Surveillance is a respectable murder mystery until its contrived 'big reveal' causes it to deflate faster than an inner tube that was just sat on by a morbidly obese person.
Surveillance (2009)
Tomatometer
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Reviews Counted:69
Fresh:38
Rotten:31
Average Rating:5.2/10
Consensus: This dark psycho-thriller from Jennifer Lynch, is violent, sharp and baffling, but not to everyone's taste.
Runtime: 1 hr 37 mins
Genre: Action/Adventure
US Box Office: $0
Synopsis:
It's been a hell of a day on the highway.
When Federal Officers Elizabeth Anderson (Julia Ormond) and Sam Hallaway (Bill Pullman) arrive at Captain Billing's office, they have three sets of...
It's been a hell of a day on the highway.
When Federal Officers Elizabeth Anderson (Julia Ormond) and Sam Hallaway (Bill Pullman) arrive at Captain Billing's office, they have three sets of stories to figure out and a string of vicious murders to consider.
One zealot cop, a strung out junkie and an eight year old girl all sit in testimony to the roadside rampage, but as the Feds begin to expose the fragile little details each witness conceals so carefully with a well practiced lie, they soon discover that uncovering ‘the truth’ can come at a very big cost… --© Magnolia Pictures
Starring: Julia Ormond, Bill Pullman, Pell James, Ryan Simpkins
Starring: Julia Ormond, Bill Pullman, Pell James, Ryan Simpkins, Michael Ironside, French Stewart
Director: Jennifer Lynch
Director: Jennifer Lynch
Screenwriter: Kent Harper, Jennifer Lynch
Producer: Kent Harper, Marco Mehlitz, David Michaels
Composer: Todd Bryanton
Studio: Magnolia Pictures
Reviews for Surveillance
Lurching between crude comedy and self-conscious excess, Surveillance is just weird enough to keep your attention.
Has solid acting, but offers very little in terms of suspense, intelligence and intrigue. It completely falls apart into an inane, contrived and perverse mess that leaves you with a bad aftertaste.
Falls somewhere in between the somewhat tongue-in-cheek tone of Wild at Heart and the more au courant trend toward savage, nihilistic deranged-killer movies.
From the looks of her latest cinematic abomination, it seems Jennifer Lynch is doomed to forever be regarded as David Lynch%u2019s untalented daughter.
Nasty, brutish and not short enough, this is a muddled, unpleasant film that falls half-way between not very entertaining horror and not-as-smart-as-it-thinks-it-is arthouse.
Sorry to say it, but you can't help wishing Lynch - daughter of esteemed director David - had extended her 16-year wilderness period, because Surveillance simply sucks.
The film's late, unprepared-for perversity turnabout undoes what has gone before.
Every so often, you come upon a movie so jaw-droppingly wrong, you wonder if your eyes are deceiving you.
It is staggering to think that a film could be so horrifically nihilistic and so painfully boring at the same time, but Lynch has done it.
Pullman's striking performance here is undermined by Lynch's overreliance on those same grisly shock tactics, as well as a script that fails to capitalize on a promising premise and then swiftly collapses upon the revelation of a not-so-shocking twist.
Riffs on noir influences with an inquisitive visual style that often drifts from the plot at hand.
Horror fans are likely to guess the twist and feel bored; the more faint-of-heart may simply feel repulsed. And bored.
A festival of carnage that's sometimes funny and sometimes waaay over the line.
A would-be transgression that tries to squeeze dark laughs from the spectacle of human suffering.
The most enjoyable way to watch Surveillance -- 'enjoyable' in the relative sense -- is to take its awfulness for granted and pay attention to everything Bill Pullman does.
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