How does Spike Lee do it? How can he make films that are among the best we've seen and then go on to make this?
Summer of Sam (1999)
Tomatometer
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Reviews Counted:96
Fresh:48
Rotten:48
Average Rating:5.6/10
Consensus: Spike Lee offers intense visuals but his storytelling feels crowded and overambitious.
Synopsis: SUMMER OF SAM, Spike Lee's sizzling interpretation of the summer of 1977 in New York City, when thermometers shattered and a serial killer terrorized the city, focuses on an Italian-American... SUMMER OF SAM, Spike Lee's sizzling interpretation of the summer of 1977 in New York City, when thermometers shattered and a serial killer terrorized the city, focuses on an Italian-American community in the Bronx--specifically, Dionna (Mira Sorvino) and Vinny (John Leguizamo), a couple whose marriage is threatened by Vinny's obsession with other women. After Vinny returns home one night to find a killer has murdered two local women, he promises to mend his cheating ways, albeit unsuccessfully. As the media exploits the murders and a blackout threatens to unleash anarchy on the city, its inhabitants begin to look for a scapegoat who will release them from the reign of terror created by the chilling figure known only as the Son of Sam (Michael Badalucco). Lee's ambitious film does more than re-create the events that unfolded during the summer of 1977; in addition to being an entertaining time capsule, it also deals graphically with the concept of the mob mentality. [More]
Starring: John Leguizamo, Mira Sorvino, Adrien Brody, Jennifer Esposito
Starring: John Leguizamo, Mira Sorvino, Adrien Brody, Jennifer Esposito, Michael Badalucco, Bebe Neuwirth, Patti LuPone, Anthony LaPaglia, Ben Gazzara, John Savage, Jimmy Breslin, Spike Lee, Mark Breland, Evander Holyfield
Director: Spike Lee
Director: Spike Lee
Screenwriter: Michael Imperioli, Victor Colicchio, Spike Lee
Producer: Jon Kilik, Spike Lee
Composer: Terence Blanchard
Reviews for Summer of Sam
This ultimately disappoints, but it is good to see Lee branch out into subjects which don't immediately lend themselves to his single-minded politicizing.
Like most of Lee's work, this bites off more than it can chew, but the breadth and energy are impressive.
The film is sloppy and ill-formed, its tone lurching drunkenly from turgid soap opera to soft-core porn, descending at times to low camp.
This is trashy exploitation at its clumsiest. Once more, a Spike Lee movie has been undone by the earnestness of being important.
Trouble is, the overlong narrative, however entertaining from minute to minute, is a mess.
I needed stronger and more balanced characters to really care what happened.
Whatever you think of Spike Lee, when he has the faith in his talent and material and is able to be political without the dogma, he's one of the best filmmakers to come out of America in the 1980's.
Lee does capture the terror a serial killer can wreak upon the community, but his concentration on the weak characters hurts in the long run.
The story makes very important points, and shows us a graphic parable of the wages of sin. But the ugliness along the way will be too much for some viewers....
Spike Lee's most ambitious movie, is joltingly inspired at times. It's also offensively redundant and needs editing.
An intelligent, compassionate, adult story told to thrilling, fearsome effect.
Both beguiling and confounding, an enigmatic blend of banality and brilliance that ultimately manages to overcome its myriad shortcomings through nothing but the sheer force of Lee's visionary direction.
It's easily Lee's most accomplished and satisfying movie since Malcolm X.
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