It's a unique, indelible and hilarious film, and certainly one of the best of its era.
Stranger Than Paradise (1984)
Tomatometer
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Reviews Counted:19
Fresh:18
Rotten:1
Average Rating:7.6/10
Synopsis: Beginning in New York City and ending up in Florida, Jim Jarmusch's STRANGER THAN PARADISE is a highly original comedy that has greatly influenced a new generation of filmmakers (most notably,... Beginning in New York City and ending up in Florida, Jim Jarmusch's STRANGER THAN PARADISE is a highly original comedy that has greatly influenced a new generation of filmmakers (most notably, Kevin Smith and Finland's Aki Kourismaki). Willie (John Lurie) is annoyed to learn that his younger cousin, Eva (Eszter Balint), is flying in from Hungary and plans on staying with him for ten days. When she arrives, she and Willie waste their days doing nothing. Eventually, Eva gets bored and leaves New York in order to visit her Aunt Lotte in Cleveland. When Willie and his friend Eddie (Richard Edson) get into trouble while cheating in a poker game, they decide to hit the road and track down Eva. Cleveland is even less exciting than New York, so the trio decide to take the plunge and journey to Florida, where they dream of winning an enormous amount at the track. Unfortunately, the reverse occurs, forcing them to confront the gravity of their situation head-on. Jarmusch fuses his love of European cinema with a New York hipness to create one of the decade's most influential films. Photographed in a static black and white by Tom Di Cillo (director of JOHNNY SUEDE and LIVING IN OBLIVION), STRANGER THAN PARADISE features comically understated performances by its three leads--who are all professional musicians. [More]
Starring: John Lurie, Richard Edson, Eszter Balint, Cecilla Stark
Starring: John Lurie, Richard Edson, Eszter Balint, Cecilla Stark
Director: Jim Jarmusch
Director: Jim Jarmusch
Screenwriter: Jim Jarmusch
Reviews for Stranger Than Paradise
Jarmusch constructs from basic ingredients a complex of narrative symmetry and existential ennui pointing to something far more resonant than the sum of its parts.
... like a French New wave film by way of Bela Tarr, directed with a hipster American comic sensibility and an outsider's fascination with the details of the everyday.
the American Dream inverted, that its characters are carefree is a by-product not of sharing in the Dream, but of dealing with life on the margins.
This austere, minimalist comedy put NY's East Village and Jim Jarmusch on the map, displaying unique sensibility and aesthetics (single long shots). Though only his second work, it's still Jarmusch's best picture--by far.
Not a lot to it, certainly, but the acting and performances combine to produce an obliquely effective study of the effect of landscape upon emotion, and the wry, dry humour is often quite delicious.
Its characters’ vacant aspirations are equated by Stranger Than Paradise’s lack of conventional purpose – this is the film’s idiosyncratic strength.
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