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The Devil Wears Prada (2006)
Tomatometer
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Reviews Counted:181
Fresh:136
Rotten:45
Average Rating:6.7/10
Consensus: A rare film that surpasses the quality of its source novel, this Devil is a witty expose of New York's fashion scene, with Meryl Streep in top form and Anne Hathaway more than holding her own.
Runtime: 1 hr 50 mins
Genre: Comedies
US Box Office: $124,703,638
Synopsis: A drastic improvement on Lauren Weisberger‘s bestselling novel, THE DEVIL WEARS PRADA showcases Meryl Streep's knack for combining humor and sadness. While likely inspired by notorious VOGUE editor... A drastic improvement on Lauren Weisberger‘s bestselling novel, THE DEVIL WEARS PRADA showcases Meryl Streep's knack for combining humor and sadness. While likely inspired by notorious VOGUE editor Anna Wintour, Streep's Miranda Priestly (head of Runway magazine) is entirely her own creation. Sporting silvery hair, a vast collection of fur coats, an encyclopedic knowledge of all things fashionable, and a killer smile, Miranda is full of wicked charm. With her mature beauty and commanding presence, Miranda is as fascinating to watch as she is intimidating to the constant rotation of assistants thrown her way. When bookish Northwestern grad Andy Sachs (Anne Hathaway) interviews to become Miranda's newest lackey, Miranda hires her not for her lackluster wardrobe but for her intellect. Inside the pristine Runway offices, Andy suffers through a never-ending list of impossible tasks, and is the subject of constant harassment by Miranda's jealous first assistant (Emily Blunt). But to the dismay of her boyfriend (Adrian Grenier) and close friends, Andy slowly finds herself seduced by the glamorous world of fashion, and by Miranda herself. While Andy's transformation comes largely in the form of new designer clothing, the makeover is mental as well. What starts out as a firm belief in fashion's vapidity and in Miranda's heartlessness gradually fades into the suspicion that the boss from hell might just be hiding a soul. While the book villainized its title character, the film gives new depths to her wrath. As Andy trades her undergrad wardrobe for one packed with Prada and Chanel (with help from Stanley Tucci in a brilliant role), viewers are able to savor the work of costume designer Patricia Field. Together with director David Frankel (who also worked on SEX AND THE CITY), Field creates a world of fashion so wonderfully extreme it would be hard for anyone to resist. [More]
Starring: Meryl Streep, Anne Hathaway, Stanley Tucci, Simon Baker
Starring: Meryl Streep, Anne Hathaway, Stanley Tucci, Simon Baker, Emily Blunt, Adrian Grenier, Tracie Thoms, Daniel Sunjata
Director: David Frankel
Director: David Frankel
Screenwriter: Aline Brosh McKenna
Producer: Wendy Finerman, Joseph M. Caracciolo
Composer: Theodore Shapiro
Studio: 20th Century Fox
Reviews for The Devil Wears Prada
A more singular, sharp and smarter tone would've made it a far more memorable piece of work
An ironic measure of the film's research into the fashion-mag scene is the fact that there's almost no journalism in it.
The Devil Wears Prada isn't a brilliant film, but it certainly is an entertaining one.
An ideal movie for DVD: you can pick and choose moments and lines to revisit while ignoring, or trying to ignore, the thematic compromises, hectoring impulses, and structural handicaps that start to engulf the film.
Streep is a far better reason to see The Devil Wears Prada than the movie itself.
It's to the film's credit that I still found it an enjoyable satire, as glossy and superficial as the industry it purports to skewer.
The story itself falls too frequently into the standard cliches of the awkward-girl-turns-into-a-swan-thanks-to-an-unexpected-fairy-godmother formula.
Funciona por el talento de sus actrices, por lo inteligente de su guión y por no pretender ser nada fuera de lo común. Fue una de las sorpresas del año pasado y con justa razón.
There are some witty lines and pretty outfits, but when it comes to diabolical satire, The Devil Wears Prada merely strikes a pose.
An insipid script by Laws of Attraction co-writer Aline Brosh McKenna packs a few droll one-liners, but mostly the film only aspires to its chick-lit roots.
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