precise detail.... One morning, a seemingly average and generally solitary IRS agent named Harold Crick begins to hear a female voice narrating his every action, thought and feeling in alarmingly precise detail. Harold's carefully controlled life is turned upside down by this narration only he can hear, and when the voice declares that Harold Crick is facing imminent death, he realizes he must find out who is writing his story and persuade her to change the ending. The voice in Harold's head turns out to be the once celebrated, but now nearly forgotten, novelist Karen "Kay" Eiffel (Emma Thompson), who is struggling to find an ending for what might be her best book. Her only remaining challenge is to figure out a way to kill her main character, but little does she know that Harold Crick is alive and well and inexplicably aware of her words and her plans for him. To make matters worse, Kay's publisher has dispatched a hard-nosed "assistant," Penny Escher (Queen Latifah), to force Kay to finish her novel and finish off Harold Crick. Desperate to take control of his destiny and avoid an untimely demise, Harold seeks help from a literary theorist named Jules Hilbert (Dustin Hoffman), who suggests that Harold might be able to change his fate by turning his story from a tragedy into a comedy. Professor Hilbert suggests that Harold try to follow one of comedy's most elemental formulas: a love story between two people who hate each other. His suggestion leads Harold to initiate an unlikely romance with a free-spirited baker named Ana Pascal (Maggie Gyllenhaal). As Harold experiences true love and true life for the first time, he becomes convinced that he has escaped his fate, as his story seems to be taking on all the trappings of a comedy in which he will not, and cannot, die. But Harold is unaware that in a Karen Eiffel tragedy, the lead characters always die at exactly the moment when they have the most to live for. Harold and Kay find themselves in unexplored territory as each must weigh the value of a single human existence against what might just be an immortal work of art: a novel about life and death -- and taxes. --© Sony Pictures [More]
Starring: Will Ferrell, Emma Thompson, Maggie Gyllenhaal, Dustin Hoffman
Starring: Will Ferrell, Emma Thompson, Maggie Gyllenhaal, Dustin Hoffman, Tony Hale, Queen Latifah, Kristin Chenoweth
Director: Marc Forster
Director: Marc Forster
Producer: Lindsay Doran, Aubrey Henderson, Jim Miller, Brittany Daniel
Studio: Sony Pictures Entertainment
Reviews for Stranger Than Fiction
The picture is an overworked trifle: There's so much going on in it that it becomes hard to care about anything that's going on in it.
Most of the movie's comedy falls very flat. Another director might have masked the inadequacy of the script in a way to make the enterprise marginally fun, but [Marc] Forster just didn't have the goofy flair required.
It manages to be smart and surprising and provides this season of serious movies with a much-needed shot of whimsy.
A movie that begins with a challenging premise but ultimately settles for a more accessible "carpe diem" kind of message.
Yes, Stranger Than Fiction is a head trip. But it's a very friendly one, and well crafted at that.
Stranger Than Fiction is no Eternal Sunshine. But if you can look past its clunky attempt to be exactly that, there's great pleasure in watching Ferrell, like Harold, turn into someone you never knew he could be.
The blending of the intellectual and the emotional that Stranger Than Fiction achieves is so rare, and so rarely done this well. So few films are so fully satisfying on every level like this one is.
Stranger Than Fiction is a movie that brims over with characters who are too complicated, prickly and interesting to fit within the boundaries of a conventional film.
If you've really paid attention to Ferrell's career, this role is not a stretch. He brings great humanity to a character, and a movie, that ends up being more of a sentimental romance than the silly quirk-fest you might expect.
Sometimes I think movies like Stranger Than Fiction don't experiment with narrative and character as much as cop out on them.
There's no joy in seeing Ferrell play an office drone, and the life lessons he learns are of the "All I Really Need to Know I Learned in Kindergarten" variety.
Movies with terrific ideas are a rare commodity in Hollywood. The idea behind Stranger Than Fiction is the kind of Charlie Kaufmanesque conceit that sounds a lot better than the way it's played out.
Stranger Than Fiction is the most original comedy of the year, a mind-bending tale with one foot in the real world and the other in pure fiction.
A good movie but not a great one, Stranger Than Fiction is reminiscent of the films of Charlie Kaufman.
A darkly whimsical dramedy that manages to walk the line between mainstream and unconventional.
its brand of dry humor may catch Ferrell fans off-guard... much closer to Jim Carrey's 'The Truman Show' or Nicolas Cage and Meryl Streep's 'Adaptation' than it is to the usual Ferrell fare.
[Stranger Than Fiction] springs to life whenever it drops the cute Pirandello-like premise and focuses on the simple business of Ferrell finding love.
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