One can easily appreciate the sheer vision, rich imagination and boldness of such a picture
The Fountain (2006)
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Reviews Counted:187
Fresh:96
Rotten:91
Average Rating:5.9/10
Consensus: The Fountain -- a movie about metaphysics, universal patterns, Biblical symbolism, and boundless love spread across one thousand years -- is visually rich but suffers from its own unfocused ambitions.
Runtime: 1 hr 36 mins
Genre: Science-Fiction/Fantasy
US Box Office: $10,046,093
Synopsis: It's been a long, strange trip since Darren Aronofsky last invited viewers into his cinematic world--six years in fact--but THE FOUNTAIN is sure to enchant, beguile, and inspire intense debate... It's been a long, strange trip since Darren Aronofsky last invited viewers into his cinematic world--six years in fact--but THE FOUNTAIN is sure to enchant, beguile, and inspire intense debate among his patient fans. During the frustrating gap since 2000's REQUIEM FOR A DREAM, Aronofsky has struggled to bring THE FOUNTAIN to the screen, principally because leading man Brad Pitt dropped out of the project. The complex tale is split into three different time periods, beginning in the 16th century, when a conquistador named Tomas (Hugh Jackman) strives to find the Tree of Life. The second part of the story finds Jackman playing a Buddha-like character who zips through outer space and dreams of a woman named Izzi (Rachel Weisz). And the third part, which consumes most of the film's screen time, is set in the present day and sees Jackman playing a doctor named Tommy, who is married to the terminally-ill Izzi. In this third section Tommy strives to find a cure for Izzi's brain tumor, and makes some progress after experimenting on a monkey with a substance discovered in a tree in South America. Meanwhile, Izzi has been writing a book that she calls THE FOUNTAIN, but has left the final chapter for Tommy to write. As Aronofsky pushes and pulls his sepia-tinted film between the three time periods, he weaves a deeply thoughtful, special effects-laden story that touches on themes of mortality and self, and requires a great deal of work from the director's audience. Movies such as Kubrick's 2001 and Tarkovsky's SOLARIS come to mind as Aronofsky gets deep into philosophical waters, and the various story strands of THE FOUNTAIN are as inconclusive and open to interpretation as the films that have clearly influenced it. The film makes for uneasy and sometimes confusing viewing, but will find its audience among intrepid souls who are fully prepared to let go and immerse themselves in Aronofsky's peculiar, daring, and thoughtful cinematic universe. [More]
Starring: Darren Aronofsky, Hugh Jackman, Rachel Weisz, Ellen Burstyn
Starring: Darren Aronofsky, Hugh Jackman, Rachel Weisz, Ellen Burstyn, Ethan Suplee, Cliff Curtis, Sean Gullette, Mark Margolis, Donna Murphy, Sean Patrick Thomas, Stephen McHattie
Director: Darren Aronofsky
Director: Darren Aronofsky
Story: Ari Handel
Producer: Arnon Milchan, Iain Smith, Eric Watson
Studio: Warner Bros.
Reviews for The Fountain
I don't pretend to fully understand Darren Aronofsky's latest film, to unravel its knots of time and character, or its oozing realities. But at its core there is the unmistakable essay on the way love is cheated by death, just as death is cheated by love.
Exquisitely beautiful and almost unbearably sad... The Fountain is cinema as poetry; romance as revelation; science fiction as prayer.
Whether Laughable Folly or Fool's Errand or (Possible) Head-Scratching, Noggin-Expanding Masterwork, there's never a moment where it's anything less than sincere.
It's a sprawling experiment in philosophical time travel and metaphysical noodling. And it's an earnest, magnificent wreck.
Seldom in cinema has eschatology been treated with such intelligence, or inspired such aching awe.
'The Fountain' is a stunning, elegant movie. I found it hypnotic and almost painfully beautiful.
If one would simply switch on their inherent intellect, they'd see the truth behind the tricks -- that is, that The Fountain is an astonishing, evocative experience
Most people will probably find it pretentious, or too vague, or boring, or even silly. But give it a chance.
The Fountain is masterful on so many unique levels, presenting a demanding filmgoing experience that should elicit a grand sense of awe on an emotional and spiritual level.
The movie is structured like an orchestral piece, with three distinct themes that gradually come together in a movement that is powerful and beautiful.
It's that faith in [Aronofsky's] artistic vision -- a faith that's evident during every second of The Fountain -- that sustains the movie even when you have no idea what the hell is going down.
If one is to be left with something in the end, it is the realization that its creator is fully in love with not just the result of his art, but the very happening of it.
It's more original than any mainstream or art film I've seen over the past few years.
The Fountain is beautiful, gripping and utterly transcendent. It's the best film of 2006.
It's not as important to understand The Fountain as it is to absorb the experience.
Though narratively flawed (first and third segments are truncated and difficult to follow), the film is more effective visually, asking the audience to succumb to Aronofsky's visionary world that takes full advantage of the medium's expressive qualities.
I was utterly absorbed in watching it, yet when it was over I had no idea what had happened.
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December 05, 2008:
Aronofsky Hopes for "Reassembly" of The Fountain ![]()
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November 21, 2007:
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This weekend For the first time this decade, a new release seems set to take over the number one spot during the busy Thanksgiving holiday weekend at the North American box... More...
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