Jennifer Lynch, daughter of David Lynch, proves to be a chip off the old block in this tense, delightfully over-the-top police thriller.
Surveillance (2009)
Tomatometer
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Reviews Counted:69
Fresh:38
Rotten:31
Average Rating:5.2/10
Consensus: This dark psycho-thriller from Jennifer Lynch, is violent, sharp and baffling, but not to everyone's taste.
Runtime: 1 hr 37 mins
Genre: Action/Adventure
US Box Office: $0
Synopsis:
It's been a hell of a day on the highway.
When Federal Officers Elizabeth Anderson (Julia Ormond) and Sam Hallaway (Bill Pullman) arrive at Captain Billing's office, they have three sets of...
It's been a hell of a day on the highway.
When Federal Officers Elizabeth Anderson (Julia Ormond) and Sam Hallaway (Bill Pullman) arrive at Captain Billing's office, they have three sets of stories to figure out and a string of vicious murders to consider.
One zealot cop, a strung out junkie and an eight year old girl all sit in testimony to the roadside rampage, but as the Feds begin to expose the fragile little details each witness conceals so carefully with a well practiced lie, they soon discover that uncovering ‘the truth’ can come at a very big cost… --© Magnolia Pictures
Starring: Julia Ormond, Bill Pullman, Pell James, Ryan Simpkins
Starring: Julia Ormond, Bill Pullman, Pell James, Ryan Simpkins, Michael Ironside, French Stewart
Director: Jennifer Lynch
Director: Jennifer Lynch
Screenwriter: Kent Harper, Jennifer Lynch
Producer: Kent Harper, Marco Mehlitz, David Michaels
Composer: Todd Bryanton
Studio: Magnolia Pictures
Reviews for Surveillance
Lynch has clearly learned from her father's knack for crafting eerily unsettling movies, although her instincts seem to favor solid genre thrills.
Beneath the film's surface appeal as a twisty, morbidly funny freak-out lies a weightier theme on the resilience of children.
Horror fans are likely to guess the twist and feel bored; the more faint-of-heart may simply feel repulsed. And bored.
For a time, Surveillance is sick, smart fun. But then things get weird: yes, there's a big surprise, but its playout is predictable, and nasty.
Véritable bombe à retardement, Surveillance est surtout un thriller qui ose prendre son temps, faisant évoluer chaque parcelle de sa production à la même vitesse...
Nasty, brutish and not short enough, this is a muddled, unpleasant film that falls half-way between not very entertaining horror and not-as-smart-as-it-thinks-it-is arthouse.
Although her tale involves wild-at-heart lovers racing down a lost highway, Lynch has created a whole different shade of black from anything made by her father.
None of the adult characters have any redeeming qualities, yet the filmmakers have managed to create something watchable despite delving into the blackest corners of human nature.
Surveillance may brim with violence and unease, but it's a puzzle box film you'll have grim fun solving.
Lurching between crude comedy and self-conscious excess, Surveillance is just weird enough to keep your attention.
Things aren’t what they seem, however – something Lynch tries to hide by steeping her tale in wacky humour and over-ripe acting.
Twisted with black comedy, off-kilter performances, unsettling sound design and jolts of violence, Jennifer Lynch’s eminently Lynchian psycho-thriller is far better than its fairly predictable final rug-pull.
Trashy material, arty approach, Lynch’s comeback is harsh, puzzling and mostly weird-bad.
While the narrative is hardly original – it meanders to a predictable but juicily malicious climactic twist – ‘Surveillance’ is never less than a compelling watch.
Structurally, it’s a bit of a muddle but Lynch creates a nicely ominous atmosphere with a sound design that looms up on you like a menacing shadow in a dark alleyway.
A violent B-movie bamboozler that, while fun for a spell, is finally unconvincing.
This crime-spree-procedural-with-a-twist isn’t evidence of a shockingly overlooked talent, but it’s watchable, in a gloating sort of way – although Lynch lacks any fraction of her father’s genius, she’s pretty good with her cast.
Sorry to say it, but you can't help wishing Lynch - daughter of esteemed director David - had extended her 16-year wilderness period, because Surveillance simply sucks.
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