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Movies / Upcoming / The Fountain
The Fountain

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The Fountain (2006)

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Reviews Counted:39

Fresh:10

Rotten:29

Average Rating:4.4/10

Consensus: The Fountain -- a movie about metaphysics, universal patterns, Biblical symbolism, and boundless love spread across one thousand years -- is visually rich but suffers from its own unfocused ambitions.

Runtime: 1 hr 36 mins

Genre: Science-Fiction/Fantasy

US Box Office: $10,046,093

Synopsis: It's been a long, strange trip since Darren Aronofsky last invited viewers into his cinematic world--six years in fact--but THE FOUNTAIN is sure to enchant, beguile, and inspire intense debate... It's been a long, strange trip since Darren Aronofsky last invited viewers into his cinematic world--six years in fact--but THE FOUNTAIN is sure to enchant, beguile, and inspire intense debate among his patient fans. During the frustrating gap since 2000's REQUIEM FOR A DREAM, Aronofsky has struggled to bring THE FOUNTAIN to the screen, principally because leading man Brad Pitt dropped out of the project. The complex tale is split into three different time periods, beginning in the 16th century, when a conquistador named Tomas (Hugh Jackman) strives to find the Tree of Life. The second part of the story finds Jackman playing a Buddha-like character who zips through outer space and dreams of a woman named Izzi (Rachel Weisz). And the third part, which consumes most of the film's screen time, is set in the present day and sees Jackman playing a doctor named Tommy, who is married to the terminally-ill Izzi. In this third section Tommy strives to find a cure for Izzi's brain tumor, and makes some progress after experimenting on a monkey with a substance discovered in a tree in South America. Meanwhile, Izzi has been writing a book that she calls THE FOUNTAIN, but has left the final chapter for Tommy to write. As Aronofsky pushes and pulls his sepia-tinted film between the three time periods, he weaves a deeply thoughtful, special effects-laden story that touches on themes of mortality and self, and requires a great deal of work from the director's audience. Movies such as Kubrick's 2001 and Tarkovsky's SOLARIS come to mind as Aronofsky gets deep into philosophical waters, and the various story strands of THE FOUNTAIN are as inconclusive and open to interpretation as the films that have clearly influenced it. The film makes for uneasy and sometimes confusing viewing, but will find its audience among intrepid souls who are fully prepared to let go and immerse themselves in Aronofsky's peculiar, daring, and thoughtful cinematic universe. [More]

Starring: Darren Aronofsky, Hugh Jackman, Rachel Weisz, Ellen Burstyn

Starring: Darren Aronofsky, Hugh Jackman, Rachel Weisz, Ellen Burstyn, Ethan Suplee, Cliff Curtis, Sean Gullette, Mark Margolis, Donna Murphy, Sean Patrick Thomas, Stephen McHattie

Director: Darren Aronofsky

Director: Darren Aronofsky
Story: Ari Handel
Producer: Arnon Milchan, Iain Smith, Eric Watson
Studio: Warner Bros.

[See More Credits]

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Reviews for The Fountain

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1 - 14 (sorted by date; Australian critics are listed first)
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Full Review Source: Sydney Morning Herald | comment Comment
01/26/07
Sydney Morning Herald
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I don't pretend to fully understand Darren Aronofsky's latest film, to unravel its knots of time and character, or its oozing realities. But at its core there is the unmistakable essay on the way love is cheated by death, just as death is cheated by love.

Full Review Source: Urban Cinefile | comment Comment
01/20/07
Urban Cinefile Critics
Urban Cinefile Critics
Urban Cinefile
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One can easily appreciate the sheer vision, rich imagination and boldness of such a picture

Full Review Source: Dark Horizons | comment Comment
11/21/06
Garth Franklin
Garth Franklin
Dark Horizons
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I will concede the film is not a great success. Too many screens of blinding lights. Too many transitions for their own sake. Abrupt changes of tone.

