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Tadpole (2002)
Runtime: 77 mins
Theatrical Release: Jul 19, 2002 Limited
Box Office: $2,882,062
Synopsis: Fifteen-year-old Chauncey Prep student Oscar Grubman (Aaron Stanford) feels that girls his own age haven't lived enough, which is why he's coming home to Manhattan's Upper East Side for Thanksgiving to profess his love to his stepmother, Eve (Sigourney Weaver)--whose marriage to his... Fifteen-year-old Chauncey Prep student Oscar Grubman (Aaron Stanford) feels that girls his own age haven't lived enough, which is why he's coming home to Manhattan's Upper East Side for Thanksgiving to profess his love to his stepmother, Eve (Sigourney Weaver)--whose marriage to his professor father (John Ritter) has become routine and uninspiring. Unable to find the right moment to express himself, Oscar slips out to a bar after dinner and finds himself drunk and missing his wallet. Walking home, he bumps into Eve's best friend, Diane (Bebe Neuwirth), a sexy chiropractor who offers to take him home to detox. A backrub leads to a kiss, which results in Oscar and Diane spending the night together. Oscar, feeling he has betrayed his true love, must now prevent Diane--who laughs at the whole situation--from telling Eve what has happened between them. TADPOLE's sophisticated script by Heather McGowan and Niels Mueller plays like Woody Allen minus the neuroticism, taking a potentially exploitative situation and handling it with with intelligence and great wit. Stanford (who was 23 at the time of filming) gives a restrained comic performance as the Voltaire-quoting youth, holding his own with veterans Weaver, Ritter, and Neuwirth--who practically holds the film together with her timing and sexuality. This scant (77 minutes), but charming production, shot on digital video, was a surprise hit at the 2002 Sundance Film Festival. [More]
Genre: Dramas
Starring: Sigourney Weaver, Aaron Stanford, Bebe Neuwirth, John Ritter, Robert Iler
Screenwriter: Heather McGowan, Niels Mueller
Producer: Dolly Hall, Alexis Alexanian, Gary Winick
Reviews
In a summer wrought with action adventures and dramatic epics, it's a refreshing change to trust in the teachings and maturity of a 15-year-old.
The worst movie of 2002: 'Any film with such a formulaic foundation...faces the burden of succeeding in spite of it, yet Tadpole just dumbly offers it back up to us.'
Like a final project from a student film class, it has a raw and unsophisticated look...But that might be a good thing.
The film might have been more satisfying if it had, in fact, been fleshed out a little more instead of going for easy smiles.
The film pivots entirely on Aaron Stanford's performance, and he is super.
Tadpole has more than its share of problems, true, but they are problems that can be borne.
It lacks the lushly romantic sensibility that made Woody Allen's similarly themed (and unfortunately prophetic) Manhattan seem plausible.
While this is no Harold and Maude -- one of the best films about an older woman and younger man -- Tadpole has an irresistible charm.
Short and sweet, but also more than anything else slight… Tadpole pulls back from the consequences of its own actions and revelations.
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