The film's a failure.
Surveillance (2009)
Tomatometer
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Reviews Counted:69
Fresh:38
Rotten:31
Average Rating:5.2/10
Consensus: This dark psycho-thriller from Jennifer Lynch, is violent, sharp and baffling, but not to everyone's taste.
Runtime: 1 hr 37 mins
Genre: Action/Adventure
US Box Office: $0
Synopsis:
It's been a hell of a day on the highway.
When Federal Officers Elizabeth Anderson (Julia Ormond) and Sam Hallaway (Bill Pullman) arrive at Captain Billing's office, they have three sets of...
It's been a hell of a day on the highway.
When Federal Officers Elizabeth Anderson (Julia Ormond) and Sam Hallaway (Bill Pullman) arrive at Captain Billing's office, they have three sets of stories to figure out and a string of vicious murders to consider.
One zealot cop, a strung out junkie and an eight year old girl all sit in testimony to the roadside rampage, but as the Feds begin to expose the fragile little details each witness conceals so carefully with a well practiced lie, they soon discover that uncovering ‘the truth’ can come at a very big cost… --© Magnolia Pictures
Starring: Julia Ormond, Bill Pullman, Pell James, Ryan Simpkins
Starring: Julia Ormond, Bill Pullman, Pell James, Ryan Simpkins, Michael Ironside, French Stewart
Director: Jennifer Lynch
Director: Jennifer Lynch
Screenwriter: Kent Harper, Jennifer Lynch
Producer: Kent Harper, Marco Mehlitz, David Michaels
Composer: Todd Bryanton
Studio: Magnolia Pictures
Reviews for Surveillance
Surveillance is a crafty crime film with an involving setup and a ridiculous payoff, but there's enough here to make it worth a viewing at least on DVD or cable.
Pullman's striking performance here is undermined by Lynch's overreliance on those same grisly shock tactics, as well as a script that fails to capitalize on a promising premise and then swiftly collapses upon the revelation of a not-so-shocking twist.
Beneath the film's surface appeal as a twisty, morbidly funny freak-out lies a weightier theme on the resilience of children.
The scenes are shot in a clever range of styles, the dialogue is as sharp as a Stanley knife. The atmosphere in the cop shop, where the film closes in for the teased-out development before the recapitulation and surprise coda, is irresistibly seedy.
Jennifer is no David Lynch and her film, while inventive and quirky and at time quite devious, misses the organic alchemy of his films.
Lynch has clearly learned from her father's knack for crafting eerily unsettling movies, although her instincts seem to favor solid genre thrills.
Although her tale involves wild-at-heart lovers racing down a lost highway, Lynch has created a whole different shade of black from anything made by her father.
Riffs on noir influences with an inquisitive visual style that often drifts from the plot at hand.
A festival of carnage that's sometimes funny and sometimes waaay over the line.
A violent B-movie bamboozler that, while fun for a spell, is finally unconvincing.
Surveillance isn't rewriting history, but it's a solid, entertaining third draft.
The pacing is so slow, you just want to yell out at the screen, "get on with it."
Jen’s tale is nowhere near as complex or subtle as the psycho-trickery regularly peddled by her old man. Still, even if the destination’s a disappointment, the journey makes up for it.
Twisted with black comedy, off-kilter performances, unsettling sound design and jolts of violence, Jennifer Lynch’s eminently Lynchian psycho-thriller is far better than its fairly predictable final rug-pull.
Trashy material, arty approach, Lynch’s comeback is harsh, puzzling and mostly weird-bad.
Surveillance may brim with violence and unease, but it's a puzzle box film you'll have grim fun solving.
A would-be transgression that tries to squeeze dark laughs from the spectacle of human suffering.
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