Full Review Source: Chicago Sun-Times | comment 5 Comments
09/14/07
Roger Ebert
Roger Ebert
Chicago Sun-Times
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There is a strange deadness in the film, together with a callow self-importance and self-pity which become more stultifying with every minute that passes.

Full Review Source: Guardian [UK] | comment 3 Comments
01/26/07
Peter Bradshaw
Peter Bradshaw
Guardian [UK]
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At heart, this is a simple Zen fable about love and death. In execution, it’s a complex and gorgeous mini-epic with sterling performances from its two stars.

Full Review Source: Empire Magazine | comment Comment
01/25/07
Helen OHara
Helen OHara
Empire Magazine
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At heart, this is a simple Zen fable about love and death. In execution, it’s a complex and gorgeous mini-epic with sterling performances from its two stars.

Full Review Source: Empire Magazine | comment Comment
01/25/07
Helen OHara
Helen OHara
Empire Magazine
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This is one of the worst movies of the year.

Full Review Source: Ebert & Roeper | comment 10 Comments
11/27/06
Richard Roeper
Richard Roeper
Ebert & Roeper
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The movie may have significant truths to impart, although I have my doubts, but it feels too inexperienced, too unworldly, to have earned the right to them.

Full Review Source: New Yorker | comment Comment
11/27/06
Anthony Lane
Anthony Lane
New Yorker
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A tagline has been affixed to the campaign -- 'What if you could live forever?' -- and it has a certain resonance, especially after seeing the film, which makes 96 minutes seem like eternity.

Full Review Source: Wall Street Journal | comment Comment
11/23/06
Joe Morgenstern
Joe Morgenstern
Wall Street Journal
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It's a sprawling experiment in philosophical time travel and metaphysical noodling. And it's an earnest, magnificent wreck.

Full Review Source: Washington Post | comment Comment
11/22/06
Ann Hornaday
Ann Hornaday
Washington Post
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Though his movie is visually inventive, writer/director Darren Aronofsky has fashioned a ponderous, overblown, genre-bending mess.

Full Review Source: USA Today | comment Comment
11/21/06
Claudia Puig
Claudia Puig
USA Today
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In his third feature, Darren Aronofsky tries to replace the prose of narrative cinema with a poetic language of rhyming images and visual metaphors.

comment Comment
11/21/06
A.O. Scott
A.O. Scott
New York Times
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A metaphysical melodrama about the quest for eternal life, it makes a pretty decent case for euthanasia; here is what it's like to long for a swift, merciful end.

Full Review Source: Los Angeles Times | comment Comment
11/21/06
Carina Chocano
Carina Chocano
Los Angeles Times
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Pic's hippy trippy space odyssey-meets-contempo-weepy-meets-conquistador caper starring Hugh Jackman and Rachel Weisz suffers from a turgid script and bears all the signs of edit-suite triage to produce a still-incoherent 95 minutes.

Full Review Source: Variety | comment 4 Comments
09/05/06
Leslie Felperin
Leslie Felperin
Variety
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1 - 14 (sorted by date; Australian critics are listed first)
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Latest News for The Fountain

January 21, 2009: Five Favourite Films with James Franco
Having established his name in the Spider-Man movies, these days James Franco is clearly making some more personal career choices. He was in three films in 2008, notable for... More...

January 16, 2009: UK Critics Consensus: The Wrestler Pile-drives The Critics, But Don’t Waste any £s on Seven Pounds
With critical success for Slumdog Millionaire last week (94%), we have more award-friendly fare in the UK cinemas this Friday in Darren Aronofsky's spandex-tastic The Wrestler.... More...

December 05, 2008: Aronofsky Hopes for "Reassembly" of The Fountain Opens in new window
Darren Aronofsky is basking in the glow of positive reviews for "The Wrestler," but he still hasn't quite let go of "The Fountain" -- and he'd like to put together a... More...

November 21, 2007: Box Office Guru Preview: Enchanted Leads Packed Holiday Weekend
This weekend For the first time this decade, a new release seems set to take over the number one spot during the busy Thanksgiving holiday weekend at the North American box... More...

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