In refusing to sugarcoat the harsh realities of an impoverished region, the filmmakers make the ultimate message of hope that much more genuine and stirring.
Take the Lead (2006)
Tomatometer
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Reviews Counted:118
Fresh:51
Rotten:67
Average Rating:5.4/10
Consensus: Banderas is charismatic in the lead, and the dance sequences are captivating, but the story is too familiar and predictable.
Runtime: 1 hr 58 mins
Genre: Dramas
US Box Office: $34,703,228
Synopsis: Mixing elements of sports film, feel-good drama, and teen movie--with a dash of social realism--TAKE THE LEAD is an inspiring tale of transformation through art and sports. Based on a true story,... Mixing elements of sports film, feel-good drama, and teen movie--with a dash of social realism--TAKE THE LEAD is an inspiring tale of transformation through art and sports. Based on a true story, the film centers on the dashing Pierre Dulaine, an idealistic New York City ballroom dancer who was the subject of the runaway documentary hit MAD HOT BALLROOM (2005). After spying the desperate and violent actions of a young and angry high schooler named Rock, Dulaine becomes intent on channeling his talent into the service of troubled youth, and almost immediately approaches Rock's tough but well-meaning high school principal (the always radiant Alfre Woodward) with the idea of teaching ballroom dancing to detention students. Were it not for the fact that this is a story pulled from real life, the premise might ring false; the fact that it actually happened only makes the movie more powerful. Though at first greeted with the expected disdain and cynicism by his street-hardened students--gang member Ramos, tough-as-nails Larhette, charming but overweight "Monster," and the lone white boy Kurd--all of them become transformed into dedicated, graceful, and talented dancers, performing the tango and rumba as confidently as they once initiated fistfights. Along with learning the technical steps of the ballroom, these youngsters are also exposed to their toe-tapping teacher's wisdom about life, learning everything from how to treat a lady to how to disengage from pointless violence. Former music-video director Liz Friedlander brings a kinetic energy to the film, and the pulsating hip-hop soundtrack is designed to attract youthful viewers. [More]
Starring: Antonio Banderas, Alfre Woodard, Ray Liotta, Rob Brown
Starring: Antonio Banderas, Alfre Woodard, Ray Liotta, Rob Brown, Dante Basco, Lyriq Bent, John Ortiz, Jenna Dewan, Yaya Da Costa, Dianne Houston, Laura Benanti, Jonathan Malen
Director: Liz Friedlander
Director: Liz Friedlander
Producer: Diane Nabatoff, Christopher Godsick
Composer: Aaron Zigman
Studio: New Line Cinema
Reviews for Take the Lead
Since the movie does its job well in playing out its formulas, it becomes an effective endorphin rush at the time.
Friedlander knows visual filmmaking, and only here does she shine. When time comes to address the secret lives of her dancing delinquents, the film grows two left feet.
Instead of the authentic excitement of last year's documentary, Mad Hot Ballroom, Take the Lead presents contrived teen melodrama.
The dance steps are less predictable than the plotline here: gradual building of trust, setbacks, growth experiences, tenderness, the big event. But we, too, find it hard to resist the invitation to the dance.
A dance teacher turns students at a South Bronx high school from gawky ducklings into gliding swans in this sloppy but mildly endearing pop fairy tale.
As a dance movie "Take The Lead" is downright incompetent, and as a feel-good teen drama/comedy it has no pathos or humor. It's a throwaway movie.
It's easy to watch, the dance sequences are sporadically enjoyable (if hardly innovative) and Antonio Banderas is wonderfully magnetic and charming in the lead.
The eye-popping dance numbers and affecting performances by the young leads, as well as Mr. Banderas and Ms. Woodard, make it worth the ride.
The filmmakers who dreamed up Take the Lead probably got a bonus for coming up with such a marketable concept. Mix a little Dangerous Minds with a bit of Save the Last Dance and, voila, a flick with across-the-board appeal.
Another tale of an unusual program to help disadvantaged school kids turned into a formulaic, sappily uplifting Hollywood product.
The film is long on flashy dance sequences and short on depth, character and craft.
Take the Lead, with its awkward transitions and abrupt blackouts, is the cinematic equivalent of a high school paper written in study hall the hour before it's due.
Besides the rousing ending, which combines ballroom and hip-hop moves in an exciting way, the film offers nothing we haven't seen before.
What the [public school] system and its culturally underfunded student body probably don't need is inspired-by-true-events claptrap like Take the Lead.
"[Eventually] contrived conflicts force Banderas to the sidelines, and it all starts to live up to the phony uplift promised by the title."
If hokiness were a fatal flaw, Take the Lead would be dead from the opening note, yet this feel-good musical drama is irresistibly endearing.
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