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The Tenant (1976)
Tomatometer
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Reviews Counted:20
Fresh:18
Rotten:2
Average Rating:8/10
Runtime: 2 hrs 6 mins
Genre: Horror/Suspense
US Box Office: $0
Synopsis: Trelkovsky (director Roman Polanski), a Polish immigrant residing in Paris, moves into an apartment vacated by a young woman who committed suicide by leaping out of her window. Upon moving in,... Trelkovsky (director Roman Polanski), a Polish immigrant residing in Paris, moves into an apartment vacated by a young woman who committed suicide by leaping out of her window. Upon moving in, Trelkovsky begins feeling that the woman's personality traits are being thrust upon him. At a local shop, the proprietor offers him the breakfast and cigarettes that the woman usually purchased--and he accepts them. Holed up in the psychotic environment of a dark Parisian building that's peopled with odd characters, Trelkovsky feels himself overcome by a kind of madness. His slow mental deterioration finally compels him to emulate the woman's final, tragic hours. Polanski's twisted and darkly comic thriller was nominated for the Golden Palm (Best Picture) at the 1976 Cannes Film Festival. [More]
Starring: Roman Polanski, Isabelle Adjani, Melvyn Douglas, Jo Van Fleet
Starring: Roman Polanski, Isabelle Adjani, Melvyn Douglas, Jo Van Fleet, Shelley Winters, Bernard Fresson, Lila Kedrova, Claude Dauphin
Director: Roman Polanski
Director: Roman Polanski
Producer: Andrew Braunsberg
Story: Roland Topor
Composer: Philippe Sarde
Screenwriter: Gerard Brach
Reviews for The Tenant
Owing to the very same personal urgency that makes it a masterpiece, it is overwhelmingly solipsistic and ultimately alienating.
Roman Polanski’s key error is almost certainly casting himself in the lead, as he is not an adept enough thespian to pull of the challenging transformation of his character.
It's an exercise in urban paranoia and mental disintegration that echoes or anticipates everything from Repulsion and Rosemary's Baby to Bitter Moon and The Pianist.
The Tenant is Polanski at his funniest, and its humor is premised on its excess. You can think of it as a staring contest where your opponent is dressed in wild drag.
The Tenant isn’t so much a psychological portrait of grief as it is an unnerving acknowledgement of the ambiguous nature of the world.
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